Name: JAMIE BALL - Classic techno mix by JAMIE BALL
Duration: 1 h 1 min 34 s
Description: THIS WAS A PODCAST I DID FOR "DRUMASHEENZ" BUT IT SEEMS IMPOSSIBLE TO GET NOW UNLESS YOU USE ITUNES. I DON'T USE ITUNES. MOST OF MY MATES DON'T USE ITUNES. SO, HERE IT IS. FOR EVERYONE WHO DOESN'T USE ITUNES.

This is pure asbo material, if I heard it on a field I'd  be on the blower 999 all da time 

Whats the tune that kicks in about 14.25?

Joey Beltram - It Works !! My personal fave ever Beltram !! Go on !!! :-)

Amazing track this, had it on a mix but can't remember what it's called. I.D. anyone ?

Carlotta Jacobi (Connwax / Feat.Fem) ist Produzentin, Techno DJ und eine der Kuratorinnen des Feat.Fem Podcasts. Ihr Podcast spiegelt die Sehnsucht nach einem losgelösten Moment auf dem Dancefloor wider.

https://soundcloud.com/carlotta-jacobi 

Feat.Fem: Wie bist du zum Auflegen und Produzieren gekommen?

Carlotta Jacobi: Ich habe mich schon als Kind sehr für Musik interessiert und durfte Klavier- und Gesangsunterricht nehmen. Als Jugendliche kam dann das Interesse für Clubkultur hinzu. Obwohl das Schreiben eigener Musik für mich immer wichtiger wurde, kam ich zunächst nicht auf die Idee, selbst elektronische Musik zu produzieren oder aufzulegen - vermutlich weil diese Rollen in meinem Umfeld überwiegend (cis-)männlich besetzt waren. Erst über den Umweg des Radiomachens habe ich gemerkt, wie viel Spaß mir Audioschnitt macht und dass der Schritt zum Musikproduzieren doch eigentlich nicht so groß sein kann. 2014 habe ich mir dann erst Logic und später Ableton sowie meinen ersten Hardware Synth gekauft und mit dem Produzieren angefangen. Damals wäre es sehr hilfreich gewesen, eine Gruppe wie die FLINTA*-Ableton User Group zu haben, um mich mit anderen über Produktionsfragen auszutauschen. 2017 hat mich dann eine Freundin gefragt, ob ich nicht auch auflegen möchte und mir meinen ersten Gig verschafft. Seither treten Produzieren und Auflegen in eine aus meiner Sicht sehr produktive Wechselwirkung.

Wie sieht eine Digging und/oder Producing Session bei dir aus?

Wie meine Producing Sessions aussehen hängt von meiner Stimmung ab und ob ich inspiriert bin - oder nicht. Wenn ich bereits eine ästhetische Vorstellung oder Idee im Kopf habe, fange ich meistens damit an, mithilfe einer Kickdrum eine Art "rhythmisches Bett“ für den Track zu bauen. Dann entscheide ich mich für einen meiner Hardware Synths und gehe auf die Suche nach einem Sound der zu der Stimmung passt, die ich mir vorstelle. Am liebsten mag ich es, wenn sich meine ursprüngliche Idee in diesem explorativen Modus weiter entwickelt und verfremdet. Um diesen Main Synth herum wächst dann meistens der Rest, etwa ein zweiter Synth, Percussion etc.. Mithilfe von Effekten bearbeite ich die Elemente dann noch weiter. Das Hin und Her zwischen Ableton und Hardware macht mir dabei besonders Spaß. 
Wenn ich mal weniger inspiriert bin, finde ich es hilfreich, mir sehr genau ausgesuchte Produktionen anderer anzuhören, die Tracks zu analysieren und mir zu überlegen, wie einzelne Elemente entstanden sein könnten. Das bringt mich dann meistens auf neue Ideen. 
Was das Digging nach neuer Musik betrifft habe ich relativ klare Vorstellungen welche Soundästhetik mir gefällt und durchkämme verschiedene Plattformen danach. 
 
