The whole piece is perfect. So far all of your pieces are brilliant.

...che meraviglia di melodia ed espressività del momento !

...una sensazione di smarrimento senza sentirne la fine ! Pà

Buy In the Octopus Pond: 
https://arrowounds.bandcamp.com/album/in-the-octopus-pond

Buy the 4 album series:
https://arrowounds.bandcamp.com/album/therianthrope-series

Lost Tribe Sound proudly introduces 'In The Octopus Pond', the first album in a series of album from Arrowounds, titled, the 'Therianthrope Series.' With previous works, Ryan Chamberlain has taken us through personal lows and bleak watery worlds in disrepair. However, 'In The Octopus Pond' sheds much of that skin and sets course for lush, green environments steeped in the bizarre. That said, this new material sounds more accessible than ever. The first entry in the trilogy draws from a range of musical influences, Can, Bark Psychosis, Young Gods, Slowdive, Durutti Column, Seefeel and much of early 4AD.

Rather than tackle some inner monologue or global crisis with the album, ITOP is instead accompanied by an obscure short story and visuals just as fitting. As both Arrowounds and LTS would prefer to take some time away from heavy realities and make up our own.

For here it begins and circles back into itself…
In the days before the great boil, the earth was lush and green, cared for by a race of mystic octopoed. In acts of preservational instinct, many chose to build their temples high on top of engineered tumuli, weary of prior flooding and wildfires that drastically disfigured the landscape. It was here that these priests of arms who carved ornate reliefs into the great pillars of obsidian and bone, dug down seeking mineral deposits in the earthen abyss and found a gestating world beneath the below... to be continued

In the Octopus Pond

Blue Entombed (Edit)

Arrowounds - Blue Entombed (Edit)

This is my annual contribution to International Piano Day.

Echo

Echo - Piano Day 2023

Buy/Stream on Amazon

Piano, sad, contemporary, classic, thoughtful

IpadSeries#1 - May

This track in Spotify/AppleMusic: https://band.link/Yio38

This is the 9th track from my new album "The Planet Of Bliss".

Follow me:
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Thanks to everyone for support and love to my music!

All Ashot Danielyan Albums: https://ashotdanielyan.bandcamp.com/

» Ashot Danielyan Royalty Free Music: https://audiojungle.net/user/ashot-danielyan-composer/portfolio

Buy me a coffee: https://www.buymeacoffee.com/ashotcomposer

Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

The Planet Of Bliss

Underwater Space

Spotify/AppleMusic

Ashot Danielyan - Underwater Space

Coloring Outside the Lines

A Winter's Song - a delicate waltz to celebrate the beauty of winter.

Immerse yourself in a serene winter wonderland with Valeska and the River’s latest piano composition. Transporting listeners to the most tranquil moments of winter, where the world hushes into untroubled calmness, Valeska and the River’s composition captures the ephemeral magic when snow blankets the landscape, momentarily concealing the stresses of life. As the delicate piano notes gently cascade, a mesmerizing string arrangement beckons the audience to embark on a melancholic dance through a snowy forest—a waltz with nature itself. This evocative musical journey is more than just a composition; it's an enchanting escape into the heart of a peaceful winter sanctuary."

Written, performed and produced by Valeska Rautenberg
Mixed by Thomas Lemmer
Mastered by Ramin Tehrani

#pianoday2024 #pianoday

A winter's Song

Buy/Support

Valeska and the River - A Winter's Song

In the fall of last year, I was asked to participate in Bigo & Twigetti's fifth volume of the Perceptions compilation series, which explores various approaches to piano music. Complimenting the sound of the solo piano, these compositions also utilise nominal processing, sound effects, synthesis, and binaural recording techniques, all aiming to create an immersive listening experience while still showcasing my beloved instrument. As the clock ticked away and the deadline approached, I realised I hadn't found time to compose my contribution. For a few weeks, I've experienced a gnawing feeling of self-imposed pressure, mixed with anxiety and procrastination, that looped on itself and left me fatigued. I'm sure plenty of composers who are reading these words, especially those working on a deadline (like film soundtracks), know what I'm talking about. This, in itself, gave me a taste of this process at work. I learned that I simply cannot try and force things or make them appear. For me, music, as Victor Hugo once said, "expresses that which cannot be put into words and that which cannot remain silent…" I needed to have something special to say...

As the end of the year approached, I found myself in that "usual space" of December, where the dark and the cold seemed to mix with my mood, and I recount the days and the moments of passing. There's always reflection on what I've achieved, and of course, I look back at my favourite albums of the year. Somewhere around this time, I arrive at the acceptance of failure, preparing to message the label and withdraw from the project. I think I'm too busy with "all other stuff". Perhaps I'll start over as the new year turns. Perhaps I'll become a bit more organised or not commit myself to the deadlines. In the very last days of the year, I find myself investing time in consoling my friend whose mother has passed away. As always, besides the grief for another, we find ourselves reflecting on our own mortality... and the meaning of it all... As the clock strikes midnight, I am deep asleep. But the morning comes, as it does every morning. And we're at it again, starting fresh and anew. The windows open, and we breathe in and out. Maybe this time, it will be slightly different. Maybe this time we have learned... On the morning of January 1st, I find myself sitting at the piano and playing this simple melody. I hope that you'll hear what I'm saying in music...

Perceptions Vol​​​.​​​5

Morning, January 1st

Mike Lazarev - Morning, January 1st

Magdalene Flowers is a project of Alex Bober - a sound artist, photographer and graphic designer. 
For Alex main sources of inspiration are nostalgia, childhood memories, escapism and power of imagination. His music is a way of expressing indescribable feelings and emotions which are half-subconscious and almost vivid in their intimacy. His music tells a story of self-hatred, slowly and pleasurably destroying an individual from the inside, childhood memories projected on everyday existence and drowning sorrow in contemplation of the simple and beautiful.

The link to the artist's pages: 
magdaleneflowers.bandcamp.com 
soundcloud.com/magdaleneflowers

Crushing Sincerity

Magdalene Flowers - Crushing Sincerity (fragments)

If a tree falls in a forest and no one is around to hear it, does it make a sound?

THE PROOF

Opus 6

opus 6

Forever Lasting

Justina Jaruševičiūtė (composer)
Héloïse Lefebvre (1st violin), Davis West (2nd violin), Alexina Hawkins (viola), Liron Yariv (cello)
Recorded at Christuskirche Berlin-Oberschöneweide 
All tracks recorded, mixed and mastered by Sebastian Ohmert, Tonstudio Sonic-Impulse Berlin 
Artwork and design: Celia Fernández González 
piano and coffee records

Justina Jaruševičiūtė - Prayer

Musical architect and sound lover

Album-Patterns: itun.es/gb/f95G-

Forever Lasting

London-DC

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