JBRH 004

JBRH 010

[UNDER CONSTRUCTION]

Fantaisies tracks (courtes) series no. 186

creation: 2021/12/16

These sets/mixes/live performances/podcasts... were uploaded to SC
between 0_/2021 and 12/2021, except for the following, older ones:

. . -
[TO BE COMPLETED]

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

HK_Fantaisies_tracks_186

JBRH 046

New Music Unlisted - 8 (Kitaptan Sonra)

Contemporary Guitar

#Opera #Concerts #Concierto #Clásica #MúsicaClásica #ClassicalMusic #Classical #erdmusic #ERD #ERDiscos Sale and distribution of music #cd #dvd #vinyl #vinylrecords #Vinilo #Singles #EP #Record #album #newrecord #erdmusicpress #albums #labels #records #NewMusic #NewMusicAlert

Classical Music

New & hot: Classical

So Mad

March 11

The 2100 Adu - Gilmore Mull

meaning: signal blinded me yet it was just a dim

verl-egen-heuteimge-fuuh

Language in Paradise III

Liquid Fake

9.53 pm Mon Dec 13th 2021
Raised and destroyed

Infected memory

Feigning Faint

Perfect Person

g. bosco, melisma per flauto e chitarra

e. chasalow, 'scuse me (electric guitar and tape) live at radio interrnettabile

yet the dew remains in pale (2011-12) Orchestra

2022.10
Commissioned by Huikuan Lin and Taipei C-Camerata
Composer: Chen-Hui Jen
Pipa: Huikuan Lin
Violin: Chia-Lun Chang
Recording: Chia-Lung Huang
Mastering: Jacob David Sudol

Still mountains, still... (2022)for pipa and violin

Nils Frahm – Ambre

Three Portals for Solo Guitar

Clara Iannotta
Intent on Resurrection — Spring or Some Such Thing
pour dix-sept musiciens 
Ensemble intercontemporain
Matthias Pintscher, direction 

Créé et enregistré en direct le 17.10.2014 à la Cité de la musique (Paris)
Enregistrement sonore : Radio France 

En savoir +  : http://www.ensembleinter.com/accents-online/?p=7310

Clara Iannotta : Intent on Resurrection — Spring or Some Such Thing

Live Recording in Villafranca di Verona, 2013
Guitar: Ruben Mattia Santorsa
Music by Hans Werner Henze

"Drei Tentos" by Hans Werner Henze

Live Recording in Bern, 2015
Guitar: Ruben Mattia Santorsa
Music by Maurizio Pisati

Studies n. 1, 2, 5, 6 from the "Sette studi" by Maurizio Pisati

I was just practicing tonight and felt like recording one of the pieces.  Beethoven's Sonata No. 14 in C# minor Op. 27 No. 2, or otherwise known as 'Quasi una fantasia' or the 'Moonlight Sonata'.  I recorded this on a Steinway D and mastered it in my mastering studio www.alpinemastering.com  

Hope you all enjoy. 

Why [Follow] my Soundcloud? I generally stream new releases to Soundcloud before anywhere else!

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Want some new Merchandise?  www.alpinemastering.com

Classical Piano Pieces Volume I

Moonlight Sonata

Free Download

Beethoven - Moonlight Sonata (Glenn playing on a Steinway D)

For bass clarinet, double bass, piano, and percussion.

Performed by Anthony Thompson, Adam Scime, Wesley Shen, and Dan Morphy as part of the Curiosity Festival's finale "Metal," presented by the Toy Piano Composers.

Recorded by John Gray at Heliconian Hall, Toronto, ON, April 9, 2016.

microlattice (bass clarinet, double bass, piano, percussion)

into silence, and keep falling (2016) cello and piano

Ensemble: 20° dans le noir （www.ensemble20degres.com）
Mastering: Jacob Sudol

until after the twilight (2017) for flute, accordion, cello, contrabass, and electronics

Performers: East Side Quartet

Program Notes:
This two-movement work explores the energy in sunlight. The first movement, titled Reflect, focuses on the frenetic, scattered motion of light waves. The music contains only a few short gestures, but it jumps to and between them at speed, as if it were following a ray of light over contrasting surfaces. Each gesture is imbued with that same, active motion, exemplified by the use of extreme ranges in the piano and tightly interlocked rhythms in the ensemble. Contrarily, the patient second movement, titled Absorb, acts as a solar-powered circuit. The music begins in the low register and breathes slowly while the circuit receives and stores energy. As the power accumulates, the electricity begins to hum, an effect that is personified by drones in the violin and viola. Finally, after flickering on and off, the movement climaxes with a powerful release of energy, followed by a steady, sequential descent in register as the circuit runs out of power.

