🥚

1. Jerohme - Ovalbumin
2. lee - Big Jam Slade
3. love horses - be this horse or uhhhhhhh egg
4. The Simian - clandestine_retrieval
5. Anitta - holivokrizi
6. utopia cloak - egg moon
7. Greystar - Wake Up
8. Dollarstore Keyboard - CRACK
9. Purpledaughter - Kmart Holiday Spirit Tape #235790648

Mastered by Danny Playamaqui
Artwork by Jerohme
Tracklist curation by Purpledaughter

Release date:
21 February 2025

Anitta - holivokrizi

(Egg Modern)

release on 2nd May 2025 : www.wabi-sabi-tapes.bandcamp.com
@manja-ristic

Manja Ristić is a Serbian violinist, sound artist, published poet, curator, and researcher. In her work, she sets ecosystems in resonance and translates the human activity that criss-crosses them.

Manja Ristić - Olovo (extract)

"This album is an amalgamation of works about my desire to explore places with my camera, in search of a voice of reason and personal reflection. People enjoy travelling to escape from the realities of life and to enjoy the vastness of earth, people also enjoy travelling to see the wonders of the earth and see the beauties of it, be it walking in the forest or strolling by the coast of the sea. I enjoy travelling as it is a way for me to not think about the shackles of society and have a conversation with myself.

Travel Bag - to the middle of nowhere! is an homage to my mother and grandmother, who inspired me with their passion for exploration."

- Ryouko

Artwork by Erli Grünzweil
Written & Produced by Ronn Tan Hsien Han
Mixed & Mastering by Ioannis Nafpliotis

Special thanks to Mother [Melissa Teo Chong Hia] and Grandma ‘婆婆’ [Chua Chye Hoon 蔡彩雲]

Buy / Stream

Ryouko - bye. (till we meet again)

NAZARENO [bassi] | NO/TEMPO
Pre-order July 3rd | 9 pm - https://adepta.bandcamp.com

Welcome to the second chapter of the Adepta Atanor Collection, an 8" vinyl series from Adepta Editions for seekers of precious sounds. This series focuses on artists who work in the shadows, presenting them under new aliases exclusively for Adepta Editions.

For this occasion, the secret guest artist, performing under new alias Nazarenos [bassi], delights us with three pieces that challenge the ingrained conventions of contemporary electronic music, offering a deconstructed perspective on the notion of unity.

The mini-EP, titled No/Tempo, stands as the gravitational center of a "non-place": a space where everything exists in potential, the primordial origin of all unmanifested forms. In this exploration of the essential, the three tracks seem to explode in distinct and opposing directions, eluding any defined trajectory but sharing a common point of origin. It's as if something, long confined outside of time, suddenly manifests in a primordial burst.

Tune in to this unique 'Dadaist' machine, where styles and genres are not boundaries, but rather fundamental building blocks for a work of expansive vision.

Pre-order July 3rd

NAZARENO [bassi] | NO/TEMPO - SNIPPET

Sketchbook was the LA beat night started by Kutmah back in 2004 and was the breeding ground for artists like Daedelus, Ras G, Dibiase, Georgia Anne Muldrow, Teebs and Flying Lotus. Now it's radio reincarnation is on this side of the Atlantic. Lock in. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/sketchbook/episodes/sketchbook-27th-june-2025

Kutmah Presents: Sketchbook Radio w/ Mike Wolf 270625

Uncompromising footwork selections from Tunis-based producer Khadija Al Hanafi – ” sounds coming straight from her computer - classic Hanafi style” 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/slime-fm/episodes/slime-fm-2nd-july-2025

SLIME FM w/ Khadija Al Hanafi 020725

Gigue in C#

Ata Kak's first new song in over 30 years!

Ata Kak created a peculiar slice of Ghanaian music history with his debut album “Obaa Sima”. While it barely made a ripple at the time of its release in 1994, the cassette found a new life online in 2006. A not-so-underground cult obsession grew after it appeared on  the blog Awesome Tapes From Africa as its very first post, a sort of manifesto for the project. His addictive amalgam of left-field electronic music and Twi-language hiplife reached surprising levels of awareness among music fans of many stripes. The mystery behind the musician’s identity grew. Eventually Yaw Atta-Owusu came out of the shadows, from his quiet home in Kumasi, to tour the world playing high-energy, sweat-soaked performances at major festivals like Glastonbury, Sónar and Pop Montreal. 

Now, for the first time since 1994, Ata Kak releases new music. Honed in studios around Kumasi over the last several years, the songs feature the rapper-singer’s acrobatic rap, signature scatting, dramatic drums and even traditional Akan harp. The compositions are more ambitious than his earlier work, with more complex arrangements and layered harmonies. Ata Kak’s new songs are also the natural expression of a restless artist—he is a prolific poet and author of a half-dozen books, as well as an active gardener and busy painter. 

Born in Ghana in 1960, Ata Kak wasn’t always involved in music. But his travels and openness to the world lead him into the music industry. While living in Germany, he was invited to play drums in a reggae band and subsequently played in highlife bands in Ontario after moving to the Toronto area. He recorded “Obaa Sima” there at his home studio and released it in Ghana in 1994. He didn’t participate in music much in the intervening years until “Obaa Sima” was reissued in 2015. He started performing his song live with the help of a brilliant cast of London-based musicians and has toured three continents and played to thousands of fans in venues of all kinds.

(Egg Modern)

Jameszoo