22/12/2021

playlist

mixen

Defected 2021: https://defstream.lnk.to/Defected2021

1. Blackout – Gotta Have Hope (Eats 2021 Rebeef) 
2. Gloworm – Carry Me Home (Eats 2021 Rebeef)
3. Coyu – Raw Sweat (Eats 2021 Rebeef)
4. Eats Everything feat. Frankco Harris – Coming For You [Trick]
5. 4 To The Floor: Candy Girls – Fee Fi Fo Fum (Eats 2021 Rebeef)
6. Tiptoes – Dirt Cheap In The Jazz Bin (Eats 2021 Rebeef)
7. MOST RATED: Diana Ross - Upside Down (Eats 2021 Rebeef)
8. Cakes Da Killa – ICU (10 Years Of Eats Everything Remix) [Classic Music Company]
9. Moloko – Familier Feelings (Eats 2021 Rebeef)
10. Josh Wink & Truncate – Be Aware (Truncate Remix) (Eats 2021 Rebeef)
11. Maury Tripp – Pink Elephants (Eats 2021 Rebeef)
12. Barbara Roy – If You Want Me (Eats 2021 Rebeef)
13. Letta Mbula – Nomalizo (Eats 2021 Rebeef)
14. Mr. Fingers – Sun Can’t Compare (Eats 2021 Rebeef)

Defected Radio Show: Eats Everything Takeover - 10.12.21

Follow the Defected Classics playlist: http://defstream.lnk.to/DefectedClassics.

Tensnake – Coma Cat
Storm Queen – Look Right Through (MK Dub III)
Nick Curly – The Underground (Dennis Ferrer Remix)
Johnny Corporate – Sunday Shoutin’
Osunlade – Envision (Argy Vocal Mix)
Sandy Rivera feat. LT Brown – Come Into My Room (Take It Back Mix)
Blaze & UDAUFL feat. Barbara Tucker – Most Precious Love (DF’s Future 3000 Mix)
Yousef – Beg (Hot Since 82 Future Mix)
MK – Burning (Vibe Mix)
Oliver $ & Jimi Jules – Pushing On
DJ Gregory & Gregor Salto – Canoa
Dennis Ferrer – Hey Hey (DF’s Attention Vocal Mix)
Camelphat & Elderbrook – Cola
Âme – Rej
Copyright feat. Song Williamson – He Is (Ferrer & Sydenham Inc Vox Mix)
ATFC feat. Lisa Millet – Bad Habit
Awa Band - Timba (Full Intention Club Mix)
Soul Central - Strings Of Life (Stronger On My Own) (Danny Krivit Re-Edit)
Shakedown - At Night (Kid Creme Club Mix)
Bob Sinclar – I Feel For You
Julien Jabre – Swimming Places
Roger Sanchez – Another Chance
Candi Staton – Hallelujah Anyway (Larse Remix)
Hercules & Love Affair – Do Ya Feel The Same?
Flashmob – Need In Me
Junior Jack – E Samba (Junior Jack Original Club Mix)
G Club presents Banda Sonora - Guitarra G (G Club Original Mix)
Paul Johnson – Get Get Down
Junior Jack – Stupidisco
Ron Hall & The Muthafunkaz feat. Marc Evans - The Way You Love Me
Soulsearcher – Can’t Get Enough (Vocal Club Mix)
Kings Of Tomorrow feat. Julie McKnight – Finally

Music:
https://defected.lnk.to/Music

Shop: 
http://defected.com/store

Defected is the home of house music with artists including MK, Sam Divine, CamelPhat, Gorgon City, Monki, Louie Vega & Dennis Ferrer.

