How about the big techs (Google, Amazon, Facebook) dominating the world?

Too funny, apart from a muso I'm also an IT geek, so embarrassing for IBM when you hear this ;-)

steve jobs

Ennio Morricone Film Music Collection

Dedicato a Maria

Symphony for alto, tenor and orchestra after the literary collection
"Die chinesische Flöte" by Hans Bethge 
Christa Ludwig, mezzosoprano
Rene Kollo, tenore
dir. Herbert von Karajan 
Salzburg Festival, Grosses Festspielhaus, Salzburg
27 August 1972

Gustav Mahler: "Das Lied von Erde"

Ivory II Studio Grands - Bösendorfer 225 Grand Piano
"Piano d'amore" - An original composition by Alan Steinberger
Alan Steinberger, Composer/Pianist

Alan Steinberger - Piano d'amore - Bösendorfer 225

1979 - 24 years old

Taken from the "Komponent" EP, out July 30, 2018, on Bad Panda Records.

Perdurabo - Synthesizers, Keyboards, Guitars, Strings, Programming
Shramm - Drums, Rhythm Loops, Programming
Roman Rappak - Vocals

Christian Kohlhaas - Trombone 
Hajo Cirksena - Bass 

Music by Perdurabo and Shramm
Lyrics by Roman Rappak

Produced by Perdurabo, Shramm and Philipp Dusse

Engineered and mixed by Philipp Dusse
Assisted by Erika Elch

Recorded at Funkhaus Studio, Berlin
Mastered by Christoph Hoppe-Thiele at Klangquartier, Bremen

Cover design by Aga Slusarczyk

Komponent

Lately I Don't Care

Komponent - Lately I Don't Care

1980 - 25 years old

1984

Steve Jobs Talk 1983 - Center for Design Innovation

Full-length recording of Steve Jobs speaking at the IDCA conference in 1983.

Steve Jobs-IDCA 1983

In his 2005 commencement speech at Stanford University, Steve Jobs remarks, "Your time is limited... Stay hungry. Stay Foolish."

For more great media, internet success tips, and motivation, please visit ► http://internetsuccess.info

Steve Jobs Commencement Speech - "Stay Hungry. Stay Foolish."

Sloe?

A girl playing an upright piano

ORDER CD HERE -> www.gizehstore.com
A limited edition of 175 copies as part of Gizeh's 'Dark Peak' series. Housed in a black, gatefold, recycled card sleeve. Each copy is printed and assembled by hand at Gizeh HQ. Download code included. Release 25.10.19
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PRESS:
• FIP "Le mythique Nanook of the north sublimé par Christine Ott & Torsten Böttcher" • NEW YORK MUSIC DAILY "Fans of both Philip Glass and Terry Riley ought to enjoy it." • ICI MUSIQUE, RADIO CANADA "A la fois sobre et éblouissant" • MAGIC RPM "une musique au naturel à la hauteur de ce film des grands espaces. (...) un album magnifique" • TSUGI "Les morceaux collent parfaitement à l’atmosphère du film" • INDIE ROCK MAG "Entre néoclassique et jazz, le spectre est large et le duo en explore une part conséquente des contours. Sombres ou sautillantes, jamais plombantes, les compositions telluriques nous ramènent à des éléments primaires qu’il serait finalement assez urgent de considérer comme actuels. En effet, comment peut-on se projeter sur une planète dont nous refusons de comprendre les besoins ? Le pouvoir de la musique est fort lorsque de tels questionnements s’ajoutent à la beauté intrinsèque des compositions. Christine Ott et Torsten Böttcher accomplissent donc une œuvre à la fois maligne et pleine de justesse." + INTERVIEW AVEC CHRISTINE OTT, "Par les temps qui courent" Marie Richeux, FRANCE CULTURE : "Les images vous font aller dans les recoins de votre univers sonore" www.franceculture.fr/emissions/par-les-temps-qui-courent/christine-ott

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SUBSCRIBE to Christine Ott's newsletter -> eepurl.com/cju5Ej

Christine Ott & Torsten Böttcher - Nanook

Listen / Purchase: https://lnk.to/theletdown

‘The Letdown’ is a record better identified by the vibe it creates rather than a particular genre or style. It’s dirty, unapologetically loud and charmingly haphazard. It’s the sort of self-educated, non-jazz record that critics of Moondog would have written off as impure. Frankly, we’re good with that. The strength of the record lies not with any collegiate-level classification, but in its ability conjure moods that just feel good, are instantly familiar and invite a certain nostalgia. The gritty, noir side of it, brings to mind the old black and white detective stories. The jovial, 1920’s romanticism, lends a bit of class and gives the sense that even though everything is falling to shit, we are going to power through it with a bit of song and dance.

Whatever one happens to take away from this album, ‘The Letdown’ is meant to be fun, help the whisky burn just a bit less, and keep the blood flowing. Read into it too much and you might spoil it. Guaranteed it is unlike any Fritch record to date.

1984

JamesHawkins

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Adam Dabin

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