Three short 1:00 solo piano pieces. 

Music composed and recorded by Keith Kenniff (aka Goldmund/Helios/Mint Julep). 

All rights reserved.  

http://www.unseen-music.com

Artwork by Aaron Cahill (NHGBRS) |  http://society6.com/NGHBRS

Mirrors 3

There are a lot of issues to address. With the pandemic being the first and foremost, dominating our everyday lives, it’s easy to forget the struggles, tragedies and drama that is unfolding on another screen, not ours. It’s interesting to note that humans do not generally unite in happiness – it is the sorrow that we feel together, as a whole. One of the unfolding hardships revolves around refugees. Italian composer and violinist Laura Masotto, whom I first virtually met via 7k!‘s beautiful compilation, String Layers, has volunteered for a non-profit organization, Open Arms, which is dedicated to protecting those who try to reach Europe by sea, and has first-hand witnessed the ongoing misfortunes experiences by daily migrants in the Mediterranean. While working on her album, she wanted to capture the urgency of this ongoing emergency situation, even as the focus on COVID was drowning out other news. For this piece, appropriately titled “Refugees”, Masotto collaborated with the Spanish (and London-based) composer, Roger Goula, to create a piece of music that transmits both, gravity and hope. The track was subsequently used to score the images provided by Open Arms, which propels the immediacy of this cataclysm even further. And if this track premiere does not move your heart, I promise that the video will be remembered. I recommend you play and watch both in this order.

The video is here:
https://www.youtube.com/watch?v=calDixdRcJ8

"When Laura contacted me in the middle of the Covid-19 pandemic to collaborate on the Refugees single I knew that it would be a significant project, refocusing on an ongoing emergency too often overlooked as the norm. And in fact when I received Laura’s early sketches of the main theme for the piece I felt that sense of fragility but at the same time poignant energy that hugely inspired my musical contribution. The sense of rush of the fast violin arpeggios with yet strong harmonic changes made my imagination fly quickly and react musically in response to it straight away. Through a very organic collaboration with Laura, the music developed to deeply reflect the drama happening every day in the Mediterranean Sea with the hope that the language of music could touch our feelings and encourage our actions.“
-- Roger Goula

The video was made in collaboration with the Spanish NGO Open Arms which is involved in rescuing migrants who depart from the coasts of North Africa and travel Europe. The images used in the video were shot by the operators of Open Arms. “For Laura Masotto (who has long been close to the NGO) it was natural to think of using her music and these images to shine a light on the drama of these migrations.” You can support and donate to the organization here. The full album is due out on 7K! Records on June 11th.

Refugees

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TRACK PREMIERE : Laura Masotto feat. Roger Goula - Refugees

from 'Symmetrie und Wahnsinn' [CD|LP|DIGITAL]
Denovali Records · den370
available on all formats at https://denovali.com/sanktotten/

After the 2020 album "Lieder Für Geometrische Stunden", Sankt Otten finally make us happy again with a new release at the beginning of 2022. "Symmetrie Und Wahnsinn" (Symmetry and madness) fits here skillfully, both creatively and musically, in an album series with geometric context.

The album starts unusually buoyant with "Hymne Der Melancholischen Programmierer" (Hymn for sentimental programmers). A Kraut-Pop pearl, which could go on forever with its Motorik swing and with its catchy melody the track doesn't come across as melancholic as the song title predicts. You have to listen twice to not succumb to the illusion that it was composed in Düsseldorf at the end of the seventies. Here (and on the track "Sei Symmetrisch Zu Mir"), Sankt Otten were supported in the studio by drummer friend DIRK PELLMANN.

The drum machine in rumbling funky mode. "Die Glücklichen Unglücklichen", the secret hit of the album? They bend the beat into geometric shapes, let the bass play in circles and cover the song with ghostly choirs. The echo of a spinett-like sound overlays the sound, spitting out a deceptively cuddly dream world.

The 10 minute long "Die Ordnung Des Lärms" could be called an Ambient-Kraut symphony without hesitation. An enormous swelling to ecstasy, a guitar sings distantly in the background. Silence. Synthetic strings pave the way and are supported by choirs. A crackle that suggests a rhythm until it is taken over by a drum computer in the main part of the track. Bombastic mountains of synthesizers pile up and yet a catchy melody finds its way through this mishmash of hypnotic electronics. Fourth movement - Kosmische-choirs in suspension over a bass synth and an Ebow guitar. Is this already Prog-Rock? The question doesn't arise, in the end everything merges into reverb.