Feat.Fem: Hattest du einen bestimmten Gedanken oder eine bestimmte Stimmung im Kopf, als du deinen Mix aufgenommen hast?

Carlotta Jacobi: Der Mix ist recht feurig geworden, da ich darin Musik spiele, die ich eigentlich für Clubkontexte vorgesehen hatte (und aufgrund der Corona-Lage keine Gelegenheit dazu habe). Es hat mir unter den Nägeln gebrannt, diese Musik trotzdem zu spielen und damit eine Stimmung nach Hause zu transportieren: Sie spiegelt meine Sehnsucht nach einem losgelösten Moment auf dem Dancefloor wider. Außerdem enthält der Mix zwei Tracks von mir, die im kommenden Jahr auf meiner Debut EP erscheinen werden. 

Feat.Fem: Wenn du ein anderes Genre produzieren und/oder auflegen würdest, welches wäre das?

Carlotta Jacobi: Ich habe im letzten Sommer für ein Projekt des LOFFT Theaters einen Soundtrack produziert. Daran würde ich gerne anknüpfen und habe große Lust, weitere musikalische Projekte in einem experimentellen und künstlerischen Rahmen umzusetzen. Ich würde zum Beispiel gerne mal den Sound für eine Installation produzieren.

Design: Stefanie Wittrisch
@stefanie_wittrisch_design (Instagram)
www.stefaniewittrisch-graphicdesign.com
www.facebook.com/Feat.Fem/

Feat.Fem Podcast 32 - Carlotta Jacobi

This set is part of the @beatsdonor charity campaign, in which electronic music artists encourage people to register with bone marrow donor bases to save the lives of children suffering from leukemia. #beatsdonor

MadAlba was born in July 1985 in Bari, south of Italy. From a very young age, her musical interests moved across a broad spectrum, going from house and dance music to rock and punk leading her lastly to techno and club-culture. 

At age 22 she approached the local scene as Djane with numerous performances in the club circuit of Bari. Through the years she has developed a continued and careful respect of the musical experience. She moved to Berlin in 2011 started djing with only vinyl records. 

This helped her to build a strong reputation as an underground techno DJ, providing opportunity for her to play in clubs such as Tresor, About Blank, SchwuZ, SO36 and Mikz in Berlin where she lives today. 

In September 2011, she spent one month in Detroit where she started the collaboration with DJ Seoul, Tom and Angie Linder of Detroit Techno Militia. This travel has definitely and radically changed her approach to the techno concept, which she considers more a political and social phenomenon and a lifestyle than just a musical genre. 

Back to Berlin she immediately came into contact with the queer scene, then in full bloom, building a network primarily of interpersonal relationships based on mutual support and collaboration, a network that naturally strengthens over the years, leading her to basically all queer realities of the city and beyond. At the same time she cultivated her main profession as a trauma surgeon in a historically male-dominated environment which strengthens her awareness of her role as a woman in a still strongly male-dominated society. 

Thanks to these solid experiences she became resident of the party Homopatik, at the time the flagship of the Berlin queer reality.

Her first releases on vinyl came out in 2014 on DTM-Label (Detroit) and Arkita Records (Berlin), the label that she spawned together with Synkopheit till 2016. 

In 2017 she launched her own record label Future Déjà Vu releasing 6 EP respectively by Transient X4, Ken Karter, Mannella a.k.a. DHARAXT, Phontonz & Shcuro, Rage Therapy and Bertrand. . 

In September 2017 she played her first house set for the summer closing of the Berlin based party Buttons. 

In Summer 2018 MadAlba became resident dj at the historical club Tresor in Berlin. The same year she collaborated with the London based crew Aria with a party series in the UK capital. 

Currently, she is techno resident dj and co-organizer of the party Buttons in About Blank teaming with Danilo Rosato, Jabob Meehan, Shingo Suwa, Akirahawks and Paolo Di Nola. 

