hiveswap/homestuck

Hamsteak

hombstuck

Homestuck by Andrew Hussie http://www.mspaintadventures.com/

Music by Seth Peelle, Toby Fox, Malcolm Brown, and Joren De Bruin - https://homestuck.bandcamp.com/album/s-collide

Homestuck- [S] Collide Track 2 - Oppa Toby Style

This was by Luke Benjamins, Michael Guy Bowman, and Max "Imbrog" Wright.

Homestuck Sound Test - Unreleased Music Team Music

Lies With The Sea (Beta)

a little over three years ago i was in a sweaty conference room in manhattan visiting the now defunct WP NYC studio (which was in a shared space sort of... tech venture situation??) sitting in on what was usually a remote meeting. I nervously stood in front of andrew and my director at the time (whos name was also james come to think of it) as well as a handful of other people. Toby was conference calling in like we both usually did.

They said since i was visiting from out of town I didn't have to present anything at this weeks meeting like i usually did. I said I had something to show them anyway, since I didn't like to sit around idly and wanted to make the most of my studio visit. I stood there half-moist with gross air-dampness only new york in summer can really provide knowing I had one opportunity to wow them in person.

"alright. remember all those sound effects for that highblood minigame? like... seltzer water? light bulb? honks? squeaks? ok well, I made them into a beat and added some airhorns and tuba-"

"more tuba?" said toby over the call

"hell yeah brother more tuba"

anyway this was that song. It was going to be for a minigame sequence but i wanted to use it here. originally it didn't have a melody so i wrote a melody on banjo since you should definitely be reading all of chahuts lines in a very slow, methodical louisiana genteel southern accent. "SANGLE and ready tuh MANGLE"

take me to clown church

here it is folks.

this was going to be in act 3, then i made it the EOA2 cutscene but it still cut off too early to be a full release and i just really liked it so i wanted you guys to hear it now instead of later.

i used it for boldir because it fit her whole aesthetic, but this song was originally wrote for a scene where joey and xefros are on the run. having been hardened by their journey they hit the streets. it was meant to be a really sort of somber realization.

I LOVE the mood of the transistor soundtrack and you might notice this drum beat and title are a very obvious nod to the song "Old Friends" (though someone else named it, years ago) I was specifically instructed "make it sound like this song" but since then I have worked to make it sound like more my own thing. you can see the influence of that soundtrack on all my work, though. the slow driving half-time beat. the airy reverb on chordal tones. the dirty bass. originally meant as a placeholder i never got over how the beat drops the backbeat on every other 4. I could dweeb out about this for hours.

Old Secret

(AN ASCII IMAGE OF BOWSETTE) (KARAKO's THEME)

friendsim spoilers:

karako is a very young and very small child juggalo. on twitter i described karako as "the one clown you are not allowed to be horny for" and a bunch of chuckleheads tried to be funny and say like "hueuhuhe is that a challenge" and its like one why don't you just listen to me when i say things, two stop trying to one up me you will never ever win, and three i am eagerly waiting your apologies. my inbox is open.

i mean i get it. i was just on a podcast this morning talking about how the one thing that binds us all together is that we've all engaged in some clownery. i think i talk about regrettably hooking up with a juggalo as a teen for a solid 10 minutes. its hard being me.

i just moved and gave my old electric bass away to a friend who was interested in learning. i recorded this before giving it away. goodbye electric bass. dozens of children will miss how i used to just go ham on the bass in a bunch of songs for no reason. oh also im beatboxing for two seconds in this one. i ran it through a filter so it sounds less like "james roach making some sounds."

all in all, i wanted to make this one sound a little more whimsical so i borrowed the synth i made for my friends dnd character theme... where they're also a clown? its a really good synth. ok marsti is up next.

(an ascii image of bowsette)

marsti marsti marsti.... what can i say?

first of all, you're welcome. I didn't design her or draw her or write her but I will gladly take the credit from my esteemed colleagues and friends.

if you didn't listen to the podcast i was on this morning (pgenpod) or watch that youtube video i uploaded a few weeks ago this track was originally for an area that was scrapped. The important characters got more or less morphed into Marsti as we know her now.

