👋 Hey, my name is Midtown
🇦🇺 AUS DJ/EDM Producer
👇 Remixes & Mashups Account 
@midtownbootlegs

Premium Ghost Production - studio.atomic.records@gmail.com

I am Dominik Vukić, music producer specialized for all genres of electronic dance music with over 10 years of musical experience. I use FL Studio from the beginning and my whole process of arrangement, mixing and mastering is being done through FL Studio. 

I was born and raised in small town of Virovitica, Croatia. 

My musical journey:  

     I have started learning electronic music production in my elementary school. As years went by, my love for music was growing bigger and bigger and I have realized that I want to do music production for living. Each day learning something new, under the set of circumstances, I have met my friend Marko and started duo called “RADIOLOGY”. 
     With that step I took my hobby to another level. We have been working overtime for the last 5 years with the goal to become the complete EDM music producers, meaning being able to produce literally anything that comes up as an idea – in any genre. Together with him, I have kickstarted my serious career in world of EDM by winning Hardwell’s remix contest under the name: “#MadeWithHardwell” of his amazing track featuring Jake Reese called "Mad World". Within three years we managed to revolutionize Croatian and World scene with our original tracks, as well with our remixes, bootlegs and mashups. Our primary style was progressive house, with specific melodic touch whose features are: melodic composition, powerful drops and continuous changing of elements. That resulted with tracks not being repetitive, yet composed of an interesting arrangement and construction. 
     At the top of my career with “RADIOLOGY” I’ve been working with the biggest recording labels in the world, such as: Spinnin’ Records, Dharma Worldwide and Revealed Recordings by which I have released all new tracks. 
     As result of that, I have a long list of famous producers and DJs who regularly supported all new tracks and remixes, either in their radio shows, or during their live performances at festivals or in the clubs. Some of them are industry giants such as: Martin Garrix, Tiësto, Dimitri Vegas & Like Mike, Hardwell, KSHMR, Timmy Trumpet, Dash Berlin, Mike Williams, Steve Aoki, Afrojack, Dyro, Ummet Ozcan, Blasterjaxx and many others with whom, except business relationship I cherish friendly relationship as well. My tracks were played on festivals such as: Ultra Music Festival in Miami, Ultra Europe in Croatia, Tomorrowland, Electric Love in Austria, EDC in Las Vegas and many more. My latest released tracks were: “Paranoia” (Dharma Worldwide – Spinnin' Records), “Falling” (Dharma Worldwide – Spinnin' Records), “Long Time” (Revealed Recordings), “Stop It All” (Spinnin’ Records), “No One Else” (Revealed Recordings), “Above The Tide” (Revealed Recordings), “Crazy For Your Love” (Gemstone Rec. – Revealed Recordings), “Phobia” and “Monsta” (Dharma Worldwide – Spinnin' Records). All tracks are showing scale of skill and ability to produce whatever heart feels it is the best. My latest remix was for Gigi D'Agostino “Bla Bla Bla”. Before that there are lots of remixes in the past few years such as: Tom Walker’s „I Will Leave the Light On“. Alan Walker’s „Faded“, Ed Sheeran’s „Castle On The Hill“, Robin Schulz’s „OK“, Deadmau5’ „Strobe“, The Journey’s „Don't Stop Believing“, Tiësto’s „Elements Of Life“, Liquido’s „Narcotic“ and lots of original and remixed tracks over the years.

Making stuff I think the world is missing.

coffee consumption recommended

casual Subpac enjoyer
religion: phase.

2011-2019 *NO LONGER ACTIVE*
I go by @naro_music now

Bookings:
Poland: marcin@yppro.pl 
Mexico: axelroman@knockoutartists.info
ROW: aaron@activetalentagency.com & barry@activetalentagency.com

Press & PR:
joseph@knockout-artists.com

Mgmt, General Inquiries: 
management@knockout-artists.com

Music Management / Remix requests: 
andy@knockout-artists.com

Radio Syndication: axel@tomswoon.com

House Producer & DJ from Leeds, UK.
Collabs, Label Enquiries, Bookings:
contact@froglicka.com

Carlos Mélange Bio
Sneaking around your job after hours isn't a normal avenue for deejaying success. But when your career has ascended as quickly as Carlos Mélange's, there's no such thing as "normal."
When Mélange, then a 20-year old employee at a local Long Island restaurant, learned of an open deejay spot at a club the manager was opening, he jumped at the chance despite little—okay, zero—experience. "For two weeks straight, I would stay after the place closed and sneak into the DJ booth to teach myself how to mix and blend songs," admits Mélange. "I'd hide in the booth, wait for everyone to leave, and start rocking out."
While getting his first taste of the deejay life, Mélange postponed working the decks in favor of dancing, club promoting and emceeing, the latter his ticket to local fame as the go-to emcee at myriad clubs. "I knew in 2002 when I was emceeing a New Year's Eve gig in front of 3,000 people that I thought 'I want this,'" says Mélange. "I love being on stage and being able to control peoples' emotions. It was such a high and when I started deejaying, it took a hold of me and it wasn’t a question of whether I wanted it or not. It just took over."
Flash forward to 2007, when Mélange gave up all other gigs and focused on deejaying full-time. Despite being a relative newcomer, Mélange has already amassed an enviable résumé, having already rocked successful residencies at Tenjune, SL, Butter, Mixx at Borgata and Miami's Fontainebleau. In March, the fledgling deejay opened and closed for none other than Tiësto, handling the nerve-wracking gig with ease. "When I started, everyone stopped walking towards the door, ran back to the stage and started chanting 'Tiesto, Tiesto' thinking it was him," says Mélange, laughing. "But I started rocking it and kept most of the people there." The next day, the event's Facebook page was flooded with questions along the lines of "Who deejayed after Tiesto?"
With veteran deejays Vice and Chachi as mentors, Mélange's name is now mentioned among people that have been at the craft three and four times longer. For Carlos Mélange, deejaying is not sitting on top of a mountain, decreeing your tastes from on high. It's about constantly interacting with your crowd and ensuring they're as happy to hear you as you are to spin. "I love being able to go to cities and see people I've only known a few months, but feel like I've known my whole life," says Mélange.
In May 2010, Mélange released The Mélange Project: Volume 1, a 70-minute mix of electro, pop and progressive house that combines hidden gems with familiar classics. "If a deejay was spinning at a club and his computer crashed," says Mélange, "I want him to be able to put this mix on at any point and rock a crowd." Eschewing an overreliance of studio trickery and technological gimmickry, The Mélange Project replicates the deejay's enthralling live sets while still showcasing Mélange's expert ear. "I'm not a fan of hearing
a deejay's mix and then hearing him live and going, 'What the hell is that?,'" says Mélange. As one of the only deejays equally adept on a microphone as a turntable, Mélange can rightly lay claim to a skill most deejays can't even begin to garner.
With more residencies and The Mélange Project: Volume 4 in the works, Carlos Melange is only beginning his career as one of the nation's most in-demand deejays. His goal is simple: "I want to make people feel something," says Mélange. "I'm on the cusp of doing extraordinary things and I can't be more excited about life."

email: bonecreed@gmail.com
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youTube: https://www.youtube.com/c/bonecreed

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