b-sides

some summer (demo)

[ ▲A p o l l o § A r †▼ ]
[ T w o H u s s a r s ]
[ E c c 3 : 4 ]
[ S t e r e o s c e n i c ]

"Under the ban, --
So, ye have wrought me
Designs on the night of our knowledge, -- yea, ye have taught me,
So,
That haply we know somewhat more than we know.

Ye lispers, whisperers, singers in storms,
Ye consciences murmuring faiths under forms,
Ye ministers meet for each passion that grieves,
Friendly, sisterly, sweetheart leaves,
Oh, rain me down from your darks that contain me
Wisdoms ye winnow from winds that pain me, --
Sift down tremors of sweet-within-sweet
That advise me of more than they bring, -- repeat
Me the woods-smell that swiftly but now brought breath
From the heaven-side bank of the river of death, --
Teach me the terms of silence, -- preach me
The passion of patience, -- sift me, -- impeach me, --
And there, oh there
As ye hang with your myriad palms upturned in the air,
Pray me a myriad prayer.
My gossip, the owl, -- is it thou
That out of the leaves of the low-hanging bough,"

“The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?”

https://www.everydayknow.com/positive-words-that-start-with-k/

"The keynote of the stylization achieved in ballet is: weightlessness. Paradoxically, ballet presents man as almost disembodied: it does not distort man’s body, it selects the kinds of movements that are normally possible to man (such as walking on tiptoe) and exaggerates them, stressing their beauty—and defying the law of gravitation. A gracefully effortless floating, flowing and flying are the essentials of the ballet’s image of man. It projects a fragile kind of strength and a certain inflexible precision, but it is man with a fine steel skeleton and without flesh, man the spirit, not controlling, but transcending this earth . . . .

Strong passions or negative emotions cannot be projected in ballet, regardless of its librettos; it cannot express tragedy or fear—or sexuality; it is a perfect medium for the expression of spiritual love."

"As Opposed To What?"

"Almost every wise saying has an opposite one, no less wise, to balance it."

“All the works of man have their origin in creative fantasy. What right have we then to depreciate imagination?”

[ H y p e r b o r e a ]
[ T h e E a s t E n d ]

Für Nina! &#10084;

45 Jahre alt I Hobbyfotograf I Berliner I Buchhändler I Musikliebhaber I Verlobt

Drums - Pelican  
Past Bands: Intrcptr - San Angelus - Aeges - Lair of the Minotaur - Tusk

Jakob is a New Zealand post-rock band, based in Napier, Hawke’s Bay, New Zealand. The band consists of guitarist Jeff Boyle; bassist Maurice Beckett; and drummer Jason Johnston. They have been compared to such bands as Mogwai, Sonic Youth, Sigur Ros & ISIS, though they largely eschew any vocals or samples in their songs.  At times putting the post- into rock, and at others kicking the whole bloody fence down, Jakob’s lush and textured take on the guitar/bass/drums format continues to broaden and enthrall with every performance and release. Their music is captivating and mesmerizing, the sedate becoming devastating in the blink of a crowd’s collective eye. Echoing the graduated inclines and unexpected progressions found in their music and the expansive landscapes of their surroundings, this Napier three-piece has developed consistently, if sometimes unpredictably, since their formation in 1998. Since that time Jakob have connected listeners the world over with their cascading crescendos, performing at South By Southwest 2005 (one of the Austin Chronicle’s picks of the festival), Headlining Denmark’s Forma Nova Festival, showing their wares across the Tasman several times including playing alongside Australia’s equivalent of NZ rock heroes hero’s Shihad, Cog and touring the UK, Europe and USA extensively supporting the likes of Isis, Pelican, and The Hidden Hand along the way. Not that the band hasn’t left audiences around New Zealand enthralled – notable shows around the country include Big Day Out appearances in consecutive years, performing at The Mercury Rising and Rhythm & Vines festivals, a tour playing with former Can front man Damo Suzuki, and support slots with US acts Thrice & ISIS. Jakob was the hand picked support for prog-rock greats TOOL on their Big Day Out sideshows late Jan, early Feb of 2011.

postrockatmosphericdronedoommetaldreamgaze

In a dictatorship, independent journalism by default becomes a form of activism, and the spread of information is essentially an act of agitation. I am a journalist, photographer, and member of the Egyptian Revolutionary Socialists.

some summer (demo)

Jakobtheband