There is a whole like section of the game where this melody is used a lot. Its in the old 3D hiveswap trailer, in the Homestuck 2.0 video. Wow. All the cursed ones. It is explicitly not a leitmotif because it is not meant to be "..indicative of a person or place" it is just a theme.

wait but... if i make it marsti's theme does that not mean it, however inadvertently, is now a person's theme and therefore IS a leitmotif? aw jeez guys i really beefed it this time.

this ones a bit older but this is, once again, just another example of me goin ham on bass for no good fuckin reason. i just think it sounds cool what do you want from me.

SERVICE CAR

the problem with these titles is like at what point do i take a step back and really evaluate what i've done- and i mean really look at it and think to myself 

"Am I satisfied with what I have done? 

Is this enough? 

Do I deserve ANY of this praise? 

Do you think my family looking down on me with pride?

Is talking about things online just a bandage for years of silence about this project?

Am I going to open up online and some weirdo I don't know going to make a weird over familiar joke because they don't know how to really interact with people and its not really their fault but its the fifth one today and honestly I just have to kinda draw a line SOMEWHERE for my own mental well-being which probably comes off as kind of rude to people who have never really been in this position but I guess its not exactly my job to hold their hand through the difficult task of trying to be social in a semi-public space and its not like I'm really an expert anyway I mean cmon now

why are they talking about trolls lactating on twitter?"

at what point do i consider all of that and then look at what i've made and decide "ok time to name this one mmmmmmmmmmmmmmmmmmmmmmmmmm motherfuckin uhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh benjamin danklin" or whatever you know?

Wanshi's Theme

Wanshi's Theme - "idk man you name it im tired"

I think Toby actually named this one. The idea here is that you start with a normal song and slowly work your way to the weird clown shit. this is meant to reflect the real life struggle of finding someone hot and slowly but surely acclimating to the fact that they are a clown. we all been there. extremely relatable.

i got that weird laugh from toby as an mp3 and i THINK its from a spiderman game. it could just be toby's own impish laughter but probably not. toby has a hearty joy-filled laugh with exactly 0% in the vein of clownery department. i love toby so much.

so here we are. friendsim friday and i have to act like clownfuckery is just another aspect of my life akin to say a sweet tooth or psoriasis. like "yeah man we all done fugged a clown once am i right fellas" over here grasping at straws, desperation in my voice "r-right??? fellas???"

his name was daniel and he really loved ICP and i think now he works as a manager at a taco bell. yeah thats right daniel. i'm callin you out you nasty juggalo. my inherited army of teens are comin into your taco bell and taking all your fuego sauce. dont call me. that felt good. i feel better. what were we talkin about?

CLOWNFUCKER (By James Roach and Toby Fox)

this is literally the first track i wrote for the game. this piano motif a melody had been something i was kicking around back in like 2012 as a song for rose i think. when andrew originally talked to toby and i he gave us very specific marching orders about what songs to write. it was two songs. a haunted mansion and a "subway full of juggalos"

i mentioned before we went through a handful of "haunted mansion" ideas for HARLEHOUSE that were like too spooky and not campy enough. this was one of those spooky takes. we ended up using this theme for something of more... significance.

--

I will talk about this more once the route is available, the rest is spoilers.

GRAVEYARD SHIFT (PLAY THE ROUTE AND THEN TWEET @hamesatron ABOUT HOW GOOD THIS TITLE IS)

i started streaming my work now since its less of a surprise who the characters are. i went through like... five different versions of this track. this was gonna be disco i dont know what i was thinking.

we ended up going with this one which is actually meant for a different part of ACT 2. In ACT 1, the song "Keep your head down" has a rhythmic motif that I use in the climax of this song. I wont tell you what its for but... think of whats happening during that song in ACT 1, and know that it will be a much bigger deal when you eventually see it. i don't have any information wrt "when" that would be helpful to you. its barely even helpful to me. a real "buddy, they dont even let ME fuck the flag" situation. this is a reference to a popular tweet. im not an insane person i swear.

anyway nihkees sprite is absolutely fucking ripped. the size of this lad. the A in LGBTQA+ stands for ABSOLUTE UNIT apparently. 

