Disquiet Junto Project 0607: Silence Wave
The Assignment: From close to zero and back again, alter the relative amount of sound to silence in a piece of music.

There’s just one step to this project:

Compose a piece of music in which the relative amount of sound to silence starts at zero (that is, no sound), rises to approximately 40 percent (that is, 60 percent silent) and returns to zero again. Keep the pace fairly steady.

Rhythmic Wave(disquiet0607)

Electronic percussion sequences created in Pure Data with a touch of reverb & additional noise.

More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

Thanks to Mahlen Morris for having proposed this project.

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

Drum & Hum (disquiet0612)

Disquiet Junto Project 0618: Burying the Lede
The Assignment: Turn old news into new music.

Step 1: Locate an old news article, the less dramatic perhaps the better, from roughly 50 years ago. Try to find something local to where you live now or have lived.

Step 2: Use a text-to-speech tool to convert the article to audio. There are numerous such software applications, and no doubt discussion in the Junto thread on llllllll.co 1 will yield suggestions should you require one.

Step 3: Set to music the voice recording that resulted from Step 2. A length of two and a half to five minutes is recommended. Use an article sufficient to that length — you may end up not using the entire text. As the piece goes on, have the voice slowly get subsumed by the music, until by the end the voice is no longer intelligible — perhaps not even audible.

Note: In case the word isn’t familiar, a “lede” is “the opening sentence or paragraph of a news article, summarizing the most important aspects of the story.”

Seven Important Steps When Your Track Is Done:

Step 1: Include “disquiet0618” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0618” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co 1:

https://llllllll.co/t/disquiet-junto-project-0618-burying-the-lede/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. It will largely be determined by the length of the text you select.

Deadline: This project’s deadline is the end of the day Monday, November 6, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, November 2, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 618th weekly Disquiet Junto project, Burying the Lede (The Assignment: Turn old news into new music), at: Disquiet Junto Project 0618: Burying the Lede – Disquiet

About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet 1

Subscribe to project announcements: Disquiet Junto by Marc Weidenbaum (Disquiet.com)

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0618-burying-the-

Xwords - disquiet0618

dark clouds [naviarhaiku518]

Composition inspired by haiku by Raymond Cobley.

Dark clouds menacing
– I doubt we shall reach shelter
Before the deluge

Dark Clouds Menacing

Dark Clouds Menacing - (naviarhaiku518)

A track produced for the Naviar Records Haiku Challenge; 7 days in which to write and record a track in response to the haiku posted. Appropriately, it has been raining heavily these last few days.

Before The Deluge (naviarhaiku518) - Adrian Lane

Electronic composition, original sounds created in Pure Data.

Offering (naviarhaiku519)

Winter sky–
Distant dreams
Shattered and flown away

(Tr. by John Stevens)

Haiku by Santoka Taneda https://www.chzc.org/Nonin.htm

More information @ https://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF shattereD [naviarhaiku520]

Winter sky–
Distant dreams
Shattered and flown away
(Tr. by John Stevens)
A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.
Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.

shattered [naviarhaiku520]

not so alone

EZ Water Lattice Formation

James is a multi-instrumentalist creator of music as well as a contemporary artist. He plays stringed instruments (guitars, cello, ukulele, bass, etc.) and uses a midi controller for any instruments he doesn't have access to; such as a timpani or a glockenspiel.

James creates music that is inspired by the pure love and joy of making music. The style of music he creates varies from piece to piece. He will go from songs that are accompanied by guitar or ukulele to full arrangements of a traditional North American band to orchestral scores that you could easily hear backing a film or video. 

By browsing his music you're likely to come across traditional pieces of music sounding as old as time and other pieces sounding as new as yesterday's jingle. 

Instruments inspire him to make new sounds come together to form music and combining old and new sounds is something he very much enjoys exploring.

While music and sounds are a big part of James' personality so is making art, graphics, and videos. James has worked professionally as a technical illustrator/graphics specialist since 1991. So James almost always creates art specifically for each piece of music he puts out into the world. The art may or may not be directly related to the piece of music in context but it will definitely give you another perspective on how the music has inspired him or makes him feel.

To learn more about James and/or see his art seek him out on Instagram.com and YouTube.com; he’s easy to find if you spell his name correctly.  A pseudonym also being used by James is Mildred Stain.

If you are interested in collaborating in any way, contact him!

Dark Clouds Menacing - (naviarhaiku518)

jamesbrynildsen