'Presents' is taken from Clear History's debut mini-album 'bad advice good people', out November 5th through Upset The Rhythm.

Clear History - 'Presents'

unreleased 

the internet is a conduit for dogma, stereotypical and conformist ideals. It's seductive and not always good

12 Landscape 24 Imperialist Culture

Modular Sketchbook 1-22-22

Rock | Made with ❤️ in Saarlouis
https://youtu.be/nUaPnelP3ns

Lyrics:

Call me when you are at home 
I promise you that everything 
Is gonna be alright 
‘Cause you‘re my valentine 

I dressed up for our valentines-date 
Forgot the roses that‘s why i‘m too late 
I‘m here with you now at this special place 
But you look really sad behind your smiling face 
You say that in the past your heart was broken 
You have trust issues evil words were spoken 
I will help you when bad thoughts come over 
So promise me so promise me that you

Call me when you are at home 
I promise you that everything 
Is gonna be alright 
‘Cause you‘re my valentine 

Don‘t you know that your eyes looks like heaven 
Don‘t you know i want you 24/7
From one to ten you are my eleven 
but you still look sad behind your smiling face 
You say your future will not look so bright 
Because your life has never been alright 
Girl i can change your blackness into white 
I‘m there for you i swear it’s true so please 

Call me when you are at home 
I promise you that everything 
Is gonna be alright 
‘Cause you‘re my valentine
Call me when you are at home 
I promise you that everything 
Is gonna be alright 
‘Cause you‘re my valentine

Next year is another valentines-day
You have doubts now and thats okay 
I‘m the one standing by your side
So don‘t hide and remember that you can

Call me when you are at home 
I promise you that everything 
Is gonna be alright 
‘Cause you‘re my valentine
Call me when you are at home 
I promise you that everything 
Is gonna be alright 
‘Cause you‘re my valentine
Call me when you are at home 
I promise you that everything 
Is gonna be alright 
‘Cause you‘re my valentine

‘Cause you‘re my valentine

Call Me When You Are At Home

(Please note: The following description was added one day after this track was first posted, and after a few listeners had liked it. In all fairness, since the description wasn't there when those listeners liked it, it should be said that they may not necessarily agree with what I've expressed below...)

This recording was especially made as a contribution to the Northern Hemisphere's ''International' Dawn Chorus Day'. Personally, I prefer to call it 'Northern Hemisphere Dawn Chorus Day', because in the Northern Hemisphere it is Spring and the days are long, while in the Southern Hemisphere it is Autumn and the nights are long. For that reason, I would prefer to celebrate a complementary 'Southern Hemisphere Dawn Chorus Day'. The complementary polar date would be the first Sunday in November.

However, here where I live, a human-concocted curse called 'Daylight Saving' is inflicted (for human economic reasons) on much of Nature from the first Sunday of October every year until the first Sunday in April of the following year. One of the most significant consequences of this curse is that, in most places, First Light, and the Dawn Chorus (also known as The Hour of the Birds), are never truly free of the contamination of human economic activity and the vast noise that goes with it. Nature is never given time to be itself, to hear itself, except in its remotest parts (and even then, of course, there are the jets, carrying busy little humans to and fro across the skies). Even so, I believe it is good and wholesome to seek out, be immersed in, absorb, enjoy, and celebrate the dawn; and perhaps, in this way, inspire others with a sense of the importance and value of giving Nature some genuine time off from our noisy human ways. Imagine an International Day of Human Silence for Nature...
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Predominantly (not an exhaustive list): Australian Magpie, Long-Billed Corella, Crimson ('Adelaide') Rosella, Superb Fairy-wren, Galah, Little Raven, Sulphur-crested Cockatoo. Occasional calls from cows and sheep.

Location: Tungkillo region, South Australia. Traditional land of the Peramangk people.

This recording begins at 05:53. Nautical twilight 05:54. Sunrise 06:50. The track photograph was taken at 05:59.

MKH 8040s in ORTF into MixPre-6 II.

2022.05.01 Dawn. Rural Pastoral Region. Autumn.

Buy it here!
https://cuneiformrecords.bandcamp.com/album/multicolored-midnight-2

Michael Formanek - double bass and electronics
Tomas Fujiwara - drums and vibraphone
Mary Halvorson - guitar

THUMBSCREW "Survival Fetish" from "Multicolored Midnight" (Cuneiform Records)

He’s got cone vision now
Daren’t risk dreaming
He’s got cone vision now
Am I still hearing
Those quiet questions?

He’s got cone vision now
Daren’t risk dreaming
The moon is the sky from the
Bottom of a well

Would you freeze those moments
Like mondegreen arrays
Or ascend resplendent
Through those black and white yesterdays
Are you here?
To keep it where you once
Said I won’t fear

What did you mean by all of those different words?
What did you mean by all of those different words?
What did you mean by all of those other words?
Clearly I watch in reverse

Cone Vision!

A sonic exploration into a thunderstorm. Inspired by the numerous paintings of storms.

Leafleoht (2nd performance)

James Weeks Composer