Euroracl

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Synth

E350

E355

Demo of the Synthesis Technologies modules E350 Morphing Terrarium and E355 Morphing Dual LFO.
The Morphing Terrarium is a very powerful and good sounding Wavetable VCO. Here it is fed into the Doepfer A-106-5 SEM type filter, the cutoff frequency is after a few minutes modulated by the E355. Lexicon Delay and Reverb used.

E350 Morphing Terrarium, E355 Morphing Dual LFO

Channel one of Maths, quantized by A-156, controlling pitch of E350. X and Y morphed by A-143-3 (tri) and uLFO (sine), Z by uLFO (shaped sine). Z passed into A-132-3 VCA, controlled by channel 4 on Maths. 

XY into Eventide Space, Z into Strymon Timefactor.

E350 - Maths is Music

for today's sound i wanted to explore the e350 morphing terrarium oscillator. maybe some nice sine waves or bells, which is how the patch started out, but it ended up a bit "woodier" or at least more percussive in some ways.

what we have here is an e350 being played by a moskwa sequencer going into an echophon delay. but where the fun really happens is the echophon delay time is providing the clock for the sequencer, so it's always in sync. however, the clock it's outputting is being divided by 3 from a 4ms rotating clock divider, so the sequencer clock is going 3 times slower than the echo.

further clock division pulses are hitting the cv inputs of the pittsburgh filter to give it some knocking sounds and the e350 wavetables are being modulated by attenuated lfos from a uLFO.

to add further fun, the feedback path of the echophon is going into an intellijel uVCF in bandpass mode and i'm playing with feedback amount and filter feedback to get some cascading, feeding back delays.

i think that about covers it. this one was fun.

Jan 15, 2014 (fun with the e350, echophon and a clock divider)

opl_11_19_1

Appulse Redux is a resurrection of my earliest attempt at computer music.  The original work was an exploration of timbre and temporal perception.  The current incarnation recasts only the best moments in an extreme distillation of the dialectics and metamorphoses that shaped the longer work.  This piece is composed entirely of synthesized sounds using Csound, Composers Desktop Project (CDP), and Sony’s Sound Forge and Vegas software.  The sounds were created in Csound and then processed using CDP and Sound Forge.  Finally, the work was pieced together in Vegas.

Appulse Redux (2007) for fixed media

How to destroy angels_ Keep it together. From "An omen EP_"

Keep it together

How to destroy angels_ Ice age. From An omen EP_

An omen EP_

Ice age

a track using the Doepfer A-112 sampling module to process a voice sample.
only analogue synthesizers used: Doepfer A-100, Moog Voyager, Vermona DRM, Studio Electronics SE1x (bass), Cwejman S1. Enjoy :-)
The voice sample is a random passage from the book 'The Undomestic Godess' by Sophie Kinsella.

6-minute-segments

New single from our forthcoming debut LP "Welcome oblivion," out March 5th. Watch the video at http://howtodestroyangels.com

How long?

Http://store.howtodestroyangels.com
iTunes: http://smarturl.it/welcomeoblivion

Welcome oblivion

The wake-up

On the wing

On The Wing

The E560 as its own sound source using high feedback settings and sequencing of Effect by Pressure Points/Brains.  PP also modulates the Carrier Morph.  Mode is Ring Mod or Shift (can't recall!) Some manual tweaking.  Reverb by the Z5000 

E560-as-sound-source

I'm a synthesizer enthousiast living in Germany, with a particular passion for analog synthesizers. 

E350 Morphing Terrarium, E355 Morphing Dual LFO

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