Electronic & indie Broadcaster 📻
Submit your track: https://www.submithub.com/blog/dealer-de-musique

Record Label: @ddmrecordings

contact@dealerdemusique.fr

Mach dir deinen eigenen Kult!

Kultmucke ist ein 2010 in Berlin gegründetes Onlinemagazin, das sich überwiegend dem kulturellen Leben der Spreemetropole verschrieben hat. Das Wort verschrieben trifft dabei den Nagel recht gut auf den Kopf. Unser junges Autoren-Team versucht nämlich unermüdlich, die Impulse der Stadt in sich aufzusagen, sie zu filtrieren und schließlich in seinen Artikeln für eine breite Leserschaft erlebbar zu machen. Losgelöst von diktierten Mainstreamerscheinungen stehen dabei meist individuelle Blickwinkel im Vordergrund der Berichterstattung und bieten eine ungeahnte Sicht auf die deutsche Hauptstadt und ihre bunte Vielfalt.

Mit Herz und Verstand, Passion und Hingabe, Witz und Ernsthaftigkeit wurde Kultmucke im Laufe der Jahre zu einer festen Instanz innerhalb der Blogosphäre. Sich dieser Verantwortung stets bewusst, nutzen wir unsere Plattform vor allem, um jungen, unbekannten Talenten ein Sprachrohr zu sein.
Neben akustischen Phänomenen – Künstlervorstellungen, Interviews, Album- und Konzertreviews – beleuchtet Kultmucke aber auch Themen, die von gesellschaftlichem, politischem oder ganz alltäglichem Interesse sind.

Obwohl Kultmucke in der virtuellen Welt verankert ist, wagt sich unsere Redaktion regelmäßig in die freie Wildbahn und hinterlässt dort ebenfalls ihre Spuren. Veranstaltungen, wie die beliebten Wohnzimmerkonzerte, die von der Spontanität ihrer Gäste befeuerte PowerPoint-Karaoke, von uns präsentierte Shows oder der über die Grenzen der Republik bekannte Hipster Cup, sind Resultat dieser Ausflüge in den Vergnügungskosmos. Und wer sich ein Kultmucke nach Hause holen möchte, kann dies dank zweier von uns veröffentlichter exklusiver Sampler („Kultverdächtig I“ und „Kultverdächtig II“) ebenfalls tun.

Von uns für und mit euch! Kultmucke freut sich immer über Kritik und Anregungen. Haut also gern in die Tasten und schickt uns eine Nachricht an info@kultmucke.de.

Booking : 
thibaud@swarm-mgmt.com
hugo@trafficartistagency.com
Further booking contact & general inquiries : info@dustykid.it

Paolo Alberto Lodde aka Dusty Kid is undoubtedly one of his country’s most exciting electronic music exports. A native of Sardinia, Italy, Lodde is a classically trained musician and an individual who approaches house and techno like few others in his field.
A live act of considerable distinction, he first emerged in the mid ‘00s courtesy of a string of rapturously received releases, the likes of which helped breathe new life in to a scene that was then preoccupied with monotonous, over-hyped minimal sounds. With the benefit of hindsight, Dusty Kid’s emergence was one of many sparks that helped usher in a whole new era of genuinely exciting, intricately produced electronic music that remains to this very day.
An early embracer of all things musical, Lodde started playing the piano at age 4. By 10, he was studying alongside students almost twice his age. However, it was when he swapped the piano for synths and sequencers that his take on music took on a whole new approach. Heavily influenced by the likes of Jeff Mills, Underground Resistance, Jam & Spoon and Daft Punk (and free from what he perceived as the constraints of the piano), he began producing his own electronically-inclined compositions, with his first single, ‘I Found a Reason’.
Boasting a nimble, dexterous and always scrupulously-produced sound aesthetic, his unique way of working quickly brought him to the attention of globally-esteemed labels a la Boxer, Systematic, Southern Fried, Bpitch Control, Suara and Mau5trap, with tracks such as ‘Kore’, ‘Milk’, ‘America’ and ‘Lynchesque’ quickly cementing his name into the hearts and minds of the global electronic music scene.
Alongside his solo releases, Dusty Kid is also an impressively consistent remixer, putting his own stamp on music by the likes of Moby, Armand Van Helden, The Pet Shop Boys, Booka Shade, Robyn and Simian Mobile Disco over the years.
An endlessly consistent purveyor of up-front club fare, Lodde is just as comfortable producing techno- focused records as he is more pop-orientated records, a way of working that’s in keeping with his refreshingly unpretentious take on music.
A truly versatile musician who’s never been shackled by convention, it’s Dusty Kid’s eclecticism and ability to embrace new sounds that means he continues to stick out from the crowd. A musician who continues to electrify and innovate at a rate that would make most of his peers blush, Dusty Kid truly is a talent worth embracing.