Since 2019 she is part of the roster of Pullproxy. 

Over the years, his awareness of the communicative power of his role as a DJ not an end in itself but always aimed at creating a network based on the basic values of absolute respect for all forms of diversity, has been strengthened to the point carrier of all her artistic and interpersonal expressions.

MadAlba - Beats Donor [127]

paty pat 4 minimal detroit  vol 183

Reclaim Your City 091 | Victor Martinez (Calahorra, Spain)

Victor Martinez is the owner of Psychoskunk Recordings, Producer, DJ and sound engineer, but also a reference in northern Spain about techno music, getting to play in several European cities like London, Leeds, Barcelona, Madrid, Bilbao, etc..

With a career that spans over a decade Victor has developed a unique and personal style and can be seen in particular dj sets that venture through the many subgeneres of electronic music.

Victor has worked for foreign labels: Sect records (London-UK), Pohjola (Sweden), Shapeless (Italy) Etichetta Nera (Italy) Subsequent (Argentina), UTCH (Chile), D-Reflection (Netherlands), Pole Group (Spain) Lycaon (Spain) and various national Net-Labels..

Being faithful to his style and philosophy, Victor is in a continuous evolution betting for new sounds and new dimensions in the techno scene and bound to evolve in various fields of contemporary creation, as the soundtrack for various documentaries or several short films, trailers, commercials making off etc

His records and productions are regularly charted and played the likes of: Oscar Mulero, Claude Young, Luke Slater, Marcel Dettmann, Chris Liebing, DVS1, Xhin and many more...

Nowadays, he explores a new project with the a.k.a "Error Etica" which has the essence on the deeper side of life. Experimental, deep and dark sounds, departure from the hard rhythmic on behalf of way of understanding techno now a days, a sound carefully crafted and skillfully developed. 

A guy far from fads and trends that often exposes deep, dark, rawness and energy, lots of energy.

www.soundcloud.com/error-etica
www.pskmediamusic.blogspot.com.es/
www.risingmanagement.net/roster/detail/1
www.residentadvisor.net/dj/victormartinez
www.facebook.com/psychoskunk

01. Error Etica - Infamous Nebula - Subsist Records
02. Svaag - Saaade - Semantica
03. Fanon Flowers - Hunt Pattern 2 - Mechanisms Industries
04. Ness - Ravage As An Earth Panther - Field Records
05. Fanon Flowers - Vultures Circling 3 - Planet Rhythm
06. Tensal - Tensal A-A2 - Tensal.
07. P.E.A.R.L - All gods of man (The Transhumans remix) - Falling Ethics
08. Deepbass - Sleepwalker (Max_M Remix) - Rising Label
09. Victor Martinez - Anything called dead consumerism (Adriana Lopez Remix) - Rising Label
10. Exium - Pulstar - Nheoma
11. Kwartz - First Function - RSVD
12. Exium - Nucleoid (Jonas Kopp Remix) - PoleGroup
13. Kwartz - Form and Void - PoleGroup
14. NX1 - PR2 - Planete Rouge
15. Korova - Deep Water - RSVD
16. Pulse One - Irrational Concept - Subsist Records
17. Adriana Lopez - Método - GreyReport
18. Spherical Coordinates - SCFGM-16 - Token Records
19. Slam - Step Back - Soma Records

Reclaim Your City 091 | Victor Martinez

This recording is available to download here: http://boilerroom.tv/recording/jonas-kopp/

Jonas Kopp Boiler Room Berlin DJ Set

Residents at almighty Staub parties, Yacoub and Irakli met in Berlin and delved into techno at the beginning of the millennium. Since its inception, I/Y has tried to go beyond functionality and explore singularity in electronic music. A versatile and dynamic duo capable of satisfying anywhere they play, from garden parties to Berghain. 

