producer and mix engineer
For beat sales and mix work email zootlab@gmail.com
@maghreban alter ego
STRANGE U producer
@drzygote on Twitter and Instagram
I won 'Soundclouder of the Day' in Spring 2013, thats why I have so many followers..

'The Dreaming Room - Special Edition' OUT NOW
iTunes: http://smarturl.it/TDR_iTunes 
Spotify: http://smarturl.it/TDRSpecial_Spotify
Google Play: http://smarturl.it/TDR_GooglePlay

I am a serious House Head/DJ., who have enjoyed the glory days of partying in the house capital of the world, Chicago, along the way I've met so many interesting people, who bleed house music, just as i do, in a effort to keep this wonderful genre alive, i will be posting some of my works, that i hope you all will enjoy, keep house alive, also subscribe to my official YouTube page listed under Sotak Inc., Like, Comment, and Share ✌🏾

Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Could this tuneful hardcore punk EP really be the work of a brother band with the 15-year-old on vocals and guitar and the 11-year-old on bass? Did Redd Kross really open for Black Flag? Could Jeff and Steve really have been born and raised in the Beach Boys’ hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Did one of them, dressed in Gene Simmons makeup, really kill a Bruce Springsteen impersonator onstage? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be not just the hottest thing since Cher went solo but the best start-to-finish Redd Kross record ever?

Somehow, the answer to all the above is improbably, wonderfully, beautifully YES. Long have Redd Kross rocked, and long have critics, devoted fans, Rodney Bingenheimer and fellow musicians from Seattle (Nirvana) to New York (Sonic Youth) to Driftwood, Texas (Butthole Surfers) to Hollywood (everybody) bowed before the Kross and their self-aware pre-spandex Glam bubblegum garage psychedelic Cheap Trick/Kiss/Revolver post-Kim Fowley rock and roll. Degenerate, sweet: tongues in cheek, song-long winks.

Commercial success may never have been theirs (if time and space had been aligned correctly, they’d have been blitzing ballrooms in the early ’70s instead of opening for Stone Temple Pilots in the early ’90s), but Redd Kross have endured and endeared because they’ve always had the best possible attitude: smarts, smiles, and total commitment to live hair-spinning showmanship.

Like fellow legendary Great American John Waters, they’ve devoted their career to making subversive entertainment in a high pop celebrity style, reintroducing in their especially golden late ’80s/early-’90s period such forbidden classic-rock tropes as melodies, harmonies, ripping musicianship, and primary colors-stuff that had (largely) been ditched in the underground rock’s post-punk, No Wave, hardcore, and sensitive-egghead scenes. Redd Kross then spent the ’90s making one great misunderstood record after another until enough shit had caked the fan that in 1997 they pretty much called it quits.

But you never quit being brothers. And so here’s the next Redd Kross album-produced and mixed by younger brother Steve earlier this year after it was mostly written by older brother Jeff in 2007-08, and recorded in that same period with the band’s current lineup, who’ve re-engaged in live performance since being lured back into action by an excitable Spanish promoter.

They’re too nice to say so themselves, but attention must be paid to this band, to this great album, Researching the Blues, which, like a pair of great pants, is tight and the perfect length. By the time you’re two minutes and 51 seconds into the second song, “Stay Away From Downtown,” and the band is breaking into the sha-la-las, you will be running around the room with your hands in the air. As the fourth song, the Brian Wilsonian “Dracula’s Daughters,” ends and the dynamic mid-’60s Beatles jingle “Meet Frankenstein” launches into its first chorus, you will be mass-texting all of your friends with the good news. By the final four songs-”The Nu Temptations” (Stooges-worthy riffs! Cowsills counter-harmonies! And more!), the “Surrender”/Noel ‘n’ Liam rockers “Choose to Play” and “Winter Blues,” and the stunning summer psychedelic power pop that is the closing “Hazel Eyes”-you will know the truth. You tried the rest-but now you’ve had the best. The McDonalds were educated at Rock ‘n’ Roll High, and they’ve stayed true to their school. Here’s to their beautiful reunion! Redd Kross Forever!

True Notes since 1987.
Our Gift To You. Stream PASSAGE, The EP: http://hyperurl.co/passage

Dj, presenter, founder and creator of Let There Be House! A podcast which is now global with 80,000 downloads per month. Delivered every Monday, Glen has developed the brand into hosting exclusive LTBH events and parties around the UK and Europe. For details and info about booking a party email me on glen@ltbh.co.uk

In the past I represented Hed Kandi as a tour dj for over 5 years playing their major parties all over the world from Ibiza, Brazil, South Africa, China and Bali to name a few.

My background in radio which has spanned over 10 years, is an instrumental part of setting the tone for my 'Let There Be House' podcasts which are enjoyed and downloaded all over the world via Soundcloud, Mixcloud &amp; iTunes!

Production wise i've had releases out so far on Motive Records, 84Bit, Hot Sunday and In It Together Records.
<a href="http://www.facebook.com/GlenHorsborough" rel="nofollow" target="_blank">www.facebook.com/GlenHorsborough</a>

www.twitter.com/GlenHorsborough

Award Winning Singer- Songwriter- Vocal Producer- Producer

Grammy-winning Pianist, composer and entertainer from Canada, living in Europe.

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