From my album "Stephen Heller: Études Mélodiques, Op. 45", available in streaming services.

Score:
https://musescore.com/user/19710/scores/6486055

Stephen Heller: Études Mélodiques  Op. 45

Étude No. 4, Op. 45. "Sorrow and Joy"

Stephen Heller:  Étude No. 4, Op. 45. "Sorrow and Joy"

Childish Fantasy New Ep 
Musician & Composer : Parham Fazaee
Record : Ata Emadi
Mix & Mastering : Ata Emadi
Artwork : Ehsan Mirzaee
Record Lable : Zang Records

Childish Fantasy

New Ep

Childish Fantasy - II.SnowDance Man

Text: Sohrab Sepehri
Flauto d'Amore: Ginevra Petrucci
Electronics: Aida Shirazi & Bahar Royaee
Recording engineer: Gleb Kanasevich

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Night Landed is based on a poem entitled "Echo" by the Iranian contemporary poet, Sohrab Sepehri. The translation of "Echo" is as follows:
“Upon the river of terror
I am a trembling leaf…
I passed beyond the sounds,
I abandoned the light…
The stars
Shivered in my cold veins,
The earth throbbed,
The air moved in waves…
I heard the dark music of your body…
I am the echo of your solitude,
The echo of your darkness,
You heard my silence.
Like a breeze, I will arise beyond me,
I will open the doors,
I will pass in the eternal night.
You opened your eyes,
Night landed in me.

Night Landed

From the album: Panoptique Electrical - Decades (2001-2021)

Physical copies and digital downloads available here:
http://soundinsilencerecords.bandcamp.com

Sound In Silence is proud to welcome back Panoptique Electrical, presenting his new album Decades (2001-2021), an era-spanning compilation of ambient works, experimental scores and soundtracks.

This is his fourth album on the label after the highly acclaimed Disappearing Music For Face in 2016, Quiet Ecology in 2017 and Five Pianos in 2020.

For over twenty years Jason Sweeney, based on Kaurna Country in South Australia, has been composing and recording either solo, in various electronic bands (Other People’s Children, Pretty Boy Crossover) and under the composer alias of Panoptique Electrical. He has also been directing and creating interactive works for the internet, making experimental films, curating projects for galleries and theatre spaces and has collaborated with and composed for some of Australia’s leading performing arts companies, artists and organisations.

Decades (2001-2021), Panoptique Electrical’s eighth full-length album, spans 20 years of compositions over 70 minutes and 31 tracks. Starting in 2001, with pieces made from lo-fi synth drones, sampled loops and broken pianos, taking us through to more recent works featuring layered atmospheric strings, processed piano, field recordings, cinematic cello performed by frequent collaborator Zoë Barry and cut-up vocal pieces performed by Caroline Daish, Decades (2001-2021) perfectly blends melancholic ambient music, modern classical composition, experimental electronics and evocative soundscapes.
Exquisitely mastered by Room40’s Lawrence English, Decades (2001-2021) is an epic, but personal, record that takes us into the emotional landscape of Sweeney’s compositional world.

This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 250 gsm smoky grey recycled cardboard envelope with the front cover image printed on a polaroid style photo paper and three insert sheets containing tracklist and information, two printed on a 170 gsm dusty pink cardboard and one on a 120 gsm cream recycled cardboard. It also comes bundled with a download code coupon and a Sound In Silence card.

Panoptique Electrical - Dance With Me (Pornography, 2012)

Edgard Varèse
Amériques 
pour orchestre
Ensemble intercontemporain 
Orchestre du Conservatoire de Paris 
Matthias Pintscher, direction

Enregistré en direct par Radio France le 03.02.2015 à la Philharmonie de Paris 


Edgard Varèse, Amériques

1984

Variations on Phillip Glass

Parallel World

My Track from the new Sonder House Recollections vol. 4 compilation for Piano day 2020.  A calm and meditative piece, prefect for relaxation.

Listen on Spotify: https://open.spotify.com/track/0v4lAEpBTmHEgPkXl9hwfd?si=9slbACKrR1Krm8KWXGOtog

Connect The Dots

#pianoday2020

Composed for Piano Day 2020

“And the people stayed home. And read books, and listened, and rested, and exercised, and made art, and played games, and learned new ways of being, and were still. And listened more deeply. Some meditated, some prayed, some danced. Some met their shadows. And the people began to think differently.
"And the people healed. And, in the absence of people living in ignorant, dangerous, mindless, and heartless ways, the earth began to heal.
"And when the danger passed, and the people joined together again, they grieved their losses, and made new choices, and dreamed new images, and created new ways to live and heal the earth fully, as they had been healed."
- Kitty O'Meara

© Nikos Spiliotis , 16th of March 2020

Find Nikos :

https://youtu.be/J0NUalAhyGU
https://bit.ly/3al923m
https://nspiliotismusic.bandcamp.com
https://spoti.fi/389nbPu
https://www.facebook.com/nikospiliotis
shorturl.at/wJTV0

Photo by Tania Miron on Unsplash

The Earth Began to Heal - Piano Day 2020

“01Duo” is working on live audio performances, audiovisuals, installations, game sound design and performance arts. “01Duo” was formed in Tehran, Iran, 2018 by two sound artists Farbod Maeen and Deniz Tafaghodi. 

Farbod Maeen Born in 1985.02.11, Tehran, Iran. Graduated in Power and electricity engineering and interior design architecture. Started his career in music as a Jazz and Blues guitar player with Bahman Nasri in 2001, Composing Music and sound designing for dance performances, theaters, films , games since 2009.

Deniz Tafaghodi Born in 26.08.1997, Tehran, Iran. Studied B.A in Music, Azad Art and Architectures University of Tehran. She started playing the piano since 2003 and composing music and Sound designing for theater, contemporary dance , games, performance arts since 2012.
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"33 1/3"
This quadraphonic piece for two computers and a turntable is made by mixing the pure and processed sounds of locked grooves (the inner groove on a vinyl record in the form of a closed loop, which traps the tonearm and needle, preventing it from entering the label area).
These loops are not exactly the same each time they are played, because of some condition changes(grooves damage, dust,cartridges,needles,etc.)
So this piece will change in each performance, even though it has a specific music sheet in ABAَ form.
The poly-rhythmic part turns into an ambient space, then back to the variations of the first part.

1984

JamesHawkins