Upfront & Personal May summer edition by the PIV boss Prunk, the last one was so good that I had to get him back for Vol 2, full of unreleased gems, hope you enjoy this one <3

PRUNK - UPFRONT & PERSONAL MAY 2021 (ALL UNRELEASED!!)

No Art Radio E20 - Mateo Dufour

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The Two Step Grooves Show - The Artmann Guest Mix

Decided to upload 2 hours of the 5 hours I played for the incredible Eastenderz show on the 15th of August at the 93 Feet East. Special vibes in London, probably one of the coolest atmospheres I've had so far from start to finish.

Hope you enjoy the ride
Chris

Chris Stussy @ Eastenderz, 93 Feet East 15.08.2021

Sante - Groove Is Mine 
Buy Now: https://www.beatport.com/label/rendr-records/75627

PremEar: Sante - Groove Is Mine [RR021]

Discotech Podcast || 19 James George Davison

@jay-shepheard

vinyl tracklist:
A1 Bullfrogging
A2 Early Doors
B1 Bullfrogging (Mark Henning Remix) @markhenningmusic 

BUY: http://bit.ly/2uYMIbK

Time for a little neck bulging, slimy skin hip-slinking summer fun as a true craftsman steps from the studio shadows: Jay Shepheard, who’s back with a track that’s so infectious if you licked its back you’d trip for weeks.
Prepare yourselves for ‘Bullfrogging’: wry funk, warmth and humanised technoid soul. Taking a vocal texture then processing, harmonising and splicing the spawn out of it, Jay’s precision balance of electronic hustle and anthromorphised action has all the hallmarks for a summer anthem.
‘Early Doors’ follows suit and there’s a massive clue in the title… Soft-focused, warm, rolling and laced with textured chimes, it’s definitely tailored for those key transitions between warm-up and second gear. Deep, trippy but coded with a hookiness that grabs rather than soothes, once again it’s classic Shepheard but with a revitalised 2017 twist. Hey, he didn’t lock himself away in the studio for twelve months for nothing, right?
Neither did Jay’s long-time friend and neighbour Mark Henning; a man who hasn’t taken on a remix since the early 2010s. His return to the remix game is as poignant and powerful as Jay’s return to releases as he removes around 70 percent of the frog and maximises the bullishness of the elements, creating a relentless tribal slammer of a version that still retains the warmth and soul of Jay’s original.
Two returns to action, three killer tracks, one label you can always count on as your friend and no frogs harmed during the whole process. We’re pulling out some serious stops here.

Discotech Podcast || 19 James George Davison

JamesGeorgeDavison