https://www.facebook.com/iyofficial/?fref=ts
https://twitter.com/iyofficial
https://soundcloud.com/i-y

twitter.com/slamdjs 
facebook.com/Slam.soma
Slam Radio Playlist on Spotify: bit.ly/SlamRadioSpotify
http://slam-djs.com
iTunes: itunes.apple.com/gb/podcast/slam-radio/id584845850
Slam Radio is produced at http://glowcast.co.uk
For syndication or radio queries, email conor@somarecords.com and contact@syndicast.co.uk



#SlamRadio - 204 - I/Y

THIS WAS A PODCAST I DID FOR "DRUMASHEENZ" BUT IT SEEMS IMPOSSIBLE TO GET NOW UNLESS YOU USE ITUNES. I DON'T USE ITUNES. MOST OF MY MATES DON'T USE ITUNES. SO, HERE IT IS. FOR EVERYONE WHO DOESN'T USE ITUNES.

JAMIE BALL - Classic techno mix

One-Hundred-Fifth HATE exclusive podcast with Rhyw (Avian, Arcing Seas, Bassiani, Tar Hallow)

Download enabled.

Follow Rhyw here:
https://www.facebook.com/rhywmusic
https://soundcloud.com/rhyw
https://www.residentadvisor.net/dj/rhyw

Follow HATE on facebook: 
www.facebook.com/hatecollective/
www.instagram.com/hate_collective/

HATE Podcast 105

Rhyw - HATE Podcast 105

And so it is: The Erratic Podcast turns 8 years with Episode 200 courtesy of an incredibly talented artist, KUF. Hailing from Sweden, he is part of Arsenik Records and has been releasing excellent techno for a number years. Most recently, at the end of 2018, he released a fantastic 7-tracker/mini-LP on Warm Up "Entitled 2 Nothing", receiving massive accolades and support. Two months into 2019, he has already released a 4-tracker on Arsenik, which is diverse and excellent; and a 5-tracker on Kimochi, this one leaning more towards minimal and ambient electronics. For this special contribution, Marcus has combined his wide palette of sounds and put together an exclusive hour showcasing his superlative analog skills. Ladies and gentlemen, please welcome aboard Kuf —providing the soundtrack for this milestone episode 200. As always, sit back and enjoy!  


www.facebook.com/kuf.techno
www.arsenikrecords.bandcamp.com
www.discogs.com/artist/4630733-Kuf-2
www.kimochi.bandcamp.com/album/t-cken
www.arsenikrecords.bandcamp.com/album/ggggg-2


-
Erratic is comprised of a small team of passionate curators hosting proper Techno parties in New York City.
www.ErraticNYC.com | www.fb.com/ErraticNYC

The Erratic Podcast

Erratic Podcast 200 | Kuf

British-New Zealand producer and DJ Keepsakes has always had his focus on introducing crowds to previously unheard music. Out of a realisation that New Zealand was woefully deficient of the experimental, hard techno he favoured, his co-run party series Haven was born. Haven soon developed a loyal community and, in 2018, expanded to the already revered vinyl-focused record label now based in Berlin. Becoming familiar with his unbeatable bold techno, we had to invite him to come and play at UNFOLD 008. 

For this next episode of DETECT, we’re sharing the recording of his set that afternoon, which took stock of Haven’s stellar achievements and adventurous ethos for a blistering blast-off into the stratosphere.

DETECT [010] - Keepsakes

NYE 012 w// Fiedel

HELLO AND WELCOME TO MY GARBAGE DUMP.

THAT'S THE WAY IT IS TO WHIP A WEREWOLF INTO OBLIVION WITH A LENGTH OF RUBBER HOSE. 

WANT ME TO PLAY AT YOUR ROCK AND ROLL JAMS?
<a href="mailto:tp_recordings@hotmail.com" rel="nofollow" target="_blank">tp_recordings@hotmail.com</a>

JAMIE BALL - Classic techno mix

JAMIE BALL

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