Everything Maya Jane Coles
https://linktr.ee/MayaJaneColes
Listen to all Maya Jane Coles releases here 
mjc.lnk.to/profiles 
Listen to all Nocturnal Sunshine releases here 
ns.lnk.to/profiles

Junge Junge is the DJ-production project of Michael Noack and Rochus Grolle. Both enjoyed their own respective successes as solo artists before the collaboration began: Grolle has been DJing and producing music since the early 2000s, while Noack has been DJing ever since he debuted on George Morell’s Groove On Records in 2012. Having crossed paths on various occasions the road—“We were always bumping into each other at random events,” they say—the duo decided to spend some time in the studio together in late 2012, only to discover a shared language and intention: “to excite people” with their music. Soon they began touring as Grolle & Noack before releasing 2013’s “Why” as part of the Schneeweiss II compilation on Oliver Koletzki’s Stil vor Talent imprint—albeit as Grolle & Noack rather than Junge Junge. 
The first official Junge Junge release landed in April 2015. Titled “Beautiful Girl,” and stemming from a spontaneous jam session at 2014’s Helene Beach Festival, the single landed on Get Physical Music. Pairing a feel-good bassline with the smooth vocals of Australian Kyle Pearce, the track served as a perfect example of the deeply melodic, pop- orientated sound. “Our songs automatically become melancholic, harmonic, and somehow ‘poppy,’” they say, describing their style as “pop with other influences.” 
Having heard “Beautiful Girl” played in a local beach bar on holiday in Ibiza, the Managing Director of Universal Music Sweden offered the duo a record deal on the spot. The first product of this arrangement was 2016’s “Run Run Run” single, followed soon thereafter with the Beautiful Girl EP which featured three original productions alongside the licensed title track. “Run Run Run” went double platinum in Sweden and has over 35 million streams on Spotify; while “Beautiful” went gold in the same territory. Earlier this year, the duo returned to the label with the “Postcard” single. Away from original productions, Rochus and Michael are also regular remixers—and can count Glashaus, Charlie Puth, James Arthur, Kyle Pierce, and Avicii as artists they’ve reworked. 
As DJs, the duo also continue to impress—although their tech-house sound is distanced somewhat from much of their studio output. “If we’re DJing we’ll play only tech-house or techno,” they say. “This is what has inspired both of us to play out music as DJs.” Following a busy few years of touring—during which they played Pacha Ibiza, Germany’s Magnetic Festival, HYTE on New Years Eve in Berlin, WET Open Air, to name just a few—the duo’s tour schedule continues only to grow. 2017 will see them combine bookings at large-scale festivals with smaller, more intimate club performances. 
Up next is the duo’s highly anticipated debut LP, scheduled for Spring 2018 release on Universal.

In the trend-driven universe of electronic dance music, Gregor Tresher is the rare artist who transcends such cycles. His secret? A relentless focus on melody and timbre, timeless musical elements that other producers often undervalue. Just as a painting or a photograph appears to move if one stares at it long enough, close listening to the stratified grooves and melodies in Tresher's music reveals an organic universe of shifting sound.

Jaritz michael is following