I know it does not please do not @ me i am so fucking tired.

lmao i still dont know if its nicky or nike (like the shoe, not like.. the name mike)

▲trollkind cannot gain anything without first giving something in return. to obtain something of equal value must be lost. that is alchemys first law of equivalent exchange. in those days, we really believed that to be the worlds one, and only, truth.▼

i wrote the original track when i was a teenager in a shitty band called "the isotopes" which is a reference to the baseball team on the simpsons. yikes. i played drums. bigger yikes. i fixed it up for this because we... just didn't have anything that fit. the idea is that its.. a jade blood who is trying very hard not to be one. 

you still have all the trappings of jade blood music: piano, bells, harps, arpeggios, some sort of.. ethereal moments.. but its like this weird bad rockabilly nonsense. you can hear how a like 11 year old me wrote what i considered to be "stride piano" there was a point this was gonna be a grubbles song but its like... well theres only two of them. so i kinda went buckwild on the drums a bit. remember dammek? i wonder what that guys up to. probably some stupid shit LMAO.

anyway a lot of you are wondering why trace put fucking lapras in the preview image and i guess the burden falls upon me to explain. on twitter there is an artist who predicted every single time it was gonna be daraya whether they had evidence or not and theres a whole like in-joke comic about daraya bringing a lapras plush (named SLAPRAS) to jade blood show and tell... look man i dont make this shit up theres a lot of lore. if you arent on homestuck twitter its about a thousand times better than anywhere else for that sort of... golden-age-homestuck fandom feel. nothing will ever come close to that but this feels very nostalgic to just joke and laugh with friends and shit. you guys have been really good to me. thanks.

▲trollkind cannot gain anything without first giving something in return. to obtain something of equal value must be lost. that is alchemys first law of equivalent exchange. in those days, we really believed that to be the worlds one, and only, truth.▼

this title is too long, see description. (DARAYA'S THEME)

here it is. the end of an era. working on friendsim has been an absolutely wild ride. i honestly can't tell you what its meant to me to be a part of something like this again. i've learned a lot about myself and what im capable of and what im willing to do to make it work. i guess this probably comes off as cryptic.

a lot happened. an absolutely bananas series of events that lead up to this project and the more baffling moments that have transpired since. its... one of those things that only homestuck could have produced, you know? It was an incredible opportunity with a lot of ups and downs and emotional significance. it will probably continue to be that. I had a lot of fun doing all of this for you. it also... ate up a LOT of my time, though. I have been on a nonstop homestuck train for like the last five years and only now that i've gotten into the groove of things its ending again. bittersweet. for now. 

i don't really know how to feel but i hope i at least wrote a song or two you liked along the way. 

heres the one for MC/DOC SCRATCH that i think is my favorite from the whole thing. its based off a song from an old (bad) fantroll album i did in like 2011 (and the song was written even earlier than that) that made the homestuck music community real mad at me because they thought i was getting preferential treatment because my album got approved and someone on the music team's didn't. they used this incident to talk shit about me for several years. one of them made fun of me for my dad passing away?? yikes. most of us have made our peace (i understand how easy it is to get caught up in dog-piling on a common enemy or w/e) but theres still one or two that are like... still real mad at me for this. they'll say like "you were rude to us" and its like... you guys... literally made fun of me for not having parents.

this one got away from me. anyway. thanks for listening. stop being weird to me on twitter. tip your waitstaff.

WORST END

47 Dogfight - Homestuck Vol 9

Homestuck: MeGaLoVania

Over one year, I've been reading Homestuck. I love the soundtracks and here ya go!

WORST END

jrmusic