Sunburst for piano quartet

Chen-Hui Jen's "d'un songe" for piano and live electronics performed live by the Jen + Sudol Duo at the Chai Found 101 in Taipei, Taiwan on June 18, 2016.

Chen-Hui Jen: "d'un songe" for piano and live electronics

Written for Ensemble x.y, premiered and recorded at St. Martin-in-the-Fields, September 2017.

Miniature Symmetries (after Gesualdo)

For Two Double Basses
Recording performed by Corin Long and Michael Tiepold.
Commissioned by Konzerthaus Dortmund
First Performed 17 February 2006, in Konzerthaus Dortmund, by Corin Long and Michael Tiepold.

Blue And Gray (2005)

SENTIRE CON TATTO - di Daniela Terranova
String Quartet (2019)
Commissioned by Regia Accademia Filarmonica di Bologna
Performed by QUARTETTO PROMETEO (Giulio Rovighi, Aldo Campagnari, Massimo Piva, Francesco Dillon)
https://www.youtube.com/watch?v=cbPx7orR7Y8

Sentire con tatto (string quartet)

More on YouTube: http://www.youtube.com/watch?v=9lKofYUaDTk

Chopin – Nocturne Op. 9 No. 2

CBC featuring The Warriors of Wudang Mountain by Shen Yun Symphony Orchestra

Shen Yun Symphony Orchestra - Concert Tour 2014

CBC featuring The Warriors of Wudang Mountain

"O Canada" revised and arranged at the piano by Jamie Serafi (www.jamieserafi.com) in honour of him becoming a Canadian Citizen on Friday 4th October 2019

O Canada 2019

Essai

Composition and Piano by: Golbahar Khazraei

Mist of a Presence - Composed by Golbahar Khazraei

Of definitions of “ground” was composed in reaction to the sound of the electrical utility frequency or ‘mains hum’, which can sometimes be heard through loudspeakers and amplifiers. It is generally considered an ‘unwanted’ noise, often caused by interconnection of electrical equipment that results in there being multiple paths to the ground, also known as a “ground loop”. Many of my concert experiences, as a composer or listener, have been coloured by trying to eliminate or ignore this sound. And so, I wanted to create a work where this sound is instead the focus. The harmony of the work is built around this hum and its harmonic series, and much of the instrumental writing attempts to simulate related electroacoustic phenomena, such as harmonic distortion and feedback. 

Because the electrical utility frequency is different in different countries (for example, in North America it is 60 Hz and in Europe it is 50 Hz), there are two different versions of the score, depending on where the piece is performed. In reflecting on the way this sound connects us to place, the work subtly incorporates field recordings which also differ between the two versions, linking to the sites of the premiere performances in Québec and Belgium. The piece is then a meditation on the way sound can “ground” us or connect us to a feeling of familiar ground.  

Of definitions of “ground” was commissioned by Le Vivier for Ensemble Hopper with support from the Canada Council for the Arts.

Recording: 10 May 2019, Église Sacré-Coeur, Chicoutimi. Recording engineer: Pascal Beaulieu

Of definitions of "ground" (60 Hz version)- Ensemble Hopper

Reconstruction

Forbidden

Download / Sheet Music

Played by Joseph Havlat - Movement 3/8 of 30+ min cycle, "The Dissolute Society Comprised of All Sorts" [premiered at Dartington 08/08/21]

Presto II

Edward finds himself at the bottom of the ocean...

Edward Tulane Act 1 And So It Ends

James O’Callaghan is a composer and multimedia artist based in Berlin. His work has been described as “very personal… with its own colour anchored in the unpredictable,” (Goethe-Institut). It spans chamber, orchestral, live electronic and acousmatic idioms, audio installations, video-music, site-specific performances, electronic dance music, and interdisciplinary collaboration — most recently with choreographer Edouard Lock and artist Lois Brown. In 2016 an album of his acousmatic works, Espaces Tautologiques, was released by empreintes DIGITALes, and his extended collaboration with Ensemble Paramirabo resulted in a portrait album of his works in 2019, entitled Alone and unalone.
	His music has received nearly forty prizes and nominations, including the ISCM Young Composer Award (2017), the Salvatore Martirano Award (2016), and the SOCAN Foundation John Weinzweig Grand Prize (2014). Significant nominations include those for the Gaudeamus Award (2016), Prix Métamorphoses (2018), and two JUNO Awards (2014, 2020). In 2021 he received the Prix Opus for “Composer of the Year.” 
	Active as an arts organiser, he co-founded and co-directed the Montréal Contemporary Music Lab. Originally from British Columbia, he lived in Montréal for 11 years and since 2022 has been based out of Berlin.

Of definitions of "ground" (60 Hz version)- Ensemble Hopper

James O'Callaghan