Mite just rollup on ya block in a hotbox
We dem top shots give yo customers the real stuff

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Feel free to use for whatever you'd like. I hope you enjoyed this one.
This track was inspired by "Where do we go" from last week.

Type beat essentials 2

Let's go there

Let's go there - Type Beat Essentials II - Trap & Hip Hop instrumental

Now, do you love to take things apart just to see if you can put them back together again? Imagine if you had an open access workshop in the city to use 3D printers, laser cutters and CNC routers by the hour. A new crowd funding campaign is looking to make that possible.

Live interview: Karl Ablitt & the Norwich Makerspace (broadcast date 11 January 2015)

In partnership with Heathrow, I've turned boarding calls, baggage belts and even the buzz of a jet engine into ambient music to set the tone for your journey. Featuring 50+ real airport sounds, and designed to loop seamlessly to help you relax and tune in to your holiday.

Music For Heathrow

Follow us on facebook ~ http://on.fb.me/1Wherzi

Ménage à Trois - Conditional Love (Akira remix)

Whippin (feat. Felix Snow)

Two Thousand And Seventeen

Buy/Stream 'Nightwalk EP': https://Anjunadeep.lnk.to/LLNEPso
Buy/Stream 'Anjunadeep 09': Anjunadeep.lnk.to/Deep09so

Seasoned Parisian producer Lifelike brings his infamous French-touch to the Deep Edition. His latest 'Nightwalk' EP is out now.

Follow Lifelike:
Soundcloud: @lifelike
Facebook: www.facebook.com/LifelikeOfficial

Subscribe on iTunes

The Anjunadeep Edition 166 with Lifelike

pre-order: https://habibifunkrecords.bandcamp.com/album/habibi-funk-007-an-eclectic-selection-of-music-from-the-arab-world

"Without Fadoul we would have never started Habibi Funk. I vividly remember  nding a copy of his now classic James Brown cover „Sid Redad“ in a dusty old shop, run by a man who once owned a record distribution and label called Mekauiphone in Casablanca. It took us around six trips to Morocco over the course of more than a year to  nd his family as Fadoul himself unfortunately died in the early 1990s. Over the course of time, we kept on  nding new records by him that were unknown to us (and recently also two studio tapes from two sessions at Boussiphone studios full of alternate takes and demo versions) and they all added to the picture of a wild heart, full of energy, creativity, yet no stranger to the inner demons a lot of artists struggle with. Fadoul was more than just a singer. He spent some time in Paris playing theatre, he painted, he worked as a circus clown for four years in the Netherlands, he recorded and also composed a single for a famous orange juice brand from Morocco.
His lyrics dealing with topics such as drugs and depression but also having good times paired with a musical backdrop that is always funky yet dirty and played with a real punk attitude. “Bsslama Hbibti is taken of a hardly known 7“ he recorded for Atlassiphone and picks up where the recording on Fadoul’s album on Habibi Funk left off. A raw sound aesthetic, an energetic performance, a mighty voice and a very lively atmosphere that was pre- served in the recordings. So far only the copy used for this release has surfaced. We have also started to work on a second album exclusively dedicated to Fadoul with a partial focus on his 1980s output consisting of his very unique takes on hiphop and reggae. This song, just like the “Al Man Saib” album, was licensed from Fadoul’s family."

order

Fadoul - Bsslama Habiti (Habibi Funk: An ecclectic selection of music from the Arab world)

Channel 10 News Music 2018

Uppdrag Granskning

James is the Producer and Host of the Arch. Ed. Podcast (archedpodcast.com).

Live interview: Karl Ablitt & the Norwich Makerspace (broadcast date 11 January 2015)

jamesbenedictbrown