Drum & Bass duo DC Breaks have made their way onto the widest range of playlists. Their hardcore club cuts have been rewound by the likes of DJ Friction and Andy C. On the other hand, the songwriting ability displayed on the single ‘Faithless’, featuring Bianca, has plastered them all over the radio. That’s just the tip of a very large iceberg. DC Breaks have earned their stripes in the underground but, with an album due in the Autumn and a packed festival season ahead, they’re about to explode onto the international stage in a spectacular fashion.

Since signing to Andy C’s Ram Records they’ve carved a reputation for delivering world class remixes for some of the biggest names in pop. Their work on singles by Paloma Faith, Lady Gaga, Lana del Rey, Tinie Tempah and others, and production for Example (a cut on the ‘Playing in the Shadows’ album) woke the pair up to the possibilities offered by vocalists. It was the start of the journey that led to the forthcoming album, packed with crossover cuts such as the piano-led ‘Breathe’ featuring Dave Gibson, with its contagious, urgent chorus. Or the soulful explosion of ‘No One Like You’ sung with passion by Niara Scarlett. Or the epic blast of ‘Salvation’ wherein DC Breaks take heavy duty bass sounds and tie them to uplifting, irresistible vocal hooks.

Once they graduated to Ram itself, with monster cuts such as ‘Shaman’ and last year’s battering ‘Lock-In’, they hit the drum & bass A-league. Before long it wasn’t just the drum & bass scene paying attention. DC Breaks tunes made it onto BBC Radio via Zane Lowe, Mistajam and Annie Mac.

“Chase and Status opened the door to drum & bass being accepted in the mainstream,” says Dan, “and through that door went DJ Fresh, Wilkinson, and now us.”

It certainly looks that way with appearances at multiple 2015 festivals, including UKF, NASS, SW4 and Glastonbury.

“I love the wildness of festivals,” says Dan, “Like we played on Arcadia’s outdoor stage last New Year’s Eve, in this big tower with fire blasting out of it. I was literally three or four feet directly underneath the flame-thrower in a really small box. If something goes wrong we were literally toast!”

If DC Breaks can avoid being fried by flame-throwers, the summer will be theirs. By the end of 2015, with their debut album blowing up everywhere, the year might well be too.

pinkies up! ❀ 彡 london based

⋆ ☆ 𝐦𝐠𝐦𝐭 tony.garvey@redlightmanagement.com
⋆ ★ 𝐛𝐨𝐨𝐤 𝙣𝙖 lroblesi@teamwass.com
⋆ ☆ 𝐛𝐨𝐨𝐤 𝙪𝙠/𝙚𝙪𝙧𝙤𝙥𝙚 michelle@makinoagency.com

Accelerating Dance Culture. Take on a NUFORM.
DEMOS@NUFORM.UK

A true pioneer of the Drum and Bass sound, Gridlok remains one of the most highly regarded artists in the industry. With a discography spanning over a two decades and featuring classics such as ‘Moodswings’, ‘Bottomfeeder’, and ‘Standing Room Only’, it’s little wonder that the Gridlok name has become synonymous with timeless Drum and Bass.

Involved with music from an early age, Ryan Powell aka Gridlok picked up a variety of instruments, but it was after experimenting with a cheap radio shack microphone paired with a 4-track tape recorder that he soon found himself in the murky world of production. Now with the use of a computer and an E-mu sampler along with an ever-changing combination of analogue gear and production techniques, this West Coast producer has led by example, constantly exploring new ways of injecting emotion and attitude into his art. 

The grimy uncompromising style that Gridlok has developed forms the foundation for his glittering career, gaining him the attention of his peers with household names such as Shy FX, Pendulum, and Dom and Roland lining up to work with the American producer. Acknowledged by artists in and out of Drum and Bass, Gridlok has put his spin on other genres, remixing for the likes of electronica giant Josh Wink and house legend Sasha. Gridlok’s original music and remixes have also branched into other media, with his work appearing in titles such as Konami’s Dance Dance Revolution and MTV’s Challenge series. Covering a wide spectrum within Drum and Bass, Gridlok’s versatile production has allowed him to release on a diverse range of labels, spanning from Ram Records and Playaz to Commercial Suicide and Moving Shadow, whilst maintaining his signature sound....

...find the rest on Facebook.

to book heist
Chris@uaagency.co.uk

Heist, also known as Strider if you’re looking to go way back into his discography, has been dominating, innovating and revolutionising speaker bins for 20 years now. No matter the year, his tunes always felt relevant, yet discernibly his, and in many cases were integral in pushing the limits of the Drum and Bass spectrum a bit further and a bit deeper than the status quo. His sound has travelled the ins and outs of the Drum and Bass super-highway many times, maturing as it grew from its humble yet bad and bashy beginnings found on classics like ‘Company 7’, ‘Beetle juice’, ‘Philly Styler’ and ‘Iron Hide’.

Also a badboy DJ for just as long (longer than heist in fact - he was dj’ing in the early 90’s under a different synonym). It’s tunes like ‘Go to work’, Sleep in ya eyes and ‘Don’t hold back’ as well as his high-octane DJ sets, that propelled him into super-stardom way-back-when. And in the minds of many, solidified Heist as a bonafide legend resulting in too many collaborations, endorsements and appearances to list. 
Having graced the catalogues of many iconic, foundational labels like Playaz, Charge, Ganja, V, Digital Soundboy, Frontline, Full Cycle, Philly Blunt, Low down deep and Metalheadz! All one needs to do to understand why Drum and Bass royalty like Dillinja, Hype, and Goldie, took notice so early on is…listen. Listen to any of it! It’s as though Heist had the foresight to be as fastidious about what he released to others as he has been about what he releases on his own signature imprints, Sumo Beatz, Calypso and Co-Lab.

Receiving previous critical acclaim whilst engineering for DNB forefather and legend, Goldie, as well as on his own celebrated productions, Heist has found a home for most of his current output on two-time award-winning label, Low Down Deep Recordings. Big things are coming on the label from Heist, like the cheeky ‘Bug Patrol’ and also ‘Felt Rich’ both doing dance floor damage from a host of DJ’s and support on BBC Radio 1, Kiss FM amongst other radio stations for both of these tracks and most likely more Heist bangers! Some exciting future projects are also in the works for a few labels that have yet to see the likes of Heist...The return of Sumo Beatz is also in store, with a bunch of ‘select cuts’ he has been just waiting to get out there on his own label. If history serves, there’s truly no telling what Heist will cook up next or how hard his freshly-brewed baselines will hit, but the future does look bright for the now DNB legend, to say the very least. With a plethora of music in the works as well as tour dates across Europe and the globe actively brewing in the cauldron, 2025 is looking deadly.

Ricochet feat. Felix Samuel:
https://Armada.lnk.to/Ricochet

Positions feat. whoismoli: 
https://Armada.lnk.to/Positions 

ANDY C X Becky Hill - Indestructible: https://beckyhill.lnk.to/Indestructible

Home In That Bass: https://lnk.to/HomeInThatBass

For UK / World bookings (exc North America): 
lucy.putman@paradigmagency.com
and tom.schroeder@paradigmagency.com

For North America bookings:
kevin.gimble@unitedtalent.com

BACKBONE with Stormzy OUT NOW.

https://chasestatus.lnk.to/backbone

Jan B is following