My submission for KVR OSC 167 using 4OSC in Waveform 12 Pro

DAW: Waveform 12 Pro
Synth: 4OSC (33 Instances)
Native FX: TEqualizer, 8-band Equalizer, Compressor, Limiter,
3rd Party Free FX: OrilRiver, SuperMassive, Cocoa Delay, GClip, LoudMax, OTT, QuickHaas
Mastering: GClip, LoudMax
Metering: SPAN, Youlean Loudness Meter 2

Perseverance

Perseverance (OSC 167 Waveform 4OSC)

Time for a cheesy synthpop track. 
My submission for the One Synth Challenge No. 169, using kHs ONE as only sound source. All kHs plugins permitted.

DAW: Zrythm 1.0.0-beta.4.6.3 on Archlinux

33 instances of KHs ONE

Used kHs plugins (all freeware):
kHs-3-Band EQ
kHs Compressor
kHs Reverb
kHs Distortion
kHs Dual Delay
kHs Ring Mod
kHs Trance Gate

Further plugins (all free and open source):
clean-machine
LSP Parametric EQ
ZaMultiCompX2
Dragonfly Hall Reverb
airwindows Cabs
airwindows Slew2
ZaMaximX2
LSP Sidechain Compressor
Zrythm Highpass Filter

Master Bus:
LSP Parametric EQ
clean-machine
PeakEater
x42-dpl
EBU R128 Meter

Bouncing Hertz

This is my submission for the OSC 171 Apricot. It was made with 27 instances in Reaper.
Transient Shaper (Kiloheartz)12
TDR Kotelnikov 1
Bass Professor 2
ReaEQ 17
OTT 1
FRANK 1
master_me 1
A1StereoControl 1
Distortion (Kiloheartz) 11
epicPLATE 11
Spaceship Delay 2
Valhalla Supermassive 6
Compressor (Kiloheartz) 2
STUF (ZEEK) 3
ReEQ Parametric Graphic Equalizer 5
A1 TriggerGate 2
SPAN 1

Not as interested this time as much in critical feedback. (Edit: oh go ahead and be critical if you like). I realize it's a bit repetitive. Simplistic bassline. Not even any drum fills. But I really like it as is. A lot. The harmonica sounded like it was saying "down the river". From there I started thinking of a river on fire that was sort of like the infinite corridor in the castlevania tv series on netflix. I might try to find a more representative picture. (Originally uploaded on 5/7/23. On 5/9/23 I went back and changed the high pass on bass and kick from 50hz down to 25 hz or so. And made drums a bit more coherent in general.)

OSC171 Down Fire River (Apricot) 30/44 68%

v5 master of my OSC 171 entry
12 instances of Apricot synth in Ableton Live via CLAP adapter (no automation)
Stock effects: eq-eight, compressor, delays, reverb
+ clean machine and Max 1 on master bus

Emergence Of Consciousness

The Insta Crowd

Here they come
Walking down
Into town
Real live wires
On a dead-end street
To the Circolo 
Or the place to go
Or the face to meet
An Influencer
A dream dispenser
The way you make them feel
But behind the screens
Of the Insta queens
The reel is so unreal

They’re always somewhere Instagrammable
Somewhere so hot that it’s inflammable
And where the lingo’s understandable
And not one person’s incompatible  

You know it really doesn’t matter where they go
As long as it’s an Instaworthy show
There’s only loud and proud allowed
When you’re in with the Insta crowd

Imperfection
Cool deception 
Self worth nothing at all
From your miracle balms
To your Miss Self Harms
It isn’t far to fall
Young lives curated
Like babes incubated
But it’s hard to face
When your happiness
Has been uninstalled 

They’re always somewhere Instagrammable
Somewhere so hot that it’s inflammable
And where the lingo’s understandable
And not one person’s incompatible

You know it really doesn’t matter where they go
As long as it’s an Instaworthy show
There’s only loud and proud allowed
When you’re in with the Insta crowd

Big Ben
London Eye
Awesome garden in the sky
Sunset
Harry’s bed
Finally on my private jet
Booty camp
I need coffee
Aliens please come get me, me, me, me

They’re always somewhere Instagrammable
Somewhere so hot that it’s inflammable
And where the lingo’s understandable
And not one person’s incompatible

You know it really doesn’t matter where they go
As long as it’s an Instaworthy show
There’s only loud and proud allowed
When you’re in with them

They’re always somewhere Instagrammable
Somewhere so hot that it’s inflammable
And where the lingo’s understandable
And not one person’s incompatible

You know it doesn’t
matter where they go
As long as it’s Instaworthy
There’s only loud and proud allowed
When you’re in with the Insta crowd

It doesn’t matter where they go
As long as it’s Instaworthy
There’s only loud and proud allowed
When you’re in with the Insta crowd

The Insta Crowd

When cleaning up I found that cute, fluffy little monster under my bed and disturbed its slumber. Boy, was it cranky, such a drama! But listen for yourself...

My submission for KVR's One Synth Challenge, using Apricot as only sound source. All patches made from init.
Screencast: https://diode.zone/w/eB7R49oKuWU2iKBzQapjpD

DAW: Zrythm 1.0.0-beta.4.9.1-1-g623246531 https://www.zrythm.org/de/index.html on Archlinux
28 instances of Apricot CLAP synth https://nakst.gitlab.io/apricot/

Used effect plugins (all free and open source):
-LSP paramatric EQ (MidSide and Stereo)
-ZaMultiCompX2
-Dragonfly Hall Reverb
-LSP Multiband Dynamic Processor
-LSP Gate
-x42-eq 
-airwindows ToTape5
-airwindows Cabs
-airwindows Galactic
-ZamCompX2 
-Calf Vintage Delay
-x-42 MIDI strum

Master Chain:
-LSP paramatric EQ
-clean-machine
-LSP Multiband Compressor
-ReFine
-PeakEater
-x42-dpl Limiter

cranky!

Summer music for your yacht.

31 instances of Nakst's Apricot synth created all sounds.
Using Live Suite 11, built in eq, delay, Valhalla Super Massive, OTT, KHS Distortion, Compressor, and Limiter.

Yacht No. 4 (OSC 171 Apricot)

A complex textural tapestry evolves out of a single tone.

22 instances of Soda Devices Lith.

I hope you take a second to listen to the details.

I found a flaw but I'm sure it will be fine(OSC 172 Lith)

JXSXNSKX