This is a mashup/remix of Story 2 by Clipping. 

-- fair use disclaimer -- 
No copyright is claimed in CLIPPING – STORY 2 (MUDDY WIRES REMIX)and to the extent that material may appear to be infringed, we assert that such alleged infringement is permissible under fair use principles in U.S. copyright laws.

CLPPNG STORY 2 (MUDDY WIRES REMIX))

CLIPPING – STORY 2 (MUDDY WIRES REMIX)

Part of an Improvisation with harp, tascam and pedals (AND such a lot of effects)

Thank to Olympe and her wonderful voice and her child games.

Limbes Improvisation (harp)

𓅯  Demo by @0rangetone & @3stle

𓅰  Released via Moment: @umru + @daywaiter

𓃴  Art by Elena Fortune

https://splice.com/sounds/packs/moment/field-notes-a-holly-waxwing-moment

Field Notes is a sonic distillation of 5 years of notes taken on Planet Terr in the Virgo Supercluster. There was a remarkable similarity between some of the flora, fauna, fungi and even topography found on Terr and on Earth. Until the dust settles on the phylogenetics of Terr, I’ve used adjacent English common names and Latin wherever possible for clarity. I had the most success implementing Wavetable and FM modalities when transcribing my notes, and I can only hope that they will prove as helpful to you as they have to me. Special thanks to OrangeTone for making my field notes more legible and to OT & Estle for the first study into their broader implications.

Field Notes (A Holly Waxwing Moment)

Field Notes (Splice Demo)

Billy Bultheel - Two Cycles
Label: PAN
Cat.No.: PAN 138
Release Date: 08 March 2024
Purchase: pan.lnk.to/TwoCycles

Billy Bultheel's debut solo album is an ambitious distillation of the composer's,' sprawling litany of influences and his unique approach to site-specific composition. A compilation of pieces created between 2016 and 2023, the album is a forceful testament to Bultheel's expansive performance practice and collaborations with cutting-edge visual artists like Anne Imhof and James Richards.

Drawing inspiration from industrial music and metal as well as medieval and baroque polyphony, Bultheel devised a way to present this collection of works side-by-side. The record is split into two distinct cycles: the Snow Cycle, which collects Bultheel's electro-acoustic and compositional work, and the Game Cycle, which assembles his electronic productions. These two suites have unmistakable symmetry; Bultheel's traditional compositions are bolstered by his understanding of electronic production, while his electronic pieces are moulded by his knowledge of classical and traditional music. "Two Cycles" is an album that exhibits duality, embodying the dichotomy of Bultheel's roles as both an ensemble composer and an electronic producer.

The haunting opening track of the 'Snow Cycle', 'The Arcades Project', — named after the unfinished compendium of architectural contemplations penned by the eminent German philosopher, Walter Benjamin - places four tubas in strategic towers surrounding the audience, creating an immersive auditory experience. Conversely, 'The Snows of Venice' — named after Alexander Kluge and Ben Lerner collection of short stories and poems — was conceived for two flautists directed to intertwine their melodies as they traversed through knee-high water.

The 'Game Cycle' meanwhile places a strong emphasis on rhythm, crafting a sonic landscape that resonates with overdriven metallic clanks and sharp stabs. Drawing upon his extensive experience in composing for choreography, Bultheel envisions a series of jittery dances that purposefully deviate from conventional timelines. 'Decreation' infuses techno with the visceral qualities of noise music and 'Game Theory' offers an unsettling skeletal barrage of saturated, precisely tuned percussive hits. Bultheel brings 'Two Cycles' to a close with 'Gigue,' a reference to the 6/8 baroque court dance that traditionally marked the conclusion of a dance suite; by merging marching rhythms performed by two percussionists on a single drum set with chaotic and evocative synth leads, he establishes a tantalizing counterpoint.

'Two Cycles' is a musical compilation that explores the themes of locale and landscape, elucidating the intricate dynamics that arise between the musicians and their audience, the ears and the architecture. Considering timbre, density and the psycho-acoustic qualities of communal spaces, from the warehouse to the cathedral, Bultheel draws indelible lines between seemingly distant concepts, merging the celestial with the terrestrial.

The double album cover, one for each side and cycle on the record, features a collage created by the Welsh video artist James Richards that merges medieval iconography with snippets of queer memorabilia.

All tracks written by Billy Bultheel
Mixed by James Ginsburg
Mastered by Enyang Urbicks

Billy Bultheel - Gigue (Game Cycle) (PAN 138)

The Book of Love

Sunday Afternoon Deep Cuts

http://www.instagram.com/keithfullertonwhitman

Keith Fullerton Whitman @ The Lot Radio 07-07-2024

re-fragment de: https://nyapster.bandcamp.com/album/al-arma

> > > a PNEUMApodcast: https://www.ivoox.com/en/ep-8-hiyohiyoipseniyo-audios-mp3_rf_145687081_1.html

jugada indigne

W̵̧͗O̵͉͝Ǒ̴̢P̴̫͑ ̴̪̀Ẁ̷͓O̶̹͛Ơ̷͚P̵͎̾ (bbxii)

Say You Love Me

Happy Halloween to all !!!!!!! 👻👻👻👻👻

💀BassWillFlow💀

Stay tune for more!
https://www.facebook.com/Substrax

CLIPPING – STORY 2 (MUDDY WIRES REMIX)

James Staub