JFB Psybient Music 2

Converted By http://soundiiz.com, Spotify To Soundcloud

[spotify import] ambient

IDM/Downtempo

William Basinski

love for the dub II

asmr

ClutterFall

From the Album Voodoo Roux 
https://www.discogs.com/release/22434-Various-Voodoo-Roux

Eer - Hand Car [destruction.30]

Taken from the alum 'Goodbye'.

How to describe Ulrich Schnauss's music? Let's see. It's shoegazing heroes. Slowdive headlining a rave. It's krautrock plunging headlong into the celestial raptures of the Cocteau Twins. It's U2 if Brian Eno had ousted Bono and commandeered the band in 1985. It's Balearic with a view of the Baltic instead of the Mediterranean. It's art-techno for the heart as well as the head. It's stadium chillout, as immense as a festival field and as intimate as a bedroom. It's celebration and catharsis. It's vapour trails and meteor showers. And it's very, very good.
 
So far, the quietly spoken German who creates this music has operated beneath the radar. His first two albums, 2001's Far Away Trains Passing By and 2003's A Strangely Isolated Place, worked their way into record collections by stealth. People heard tracks played by Rob Da Bank or Tom Middleton, or chanced upon him on stage at the Big Chill or Bestival, or heard about him from friends. However they discovered him, they were hooked. XFM's Lauren Laverne called A Strangely Isolated Place "a life changer everyone I have forced to buy it loves it."
 
Ulrich's third album, Goodbye, is his first for Independiente. It is also the end of a chapter in his sound. "I see these three albums as moving closer to something I wanted to do right from the beginning but didn't quite manage," he says. "Merging songwriting and indie elements with electronic music. I've tried to take all the ideas to the maximum."
 
So the ambient tracks are more spacious, the songs more memorable, the multi-layered, guitar-heavy tracks more ragingly psychedelic. Just listen to the obliterating rush of Medusa, or the cloudbusting dream-pop of Stars (performed by long-time collaborator Judith Beck). At times, there are over 100 different audio tracks playing simultaneously: a tower of song. No wonder Goodbye has taken three solid years of in the studio.
 
If Ulrich hailed from somewhere less boring, things might have been different. Fortunately, he was born in 1977 in Kiel, an unprepossessing city on Germany's Baltic coast best known for its naval base. It seemed to the young Ulrich as if everything important was happening elsewhere.
 
He explains, "I was talking to Andrew Sherriff from Chapterhouse and he told me that being from Reading had a significant influence because the place was so shit that you had to create beautiful music to get out of that state of mind. I'd say the same thing for me. Kiel is probably the most boring, ugly place in the world. The whole city is grey concrete. Places like that inspire you to create something that elevates you out of reality for a few minutes."
 

Bands didn't tend to play in Kiel, but at least the NME arrived regularly at the train station, albeit four weeks late, and the british forces radio station was good. Around 1990, Ulrich discovered electronic music and shoegazing simultaneously: the Orb alongside My Bloody Valentine, 808 State next to Ride, Shades Of Rhythm beside Slowdive. He also followed up every artist namechecked by LFO in their 1991 single What Is House?: Brian Eno, Tangerine Dream, YMO His core ideas about music were forged there and then.
 
"For me that was the magic of those days," he says. "You couldn't say if a band was electronic or rock. I'm not interested in purist ideas. I like it when things you don't expect merge and mix and something new comes out of it."
 
And because he never got to see his heroes in the flesh, they maintained an aura of mystery and wonder. "You make up your own idea of how things are. For me that whole early '90s scene was something I imagined, like a fairy tale - an alternative reality to what I was experiencing."
 
Ulrich worked as a psychiatric nurse as part of his national service. After that, he moved to Berlin, where he tried in vain to become accepted by the electronic scene. "I felt really isolated. I desperately tried to integrate but it just didn't work. I was trying to marry what I wanted to do with what was trendy at the time and I always ended up with a foul compromise. So I thought I might as well do what I want to do."
 
After a few years of watered down, pseudonymous productions which he'd rather you didn't seek out, Ulrich released Far Away Trains Passing By on the dauntingly hip City Centre Offices label. He was amazed they even wanted to release it; more amazed still when it became a cult success. With its abundant charm and unabashed optimism, it was the most pleasantly surprising electronic debut since Boards of Canada's Music Has The Right To Children.
Its more rock-influenced successor, A Strangely Isolated Place, received an even warmer response, from critics and other musicians alike. It led to Ulrich remixing some of his shoegazing heroes (Neil Halstead and Rachel Goswell of Slowdive, and Mark Gardener of Ride), as well as Depeche Mode, Justin Robertson, Lunz (Hans-Joachim Roedelius), and Longview.
 