#HouseMusicAllLifeLong

Defected Classics - House Music Classics Mix ❄️ (Deep, Vocal, Soulful House - Winter 2021 / 2022)

Defected 2021: https://defstream.lnk.to/Defected2021

1. Purple Disco Machine feat. Fiorious & House Gospel Choir – Hands To The Sky (Floorplan Justified Remix) [Sweat It Out]
2. James Juke - Way Up [Late Night Jackin]
3. R.E.A.D. feat. Sailor Jane – Where’s My Phone? (Marco Faraone Remix) [DFTD]
4. TJ Groover – Fill You Up [White Label]
5. 4 To The Floor: Voice Of Life & Steve Silk Hurley feat. Sharron Pass – The Word Is Love (Silk’s Anthe Of Life) [Silk Entertainment]
6. Donna Allen – He Is The Joy (Groove Junkies Vs Lenny Fontana Galaxy People Edit) [Soulfuric]
7. Ron Carroll – Ride The Rhythm [Ride The Rhythm]
8. Surya Sen feat. Bone Slim - So I Just [Skint Records]
9. MOST RATED: Honey Dijon feat. Dave Gilles II, Cor.Ece & Mike Dunn – Work [Classic Music Company]
10. The Absolute – I Believe (Harry Romero Dub) [AM:PM]
11. Tony Roberts – Kept On Comin’ (Deep Vibe Mix) [POJI Records]
12. Acid Jerks – Remote Area [Nu Groove Records] X MD X-Spress – God Made Me Phunky (Accapella) [4 To The Floor Records]
13. Ricky Erre Love – My Night Shift [Metroklang]
14. LADYMONIX - Steppin Out [Frizner Electric]
15. Tenobi – Sublime [Deepvisionz]
16. Moop Jr. – Friendship [Sour Records]
17. Chemical Brothers – Hey Boy Hey Girl (Indigo Rogue’s Acid-Trip) [UMC]
18. Detroit’s Filthiest – Sounds Of The City [Moter City Electro Company]
19. KinK – Disco Spectrum [Sofia]
20. INVT feat. DJ Earl – Work [INVT]
21. Jerome Sydenham & Fatima Njai – The Red Dragon [Kraftmatik Records] X Shawn Christopher – Don’t Loose The Magic (Accapella) [Arista]
22. 4 To The Floor: Sydenham & Ferrer – Sandcastles (Pete Heller Re-Edit) [Ibadan Records]
23. Jorja Smith – All Of This (Lemon & Herb Remix) [FAMM]
24. Badbox feat. Kenya Grace – Underwater [Sudam]
25. Adam Ten & Mita Gami – Lego [Diynamic]
26. Coflo feat. Rawb Boss – Peanut Butter Lover [Yoruba Records]
27. Uffe – Not Around [On The Corner Records]

Defected Radio Show Hosted by Rimarkable - 17.12.21

60 minutes for startin my journey 2022. Chapter #01 let's gooo!! 
This time a bit more emotional house music, which I fell in love with over the past months. Really got some huge inspiration from talents around the globe. A selection of originals and edits that I loved to play out in my sets and which I personally really like listening to. Hope you will have some beautiful vibes. 
Wishing you a good winter season and all the best for the new year 2022. 
Keep dancin & stay healthy!
Liebe Grüsse
MATTU

JOURNEY OF 22' | JANUARY

1. James Haskell - Take My Hand
2. Mat.Joe, C’mon & Otistic - Pan Praise
3. Milk & Sugar - Celebrate ft. Roland Clark (Brokenears Remix Edit)
4. Martin Ikon - Devoted ft. Byron Stingily (Extended Mix)
5. Tony Cortez - Aqui
6. Ben Delay - Belter
7. Alex Mills, Solardo - Keep Pushing (Extended Mix)
8. Cloonee - The Ciggie (Original Mix)
9. Hardrive - Deep Inside (Andrea Oliva Remix)
10. Jaxx Inc. & Amy Lauren - Dance 4 Me (Original Mix)
11. Lorenzo De Blanck - The Vibe (Extended Mix)
12. Mosimann - Play (Original Mix)
13. Love Regenerator x Steve Lacy - Live Without Your Love (Mark Broom Remix)
14. Genghis Clan - I Am Brotherhood (Extended Mix)
15. AmyElle - Push It (Original Mix)
16. ATFC, Gene Farris - The Payoff (Extended Mix)
17. Ramon Tapia - Last Step (Original Mix)
18. Drake - God’s Plan (DIY Acapella)

