ambient

Underground Storage Gallery

Sandy beach of dawn, one person have seen the sight of dancing barefoot. And from behind you hopeful also, sad to one person. Dawn soon. The sun climbs in the same way today. Figure of a girl going over the sand. Figure dancing innocently. Sand step ...
Introducing the "Sand step Dawn tone guitar version" of another version CD third album of Eisuke oooka to be released on October 29, 2014 from the "Road of the sun".

Sand Step "Dawn tone guitar version 2"

:zoviet*france:
:: live in concert at Incubate festival 18:00 Sunday 18 September 2011
:: venue: Dommelsch Zaal, Poppodium 013, Tilburg, The Netherlands
:: unedited stereo recording from the on-stage mixer operated by :zoviet*france: (this is a mirror sound image of what was heard by the audience)
:: 1st edition AAC 320 kbps - released as a free download 19 September 2011
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Composed, performed and mixed by :zoviet*france: As with all of our live performances, this was completely improvised
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© 2011 copyright control :zoviet*france:
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"Your right isn't necessarily my right."
-Lamargi (from "The Knowledge of Nothing, The Ignorance of Something").


Live at Incubate, Poppodium 013, Tilburg 18.09.11 [SoundCloud release]

Live at Wave Gotik Treffen, Leipzig 6.13.11

From the album "Nature Desires Nature" 
Available from Reverb Worship
http://reverbworship.com

R. Loftiss - vocals, guitfiddle
Alan Trench - voice, banshees
Frank Suchomel - squelching guitar, bombastic bass
Justin Jones - violin
David Salim - viola

Scared of Wolves

From 'SEQUENCE2'
Mastered by Per R. Ø. Salkowitsch 

Fade

This is the first track I 'officially' recorded as part of my CCCL project. It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII) into Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing. 

Chris Carter - Haz Chem (beta3)

This is a short clip from a live performance by Chris Carter & Cosey Fanni Tutti in Brescia, Italy on the 24th May 2010.

Carter Tutti - Harmonic Coaction One (live excerpt)

[bleak029] - VA - Why Be Blake When You Can Be Bleak? --- Coil - Manifesto

Josco / Pleq - A Broken Memory

Christoph Heemann
Edward Ka-Spel
Phil Knight
Andreas Martin

Cover artwork by Monika Kwiecinska

What it is that defines a supergroup? The fame of it's members, but I'm sure out there there are enough people who never heard of Edward Ka-spel, The Silverman, Andreas Martin, Christoph Heeman and Jim O'Rourke, yet from my perspective some of them gained real fame with whatever they are doing and their supergroup is therefore Mimir. Not that they are very active, since their releases in the last fifteen or so years can be counted on the fingers of one hand. Earlier this year they played a very rare gig, in Antwerpen, Belgium, guesting also Timo van Luyck (Af Ursin). The whole proceedings where captured on video and come on a limited DVD-R with this 7". The 7" captures two tunes, albeit very short, but a great showcase of Mimir's music, which is the sum of many influences: the krautrock psychedelia of The Legendary Pink Dots, the minimalism of Andreas Martin's guitar playing and the deep drone works of Mirror. The a-side is more Mirror and the b-side more Pink Dots. Two sides of the same coin. How they come together is best witnessed while viewing the DVD-R of the concert. Slowly it builds up through a web of drones, then slowly adding a rhythm and a counterpart of it, and an acoustic guitar slides in. Everybody is full on concentration and seeing your heroes sweat is always a good thing! - Frans de Waard, Vital Weekly

Brainwashed continues its 7-inch single series with an alluring slab of thick clear vinyl featuring two untitled pieces by Mimir (Edward Ka-Spel and The Silverman aka Phil Knight of The Legendary Pink Dots, Christoph Heemann, Andreas Martin, and Jim O'Rourke). Side one adopts an improvised psychedelic-folk feel as droning ripples segue into metronomic clicking pulses and Indian hand-drum rhythms overlaid by acoustic strums. More atmospheric by comparison, the other side is a haunted drone of peaceful thrums, swooping electronics, and natural field noises (moans and bird sounds). As befits its single status (though hardly characteristic of the drone genre), be aware that, while each piece conceivably could last a half-hour or more, Mirmir keeps them short. Still, get it while you can, especially when the first fifty pre-orders come with a DVD-R containing footage of the first Mirmir show recorded in Antwerp in February 2005. - Ron Schepper, Textura

