emerging forms (for large open ensemble)
composed by James Layton (2023)
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Alexander Sandved (viola)
Andreas Morgan Grimstad (viola)
Ane Elise Lassen (double bass)
Eivind Holmboe Leifsen (saxophone)
Elvira Göransson (cello)
Erlend Olderskog Albertsen (double bass)
Ferdinand Schwarz (trumpet)
James Layton (viola)
Laura Madaliso Beer Kumwenda (viola)
Marco Slaviero (guitar)
Maren Sofie Nyland Johansen (accordion)
Michał Hałoń (cello)
Mitra Fagerli Rahman (viola)
Noel Rubli (accordion)
Sophie Kauer (cello)
Tomas Laukvik Nannestad (guitar)


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artwork: László Moholy-Nagy - Photogram (1928-9)

emerging forms (for large open ensemble) [2023] [extract]

performer - guitarist

currently based in Oslo, Norway

James Layton is a British composer, musician, and visual artist currently based in Oslo, Norway. His work often explores non-climactic forms, which slowly unfold and focus on the juxtaposition of progression and stasis. His use of patterns, permutations, and repetition aims to draw listeners into the music while exploring ideas of time and memory. This work is often informed by his interest in visual art, particularly the works of Agnes Martin, Sol Lewitt, and Bridget Riley.

James’ compositional output includes works for opera (saudade 2022), orchestra (focal 2019), chamber music (honour thy error as a hidden intention 2023), choir (veering slowly, losing identity 2023), as well as electro-acoustic music (are we on other, less concrete shores? 2021), and collaborations with dance (Rock-A-Bye 2023) and visual media (time spent 2023). This work has been performed around Europe by musicians and ensembles such as Cikada (NO), Orkest de Ereprijs (NE), I Solisti (BE), Ensemble Spectrum (SK), Stephen Upshaw (US/UK), Standard Issue (UK) Ensemble Ernst (NO), Ostravská Banda (CZ) and ONO – Ostrava New Orchestra (CZ), including at festivals such as Bergen Festspillene (2024), Bijloke Wonderland (2023), NODO/New Opera Days Ostrava (2022) and Ostrava New Music Days (2019).