"Luftspiegelung Der Sentimentalitäten" begins cautiously with a gentle sequence and a discreet kick drum. The mini-Moog sounds like a guitar. Anyway. A surface floats by and returns, layers and shapes build up. At last, everything melts into perfect harmony with a plaintive-sounding synth. This track was composed as a stripped back reprise of the first track from the last album "Sentimentale Sequenzen".

A hypnotic Motorik-beat of an 808 that encourages head nodding and could almost be danceable. True to style with warm analog 80s electronic sounds and a loose echo guitar. This is "Angekommen In Der letzten Reihe". Man and machine hand in hand as a homogeneous musical unit and the connection of tradition and vision.

Sankt Otten like images of infinity. In the religious sense of meditative mantras, or also in the mathematical sense of an elongated curve that eventually returns to its starting point. "Bis Das Helle Licht Uns Holt" goes exactly in this direction with its classical use of sequencers and a sound carpet of choirs. Sound worlds that, through a clever repetitiveness, barely noticeably guard the constant changes in the compositional mesh like a secret and only reveal what is to be discovered by listening closely and letting it be seen. Such a thing is probably called Berlin School?

The Osnabrück duo Sankt Otten, founded in 1999, has been releasing on Denovali since 2009. With their now 12th album they give us again a gem of timeless instrumental music. The holy trinity of Krautrock, Ambient and contemporary Electronics, but always stylistically confident and unmistakable Sankt Otten.

For the mastering New York based RAFAEL ANTON IRISARRI could be won. Also with the cover layout again good taste is proven. As part two of a cover series, this extraordinary die-cut cover artwork was again created by designer DANIEL CASTREJÓN. The vinyl version comes in a die-cut cover (in a limited transparent edition), the CD in an elegant cardboard slipcase.

Symmetrie und Wahnsinn

Luftspiegelung der Sentimentalitäten

Sankt Otten - Luftspiegelung der Sentimentalitäten

Sólfar

Written, recorded and mixed by Janek Sprachta at Einraum Studio.
Mastered by Nils Frahm at Durton Studio.

Echo

Echo Pt2

Buy ECHO

Labrinth & Emeli Sandé - Beneath Your Beautiful Slower Ballad Cover

here and there 12.16.25

Solo Piano.  Created LIVE in Real-Time at St. Wenceslaus Church, St. Louis MO.

photo by Drren Lovecchio, DarrensPhotos@Yahoo.com.

Year of Music: December 19, 2025

Original music and sound design composed for a dance performance for the "Researcher's Night 2017" of EKETA. Presented at Thessaloniki Concert Hall, 29.09.2017
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www.researchersnight.gr
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Direction: Nikos Kapelios
Dance: Rhiannon Elena Morgan
Make Up: Lida Dalla
Einstein Act: Kostas Kafantaris

Time

From compilation 'Intervals' (Piano Day 2018)

Download/Buy: https://modernarecords.bandcamp.com/album/intervals

Composed & Produced by Sten Erland Hermundstad
Piano: Sten Erland Hermundstad

Intervals

Sommerfugl

Download/Buy

Sten Erland Hermundstad - Sommerfugl

Solitude

Janek Sprachta is a Berlin-based composer, instrumentalist, and drummer known for his contributions to ambient, modern classical, post-rock, and electronic music. Born in 1983, he began his musical journey inspired by early Genesis tapes, which fueled his passion for complex and progressive music. After attending the Joseph Schmidt Music School in Berlin, he played in various bands and eventually focused on music recording and songwriting.  ￼

Sprachta has released several notable works:
	•	Novembre (2013): His debut album, featuring collaborations with musicians like Susanna Lundgren (violin) and Johannes Höfer (saxophone), and mastered by Nils Frahm.  ￼
	•	Grow (2017): His second album, blending ambient, modern classical, post-rock, and electronic elements into a 40-minute sound journey.  ￼
	•	Slow Piano (2023): An EP combining reduced piano patterns, drum elements, and ambient soundscapes, featured in the Piano Day Playlist.  ￼

In addition to his solo work, Sprachta has contributed music to films, such as the short movie “Asche, Holz und Sterne” by Tom Ehrhardt, and has performed at events like the Q3Ambient Festival 2024 in Potsdam.  ￼

Sprachta’s diverse musical endeavors highlight his versatility and commitment to expanding his musical vocabulary.