Taken from a session recorded a few years back, itís difficult to pinpoint exactly who did what with which black box (Mimir's membership includes Christoph Heemann, Edward Ka-Spel, Andreas Martin, Phil Knight and Jim OíRourke) on this serving of quality single tone drone. Some milky shuddering movement in the aural undergrowth reveals distant pealing bells from some Shyamalan village just beyond the artworkís moody snowbound wood. Turning over, and again untitled, Mimir introduce a slow burning smattering electronic clicking that builds into a looking glass hip-hop beat with metal percussive touches. Mooring it even closer to convention is the growling buzzing sounds that are budged step by step into an unambiguous melody. - Scott McKeating, Stylus

Mimir, untitled side a

Tom Waits (on Jim Wilson): "Wilson, he's always playing with time. I heard a recording recently of crickets slowed way down. It sounds like a choir, it sounds like angel music. Something sparkling, celestial with full harmony and bass parts - you wouldn't believe it. It's like a sweeping chorus of heaven, and it's just slowed down, they didn't manipulate the tape at all. So I think when Wilson slows people down, it gives you a chance to watch them moving through space. And there's something to be said for slowing down the world."

Source: "Woyzeck to run at Freud Playhouse". Daily Bruin (USA), by Andrew Lee. December 3, 2002

Find more on the recording on this link: http://www.democraticunderground.com/10023815586

Tom Waits on Tom waits talking about this recording - http://gloriousnoise.com/2008/tom_waits_interviews_tom_waits

More on the recording - http://hearingvoices.com/transcript.php?fID=142

You can buy original recording here - http://www.amazon.com/Gods-Chorus-Crickets-Jim-Wilson/dp/1932192077?tag=viglink124132-20

Original recording from the author - http://www.constancedemby.com/godscricketchorus_f.html

And more: http://scienceblogs.com/startswithabang/2013/10/13/weekend-diversion-is-this-an-amazing-chorus-of-slowed-down-crickets/

Jim Wilson | God's Chorus of Crickets | crickets audio recording slowed way down

Extensive forest

Japan has said the Forest Aokigahara forest at the foot of Mt. People will not go back and get lost compass will not work correctly. Jukai invite the dead. But I
I think the holy place. Why there is a gate that connects the other world and reality.
http://eisukeoooka.bandcamp.com

Road of the sun

spotify

Extensive forest

An extract from the forthcoming Lustmord album "The Word As Power". 
Featuring the voice of Aina Skinnes Olsen.

Babel (Extract)

Exclusive live remix of the track In 'Abschied' (featuring Blixa Bargeld) from the two album release 'Desertshore / The Final Report'.

Available on Industrial Records from 26th November 2012.

http://www.industrial-records.com

Teaser Videos:
https://vimeo.com/49072037
https://vimeo.com/49072036

This track is also available on Pitchfork (http://tinyurl.com/99ulk2q).

Buy Album Here

Abschied (Live Remix)

Desertshores (Memorial Mix) is an exclusive remix of the track from 'Desertshores  / The Final Report' double album release. The track is a gathering of the voices of thirty five of Sleazy's friends and acquaintances. The lyrics are simply "Meet me On The Desertshore". A full list of contributors is here > http://127.0.0.1:53932/industrialrecords/industrialrecords/xtg-desertshores.html

Promo Videos:
https://vimeo.com/49072037 
https://vimeo.com/49072036
Released on Industrial Records 26th November 2012.

Desertshore

Desertshores (Memorial Mix)

Another extract from he forthcoming album The Word As Power.
Andras Sodom features the voice of Jarboe.

Andras Sodom (Extract)

An extract from the forthcoming Lustmord album "The Word As Power".
Featuring the voice of Maynard James Keenan.

Abaddon (Extract)

An exclusive track recorded for Brainwaves 2008 by Peter Christopherson as Threshold HouseBoys Choir. 

Threshold HouseBoys Choir - Cap Rot Taxi

:zoviet*france: - Loaded by the Moon
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zf201305612-3MP3
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1st edition MP3 320 kbps - released as a free download 12 June 2013
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Composed, played, mixed and recorded by :zoviet*france: about four hours ago
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© 2013 copyright control :zoviet*france:

This track forms part of the soundtrack to Surface Area Dance Theatre's production, 'Auricular'
http://www.surfacearea.info

ambient

Jan Klaus 1