Tired of the Berlin scene, Ulrich moved back to Kiel to make Goodbye. Most of his schoolfriends had moved away, so he didn't have to worry about distractions. His last two album titles spoke of isolation, but was that the pain of enforced loneliness or the comfort of voluntary solitude? Goodbye is equally ambivalent. "Emotionally, I find farewell situations interesting," he says. "Saying goodbye can be tragic or hopeful."
 
Like its predecessors, Goodbye constructs its own world, vast and vivid. When he's making music, Ulrich sees colours: one song might be red, another blue. Next time, he wants to "record an album based on more traditional electronic music structures - which could enable me to merge all these different influences beyond recognition". Meanwhile, this is the album he's been moving towards for over a decade: a sonic tour de force, an alternative reality, a life-changer.

Ulrich Schnauss - Stars

Rich Oddie-Driftwork

This is an excerpt of the concert I made in London with Alessio Natalizia's Not Waving and Pye Corner Audio.

The original version of this piece can be found here:
https://abulmogard.bandcamp.com/album/abul-mogard

The Purpose Of Peace - Live in London 17 July 2014

iori-magnetic

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Support: Luigi Madonna / Kernel Key / Pedro Delgardo / Pig & Dan / Tom Laws / Q'Hey / Bodyscrub / Spiros Kaloumenos / Stanny Franssen / Hollen / Judge Jules / Anderson Noise / Soren Aalberg / AnGy KoRe / Sisko Electrofanatik
 
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Unstoppable techno force !Organism is back with another meaty EP, this time from the pair of Funkbrainer & Extra Dry, with remixes by German producer and Limikola label boss Heron.

Funkbrainer has clocked up almost 200 releases in her time, with her melodic, groovy style gracing labels like Plusquam, Galore Music and Momentum. Her partner here Extra Dry is a French artist influenced by the likes of Oscar Mulero who has signed to Amazone and Mekanism amongst others.

Their first cut ‘After Life’ is a main room bit of techno with big, intense synth lines, dancing percussion and stiff drums driving the whole thing along. Designed for maximum impact in a large warehouse space, the track is sure to grab everyone’s attention with its deep rhythms and bold textures.

‘Filofish’ is the other original and is a much quicker and slicker techno roller, here rubbery drums and icy hi hats race along as flabby dub techno chords wobble by the side. 

Two great remixes are supply by Heron, a producer who has delivered time and again through his own label and elsewhere and has worked alongside the legendary Kevin Saunderson. His first version, a Heron rework, is dark and bulky, with depth charged synths and barreling drums, whilst the second, a Heron remix, is more broken, experimental and off kilter. Here the groaning lines are joined by DIY perc sounds and colourful stabs and as such makes for a totally different vibe.

It’s fat and heavy and Subtler and deeper than usual, this is still a sterling techno offering from one of Europe’s finest labels.

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BUY
www.beatport.com/label/organism/12318
http://music.organism.ch

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CAT N° : ORGA61
Release : March 2, 2015
Mastering : www.cslab.ch
More info : www.organism-recordings.com

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VIDEOS
www.youtube.com/organismdigital

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FEEDBACK
Feedback is always welcome !
info@organism.ch

Luigi Madonna (Drumcode / MKT / Material)
Great release. download for luigi madonna! tnx for the music. *Heron Remix

Dave Angel
Thanks! Will let you know if supporting. *After Life

Kernel Key (Octopus Recordings)
release very good! thx ;) *Filofish

Pedro Delgardo (Ying Yang)
Nice release. like funkbrainer *After Life

Tom Laws (Respekt / Phobiq)
Great release. nice as always *After Life

Sisko Electrofanatik (Neurotraxx / Armada / IAMT)
great groove here! cool stuff support *Filofish

Eddie Halliwell (Fire It Up)
Great release. passing on to eddie *Filofish

Q'Hey (MB Elektronics)
Great release. Beautiful sounds on After Life, cool bass on Filofish (Heron Remix). *Heron Remix

Florian Gasperini (Ibiza Essentials)
Nice release. thanks for the music *Filofish

AnGy KoRe (1605 / Italo Business / Different Is Better)
Excellent release. massive stuff here! Thanx *Filofish

Soren Aalberg (Girafe Sauvage)
really really good release! congrats *Heron Remix

Bodyscrub (Phobiq / Respekt)
Wicked release....Heron remix for me! *Heron Remix

Spiros Kaloumenos (Focus Digital)
great release ! *Filofish

Richie Hawtin (Minus)
downloaded for r hawtin *After Life

Gabriele Gilleri (differentgrooves.com)
supporting *Heron Rework

Danny Tenaglia
Thanks! *Filofish

David Herrero (Defected / Vendetta / Stereo)
nice:) *After Life

Stanny Franssen (Girafe Sauvage / De:Tuned / Genetic Recordings )
I'll go for the original Filofish mix and the Heron Rework!

