Name: Jamie Tiller @ HÖR (Berlin) 15.10.2020 by Jamie Tiller
Duration: 56 min 2 s
Description: Video here > https://www.youtube.com/watch?v=G3FHEv4n5Rs :)

can i get track id please? <3 @jamietiller

So so so good from start to end. Proper sounds.

Mix #7 Midnight Tenderness
Artwork by Maryos Syawish

Tracklist:
Sugar Minott - Sound Design
Jaye Williams - Let Me Be The One (MTMU Edit)
Antione Rocky-Horror - Machine Gun Boogie (feat. Adriana Molina)
Dreamcastmoe - Deserving
Leisure Dub featuring Armanious - Weekend Waiting (Jeep Beat Mix)
J.B. Rose - Time 4 Love (The Jam)
Carla Thomas - Things Ya Make Me Do (Autumn Mix)
Mary Pearce - Love Away
Aisha - Can You Feel It
Projection  - I Don’t Fake My Love
52nd Street - I’m Available
Figmore - Wormhole Teatime
King Pari - Ya’llright?
Isabel Roberts - Love Situation (Vocal)
Bugz In The Attic - Consequences
Van Twist - Hot Wax
Terrance T - The Power
Psychic Mirrors - Thunderstruck
Twilight - You’re In Love
Kent Jordan - No Question About It
Alex Fernet - Tornerai

TASTING TONES #7 Midnight Tenderness

DJ Possum and Myles Mac return with a three hour trip full of saxy summer time slow jams, deep balearic burners, soulful UK garage and loungin' 90s house & hip hop. Mellow to its core, this one invites you to hit recline and see where the vibe might take you. One for the boom bappers and the chill steppers!   

Tracklist and full info: melbournedeepcast.net/portfolio/myles-mac-dj-possum

A little bit about the mix..

@djpossums:

Collaborating with Myles is fun because it's where we find a point of intersection with our djing styles and music tastes. I'm an unpinned DJ in terms of genre but together we find cohesiveness to tell a story that is reminiscent of our upbringings and nostalgic memories; UK Underground street soul, 90s Hip Hop, funny South African Kwaito tunes that we sing along to even though we don't know the language, soulful electronic love songs, early house classics and many more..

Some pretty banging songs that are precious to me from the message in the lyrics, the feeling they create, the fun vibes or just their awesome production are: Can't Stop (One World 12'' Mix) by After 7, U.N.I.T.Y. by Queen Latifah, Scratched by Etienne de Crecy and the Brazilian balearic classic Tudo Faz Sentido by Taciana to name a few.

@myles-mac:

One of the few upsides of extended periods at home this year thanks to all the lockdowns has been the time to trawl through old Ibiza chill CDs, youtube channel wormholes and bandcamp compilations to discover classic or relatively unknown 90s downtempo gems that have managed to last the test of time. With this mix, Maria and I put our heads together to tell a story of the past that somehow still sounds fresh to our ears today, trying to squeeze in a bunch of styles from both of our collections while making it all flow and sound somewhat cohesive over three hours and a variety of tempos.

Inspirations for the mix come from all over the map, but there's a definite focus on the link between the UK and Ibiza in the early-mid 90s, with old Dj Alfredo live recordings, José Padilla's Café del Mar compilations, psychedelic mixes from the late great Andrew Weatherall, the absolutely insane discography of UK Street Soul pioneer Toyin Agbetu (the producer behind 2 Tuff, Deluxe, Shades Of Black, Robyn, Mary Pearce and many more), the crisp jazzy productions of downtempo master Paul Hardcastle from Kiss The Sky (a ton of which he's uploaded to bandcamp) and the don of deep &amp; soulful UK Garage Mike Millrain (aka D Base, DJ South Central, Vibes Alive, Stone Cold Steppaz).

A few special mentions go to our friend Dust-e-1 in Montreal for his chillout monster of a remix for Pascale Project, the late Richard H. Kirk aka Sandoz who recently passed but left us with an infinite resource of beautiful electronic dance music, and Alaska's Kwaito classic "Accuse" that will always put a smile on our faces no matter the occasion.

www.melbournedeepcast.net

MDC.265 Myles Mac & DJ Possum

Four hours of sun kissed boogie, disco and soul from Melbourne party veterans and record label Wax'o Paradiso AKA Edd Fisher and Simon TK.

Interview: https://www.stampthewax.com/2021/11/23/extended-mix-waxo-paradiso/

(Extended Mix) is a new charitable series that celebrates all-night specialists and more simple, carbon-friendly lineups. Instead of paying on the door for this extended experience, we invite listeners to donate to the DJ directly while their gigs are cancelled, or to a chosen charity.

Wax'o Paradiso have chosen to pair their mix with the Jilya Institute, an organisation supporting Indigenous mental health and suicide prevention, as well as directly funding the education of the next generation of Aboriginal psychologists in so-called Australia.

(Extended Mix): Wax'o Paradiso

We have invited Australian https://soundcloud.com/aditoohey for the 23rd installment of the RB mix series. Doing the amazing https://soundcloud.com/rimbombo 
parties with https://soundcloud.com/grevillegreville and https://soundcloud.com/earlgreyradio. Besides being a super nice person she's an awesome deejay. Can't recommend her and the Rimbombo parties enough :-) Enjoy!

RBMIX23 By Adi Toohey

https://skylab-radio.com/shows/live-from-music-room_FM

@fantastic-man

Our broadcast residency continues Live from Music Room Melbourne with revered dance musik export Fantastic Man at the controls !!

LIVE FROM MUSIC ROOM 014 : FANTASTIC MAN

Jamie Tiller & Lauren Hansom @ The Lot Radio 07 - 24 - 2022

ACTION SHADOW!

Mixed live at Horst Festival 2022
Thanks to the Horst crew for
the love and support!

🍔🍔🍔😄👀🤙🏼😃⚡️⚡️👍🏼👀👀🇧🇪🍔🍔🔮

DJ FETT BURGER- Live at Horst 2022

Recording of Lauren Hansom's set at Dekmantel Selectors 2022

Lauren Hansom at Dekmantel Selectors 2022

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

Listen to Jamie Tiller live recorded at the Oktoberakel clubnight at Robert Johnson in October 2018.

Jamie Tiller – Oktoberakel at Robert Johnson, 20 October 2018

Video here > https://www.youtube.com/watch?v=G3FHEv4n5Rs :)

Jamie Tiller @ HÖR (Berlin) 15.10.2020

https://soundcloud.com/music-from-memory
https://soundcloud.com/secondcircle
https://soundcloud.com/basicspirit

Radio show 🔊 https://www.nts.live/shows/jamie-tiller

Jamie Tiller @ HÖR (Berlin) 15.10.2020

Jamie Tiller

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