totentanz

techno

Best Techno 2023

tracklist 0-0-4

The best techno in 2023. Tracks from Charlotte de Witte, Adam Beyer, HI-LO, Anyma, Tale Of Us and many more!   |  <a href="https://www.instagram.com/wearenovacollective/">Instagram</a>

Apollo EP

Apollo

Buy now

Charlotte de Witte - Apollo (Original Mix)

'Follow' is my single who came out on the 11th of November 2022 🤩
I hope you enjoy 🖤

Supported by: Techno Bunker (official Spotify playlist)

And don't forget to follow me 😎
📷 www.facebook.com/djlunalucci
📷 www.instagram.com/luna.lucci
📷 www.youtube.com/channel/UCdVUOYFu4KHyL4safUAswCQ

Follow

Buy the extended version on Beatport: https://www.beatport.com/track/heute-nacht/16938864
Follow me on Instagram: https://www.instagram.com/maddixmusic/

Heute Nacht

Download & Stream: https://fanlink.to/MGM091
Linktree Belocca: https://linktr.ee/Belocca​

The follow-up to "Addiction" is finally here! Nusha and Belocca have spend most of the spring and summer touring, which gave all the energy to create "Serenity". Both artists really appreciate the rare and fine moments in life; when you laugh, love, relax and experience joy all together. In today's world people need positive vibes like this and Belocca & Nusha would like you to indulge in "Serenity".

Online:
nushamusic.com
instagram.com/nushamusic
soundcloud.com/nushaa
facebook.com/Nusha.Dj

belocca.com
instagram.com/djbelocca
soundcloud.com/belocca
twitter.com/belocca
facebook.com/beloccaartistpage
tiktok.com/@djbelocca
linktr.ee/Belocca

Mastered by Raoul Russu, Ma-studio.ro

Serenity

Download and Stream

Belocca & Nusha - Serenity

Quiet Woman

Quiet Woman (Simina Grigoriu Remix)

Wild

Das Boot (V2)

Das Boot (V2) (D72 Remix)

Step

Light The Torch

Is It Real

Is It Real (Extended Mix)

Sloopkogel

Twisted

Hello Techno

Raw Diamonds

Raw Diamonds (feat. PENELOPE)

Altered Consciousness

Your Heart

💿Charlotte De Witte, Enrico Sangiuliano Vs Lilly Palmer - Reflection Vs We Control (Celas Monteiro Mashup)

📲Liking the track? Follow me for more mashups, remixes, live sets and more music related content!

Socials(on all platforms): @Celasmonteiro 

📥Free Download: Available soon (Mashup pack)

❗️---------- Disclaimer ----------
I do not take credit for this track uploaded on this channel. Please, refrain from issuing a copyright infringement claim against me. Everything uploaded to this channel is for promotional/entertainment purposes only.

Free Download

Charlotte De Witte, Enrico Sangiuliano Vs Lilly Palmer - Reflection Vs We Control (Techno Mashup)

Push Up

Push Up (Original Mix)

Decimation

Just A Dream

High Street

Charlotte de Witte - High Street (Radio Edit)

BUY IT NOW: https://www.beatport.com/track/space-date-pleasurekraft-remix/12153522
STREAM IT NOW (Spotify): https://open.spotify.com/track/1lbUtnuS8AYvKd0lziKpJ4?si=gasYXChQSSeRezMAL9tiug

Pleasurekraft return to Drumcode on remix duties after a 2 year hiatus with all engines on the Cosmic Techno ship firing.  Big-room atmospheric drums and an infectious call and response hook intertwine with Green Velvet's otherworldly vocals to produce a new highly visceral and steroid injected version of the original.  The "Space Date" remix marks the sixth collaboration between the seminal purveyors of the Cosmic Techno sub-genre, Pleasurekraft, and Chicago's iconic dance music pioneer Green Velvet. 

The remix initially came about after Drumcode head Adam Beyer heard Pleasurekraft's "Welcome to the Universe" EP [Kraftek] at the end of 2018.  A huge supporter of the Swedish/American production duo, Adam felt so inspired by the whole EP, especially "Main Sequence" that the opportunity for Pleasurekraft to take their love of all things space related lent itself naturally to the thematic elements in Green Velvet's vocals. 

The track's spine is built around a hypnotic groove that is anchored to a single word from the original's vocals : "ecstasy" and slowly builds to the first climax of the record where the listener finally hears Green Velvet's vocals in full for the first time.  However it isn't until the second break of the track that the power of the remix is finally unsheathed, resetting the groove and building up to a second swell featuring a duo of call and response melodies between the lead hook and a lower end bass that takes the intensity of the track up another notch - ultimately culminating in complete silence that gives way to the remix's original heartbeat and repeating mantra: "ecstasy". 

Taking over a month of studio time to complete, it was road tested for the first time at Pleasurekraft's Fabric London gig, where there was no shortage of inquiries as to the ID of the record.  This soon became a repeating theme after Adam Beyer first included it on DCR446 and played it during both of his Ultra Miami (Resistance) sets, including his closing b2b set with Maceo Plex who loved the track so much he proceeded to get his own copy and play it during his own solo set one week later at Time Warp in Germany.  

Multiple clips of the remix have already gone viral on various social media and blog outlets, with no shortage of fans waiting anxiously for the June 24 release date on Adam Beyer's own Drumcode Records. In Adam Beyer's own words, Pleasurekraft are "setting new standards" with their continued foray into the Cosmic Techno sub-genre they continue to define.

www.instagram.com/pleasurekraftofficial
https://www.youtube.com/user/pleasurekraftREAL
www.facebook.com/pkmusic
www.twitter.com/pleasurekraft

Space Date Remixes

BUY IT NOW

Adam Beyer, Layton Giordani, ft Green Velvet - Space Date (Pleasurekraft Remix)

The 25-track strong compilation features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode's regular release schedule, such is the volume and high standard of music that's submitted.

The highlight-rich compilation includes Jamie Jones & Darius Syrossian's buzzy Drumcode debut 'Eyes of the Night', Nicole Moudaber's first DC release in 5 years with the mesmerizing 'This Is Us', Will Clarke's bass-drenched re-work of Adam Beyer & Bart Skils 'Your Mind' and Joey Beltram's first Drumcode release in 11 years with the retro-tinged 'Can You Feel It'.

The beloved Alan Fitzpatrick returns to the fold with the searing 'Heiße Rakete', alongside label mainstays Layton Giordani, who drops the stirring chord-driven 'Chrome' and Wehbba with 'Mantra', combining techno classicism with future-focused groove.

There's a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johannson, Anthony Castaldo, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with 'Aura', a particular favourite of Beyer's over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.

Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Veerus and Timmo follow up strong DC releases with a repeat dose. Elsewhere faithful contributors Ramon Tapia, Jay Lumen, Luca Agnelli, Marco Bailey and Mark Reeve craft powerful dancefloor weapons.

Zimmz - Console (Original Mix)

Dead with God

Dead with God (Thomas Schumacher "Believer Remix")

Stream FULL album: https://fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of  the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences. 
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Love in the Age of Machines

Pleasurekraft - Corpse Reviver Number 3

Tunnel Vision, Pt. 1

Slave to Rhythm

James Black is all about high-energy, groove-heavy music that makes people move. Hailing from Toronto, he blends techno and tech-house with a fun, high-octane edge—always aiming to bring smiles to the dancefloor. His sound is built on driving rhythms, infectious grooves, and just the right amount of chaos to keep the party alive. Whether it's a peak-time banger or an after-hours roller, every track is designed to make people lose themselves in the music and have an absolute blast.

Light The Torch

James Blvck