Nikki Sheth is an internationally recognised sound artist and composer. Her practice involves field recording, multichannel soundscape composition, multimedia installations, sound mapping and soundwalking. She uses sound as a medium to bring a voice to the environment and encourage a wider awareness of the natural world. She was awarded a Sound and Music award (2020), nominated for the Phonurgia Nova Awards (2020), received an Honourable Mention for the Sound of the Year Awards (2021), nominated for Ivor Novello Composer Award (2021) and awarded a Sound and Music Seed Award for New Voices (2022). Her work has been presented internationally, most recently at The World Forum for Acoustic Ecology Conference (Florida), Ars Electronica (Austria), A&E Labs (Chatham), The Wellcome Collection (London) and MANTIS (Manchester) and she has been featured on Framework Radio, Clydebuilt Radio, Resonance FM and BBC Radio 3.

Anvil (Iain Armstrong) & Stirrup (Antti Sakari Saario)

Live acousmatic, post acousmatic, and other experimental output on fixed media.

Faithful to the idea of the elusive order, they has been practicing for many years without leaving any traces.

M.R. plays in even more secret bands, making music for radio and theater. His live performances are a blow to the current mood, combining electronics and voice, field recordings and beats, noise and silence. Säkkikangas through the mask not only wildly spits and spouts, but also takes a squeaky patch of wad of box-like noise forward.

Michael (b. 1999) is a composer of acoustic, acousmatic and electroacoustic music. Internationally acclaimed for his implementation of electroacoustic and aleatoric concepts in both acoustic and electronic musical paradigms. At the core of his current music research, he explores the poly-holophonic gestural synchronicities and tensions between voices through quasi-procedural granulations, spectromorphological sonic sculpting, stochastic algorithmic modelling, machine-learning decisional procedures and generative synthesis.
 
In 2022, he was the Summer Undergraduate Research Fellow at Hong Kong Baptist University investigating the topic Motion Driven Human Artificial Intelligence Collaborative Music Composition and Performing System. He was selected for residency at the Hong Kong New Music Ensemble as part of the CoLab: Sonic-Visual Interplay project in 2023. At the São Paulo Contemporary Composers Festival in the Summer of 2024, Scrawling Palimpsest premiered with L’Arianna Quarteto. In the Luigi Nono Summer School at the Orpheus Institute (Ghent), he attended seminars and masterclasses extensively on Nono’s music and historically informed electronic practices by Jonathan Impett and Juan Parra Cancino.
 
Michael has studied composition extensively with Kenneth Hesketh, Alison Kay, Christopher Keyes and Stylianos Dimou, and has taken specialist IRCAM courses with Simone Conforti on electroacoustic music.

Followers of James Carpenter