Judge Jules (BBC Radio 1- B)
Excellent release. Nice track - Downloading for Jules! *Filofish

Pig & Dan (Igor)
Nice release. afterlife is massive with its oldscholl organ sounds :)

Hollen (Bitten / Respekt Recordings / Agile Recordings)
very nice ep *Heron Remix

Anderson Noise (Radio Noise / Noise Music)
Great release. thanks for the music *Heron Remix

!61 : Funkbrainer - After Life (Original Mix)

Unoccupied (Eitan Reiter & Nadac Katz) - Everyday Life

Unoccupied - Everyday Life

This track is a mad mix of genres. Hope it can be sound good for some (Y)

ORDINARY SINS for 'Crimes, Disguises, Secrets & Sins' project, original music theme by LabVic
(Dark Progressive Electro/Cinematic/Soundtrack/Ambient/Electronic/Darkwave/Psy/Sadcore/Gothic/Instrumental - Portugal, 2015 © All Rights Reserved)

Thank you for listening. Any comments are welcomed. Enjoy & share (Y)

Ordinary Sins

Aphex  Twin - Strotha Tynhe ( Potential differenSe Remix)

A deep floating compilation embodying the works of pioneers in the exploration of a new wave of electro ambient music. Oxycanta is an expression of spatial density with the constant presence of our natural environment at times in its organic recorded form, others transduced into atmospheric textures by advanced technologies. Its title derives from Crataegus Oxyacantha, commonly known as the Hawthorn, a tree whose leaves and berries are legendary for their heart-healing properties. 

Compiled and mixed by Mahiane, aka Sunbeam, co-manager of Ultimae, label artist and deejay, Oxycanta presents various compositions gliding into each other with intangible obbligato.

[ Oxycanta ]

Aerolith

Download

Gwely Mernans (Aphex Twin re-imagining)

None may be better suited to crafting eulogies than William Basinski. The composer who graced us with the melancholy masterpiece Disintegration Loops now turns his gaze to David Bowie. Today marks the one year anniversary of Bowie's passing and so we humbly premiere Basinski's tribute 'For David Robert Jones.' This hymn for the music hero will be released January 20th on Temporary Residence Ltd. Keep your ears on RBMA Radio because Los Angeles resident Basinski will soon appear as a guest on Frosty's weekly LAndscape program.

@william-basinski
@temporary-residence-ltd-1
rbmaradio.com/shows/landscape
redbullmusicacademy.com

A Shadow In Time 

William Basinski - For David Robert Jones [LAndscape Premiere]

Uploaded due to FB requests. Ask and ye shall receive! This one is from my 2006 album entitled "Mellowdrama" Click the "Track Video" button above to view the video on YouTube.



Behold

Buy and Stream links https://fanlink.tv/oohuman

www.olivierorand.com

https://www.facebook.com/olivier.orand
https://www.instagram.com/olivier.orand
https://twitter.com/orandolivier

Mixed and Mastered at hyperelief.com

Human

Hours

Aphex Twin - Avril 14th

Biosphere - When I Leave

As we eagerly await the release of Deepchord's second album on Soma entitled 'Sommer', we have a free track available for download which does not feature on the album!

Jeanneau is typical Deepchord in every detail. From the lush ambience to the perfectly processed field recordings. A track that ebbs & flows beautifully from start to finish...

Pre order Sommer from the Soma Records shop

http://www.somarecords.com/shop/music/soma_cd99/

Deepchord - Jeanneau |FREE TRACK|

Petiatil Cx Htdui (Aphex Twin Cover)

tracklist: https://radio.syg.ma/episodes/guests-61-holohz
https://soundcloud.com/yuliaglukhova

HoloHz

GUESTS 61 – HoloHz

A soundtrack for a Blade Runner-type ripoff movie I imagined in my head.

If I had any skill I'd mix it into something continuous, but those talents evade me.  Any takers to string this all together?

Ulrich Schnauß - Monday-Paracetamol

I took a track off of Druqks and made it a little different.

nanou2 by Aphex Twin //ArchDeacon Rework

Bits from my latest project, a collaboration between myself and Brendon Moeller. Out now on Hypercolour Records!

HYPELP014.10 Zodiac Out Cold Dub Scedit

A wonderful ASMR track by the one and only Frivolous Fox ASMR

Original Video Link: https://www.youtube.com/watch?v=UuEMaRgAtZM

Happy Tingles - ASMR Enthusiast

Biosphere - When I Leave

Jalena