Backrow Radio Episode 30

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

El sello holandés Shilhouette Music regresa de sus vacaciones con el lanzamiento de "Magic Man", nuevo single del misterioso productor con sede en Liverpool CounterSynth. CounterSynth no es ningún novato, de hecho el pasado año presentaba a través del mismo label el EP "Mellow D". Con un estilo caracterizado por el disco y los sonidos analógicos llega "Magic Man", una pista de gran gancho vocal y una irresistible melodía disco dirigida por una línea de bajo de funk clásica, guitarras, sintetizadores olsschool y efectivos golpes de percusión. El track se acompaña de un buen pack de remixes, comenzando con el trabajo del popular dúo Irregular Dico Workers, que fiel a su estilo, apuestan por una infecciosa línea de sintetizador para dar más ritmo al tema original. Continuamos con el trabajo de Polar Sun, también incorporando nuevos y brillantes synths vibes. Para finalizar B.G. Baarregaard nos ofrece un remix titulado "Divorced, Depressed & Drug Addicted. Alone In Ibiza Anno 1988", apostando por un sonido más deep disco y eliminando practicamente la melodía vocal. "Magic Man" y a disfrutar!
[Y este finde que music blog]

CounterSynth - Magic Man(Irregular Disco Workers Remix)

The White Stripes - Seven Nation Army (Ben Callahan Remix)

Available Monday 25th January - www.zrecords.ltd.uk/new-releases

Two of the most popular songs from Opolopo's highly acclaimed "Superconductor" album get brand new treatments from Rhemi and Nachtbraker.

Amsterdam based House head Nachtbraker has released music on Detroit Swindle's Heist Recordings, Apparel Music and Dirt Crew Recordings. He goes straight to floor with his remix of "Feels Good 2 Me" launching in with crunchy messed up beats, warm pads and dubbed out vocals for an epic remix that combines old and new styles.

DJ Reactions:

Tensnake - Great Nachtbraker remix, thanks
DJ Spinna - Both mixes are solid. Full support
Tony Humphries - Wicked remixes!
The Reflex - The Nachtbraker mix sure feels good 2 me
Luke Solomon - Loving the Nachtbraker remix
Moodymanc - Great! Thanks!
Hector Romero - Proper groovers to keep the dance floor going
Paul Trouble Anderson - Kool like it
Yam Who? - Yes full support on both mixes..Banging & soulful as hell
Reel People - Good vibes here!!
Hed Kandi - Strong remixes and cracking reworks. Another winner.
Justin Winks - Loving these... great way to start 2016! Rhemi's remix pips the post for me

Buy @ Traxsource

Opolopo - Feels Good 2 Me (Nachtbraker Desperately Wants To Know Remix)

GA Bumped' Version of Disclosure & Al Green.
PROMO USE ONLY.

Disclosure & Al Green - Feel Like I Do(Groove Assassin Remix)

Global-Sets.com

Mind Against - Live @ Issue 002 Opening (Printworks, London) - 07-OCT-2017

Haskell’s decade-long journey through electronic music
is marked by his embrace of tech-house’s rhythmic
propulsion and groove-focused minimalism. A fixture
on the global circuit, he has graced stages from Ibiza
to Dubai, delivering sets that pulse with kinetic energy
and supporting legendary artists such as Carl Cox.
His selections oscillate between deep cuts and crowd-
pleasers, always grounded in the percussive heft of
tech-house, and occasionally flirting with the raw,
visceral edge of peak-time house.

Backrow Radio Episode 30

JamesHaskell