@aficionado-recordings: Great to hear hombre!

Superb mix. Would it be possible to get a playlist?

Could you ID this one? It´s great...thanks

That's all soo good and relaxing and in high spirits really light and full of positive energy. Thanks for such a fulfilling tune, Jamie

* CHILLERS *

Feb, 2010

Mix originally for http://noncollective.com/

夕方の影「Evening Shadows」[Mix, 2010]

Mix for Noise In My Head radio show

http://www.noiseinmyhead.com.au/2011/05/220511-jamie-tiller/

Noise In My Head, 3RRR Radio [22/05/11]

Jamie Tiller and Tako live from Lente Kabinet @ Oudekerk (May, 2014)

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

Live @ The Garden, Zadar [24/4/2014]

Hot and sticky for Customs’ fourth Outsiders show of the year. Tom and Guy pack the pressure with late summer club gear, from electro bleeps to UKG basslines and blissy DnB. Recorded live in a basement in North London.

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com



Outsiders: Customs @ Kiosk Radio 05.08.2023

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.  
https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-19th-september-2023

Pender Street Steppers 190923

Sound Metaphors Mix Series 20 : Sacha Mambo

B.P.T. Radio 074: Ramzilla

John Gómez brings two hours of selections from Jamie Tillers friends and Family. A fundraiser to support Tiller's family can be found here : https://www.gofundme.com/f/support-jamie-tillers-family 
https://www.nts.live/shows/soup-to-nuts-john-gomez/episodes/soup-to-nuts-john-gomez-30th-october-2023

Soup To Nuts w/ John Gómez (Jamie Tiller Tribute) 301023

Edition Hawara is a record label run by three friends and music lovers from Vienna. “Hawara” is originally derived from the Yiddish word chawer and means “friend(s)”, “lover” or simply “guy” in Viennese dialect. The word nicely captures how a local way of life or relating to each other can be entwined with a larger, border-crossing history. Our label takes inspiration from this, focusing on re-issuing long-forgotten musical obscurities from Austria that are local and quirky, yet also resonate beyond a particular place and time.

H.A.N.D. MIX 051 Edition Hawara

London-based collector and photographer Alex Yiaxis known as Fantasty in Orbit has put together a mix which celebrates radiant diversity, what Martinician theorist Edouard Glissant calls a “poetics of relation.” The mix dissolves  boundaries, moving across time, space, and place, assembling a meaningful missive for peace.

@fantasyinorbit

Séance Centre Radio Episode 67 w/ Fantasy in Orbit

SWAYMIX 009 - Pheels

Red Light Radio [Live - 13/02/2016]

Better Days [Mix, 2011]

Into The Light [Mix, 2010]

https://soundcloud.com/music-from-memory
https://soundcloud.com/secondcircle
https://soundcloud.com/basicspirit

Radio show 🔊 https://www.nts.live/shows/jamie-tiller

Into The Light [Mix, 2010]

Jamie Tiller

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