Nice relaxed section, well done drums and percussion and composition ... but, man, this noize thing!?

I'm confused. It's well done in so many parts. But I get so much distracted by the left side noize...

Very peaceful, something that can disappear pleasantly in the background but also rewards closer listening iwht lots of texture.

I really like the laid-back feel of this.

as usual, very high level production - I like that you're mining different styles.  Also the drums in this are really well programmed!

Such a luscious and epic sounding song.  Reminds me of Tears For Fears.  Head Over Heals perhaps.

Very melancholic. I love music like this! Super sound design, great atmosphere and somehow you don't seem to be able to make bad music. I like it very much... as always ; )

would fit into a john hughes film, nice work

One Synth Challenge #186: Any Two Synths Challenge (second edition)

In Your Face【peter:H】【OSC186】

Composed for the KVR "One Synth Challenge" n. 186 in August 2024. Sounds generated from the free VST synth Tricent mkIII by Full Bucket Music, coupled with some instances of the VST reverb Solaris by Adam Szabo.

This track is dedicated to a very special place for me. Exactly one year ago, in this month, I was on holiday in Florence and on the second-to-last day of my stay I finally took the opportunity to visit the Church of Santa Croce in the morning. The heavily manipulated picture I've chosen as the cover was taken exactly at 9:58 AM and my composition aims to express the mixed sense of wonder, magnificence and... Stendhal's Syndrome I was feeling in those moments, while visiting this grandiose monument that also has an enormous value in the cultural history of Italy.

Fun fact: Stendhal's Syndrome phenomenon harks exactly to the sensations Stendhal himself felt after visiting Santa Croce!

Enjoy!

SC-F

Created for OSC #186 = Any Two Synths using Odin2 and Vital.
Genre: Synth orchestral / trailer music / cinematic

Our brave heroes wait behind the castle walls as the enemy approaches. First the horns sound in the distance, and then slowly approach. Some notes ring familiar, while others are strangely alien. Three final eerie blasts as the ram begins its foul work upon the gate. When the enemy finally breaks through, not only men but twisted creatures with robotic voices join in the battle. As the fighting gets more and more chaotic, our protectors make a final stand. Can they prevail?

Enemy At The Gates - OSC 186 Odin2 and Vital

James Mullen had his first day, or rather his first night in the London police force on that foggy 31 August 1888. He was excited and proud at the same time and he was scared... He shouldn't be afraid, he was a policeman after all! Nevertheless, an uneasy feeling crept over him that simply could not be suppressed. He didn't like being out at night and yet he tried not to let on that he would rather be at home in his bed than prowling through the darkest streets of London in the middle of the night... 

He turned into Buck's Row and suddenly stopped... ‘What's that...?’ He walked slowly towards the small pile in the alley. It was dark and he couldn't see his hand in front of his eyes. Only now did he realise that he had not yet lit his lamp, even though his instructor had told him to do so again and again. 

He lit his lamp and shone it in the direction of the heap on the road and immediately wished he hadn't. Staring in fear and horror, he couldn't believe what he was seeing and without realising it, he cried like he had never cried before in his life... 

‘You'll never forget your first day at the police station’ said his mum with a smile as he said goodbye to her. She was right...

Made for KVR OSC 186 with Apricot and MinimogueVA

Whitechapel

For OSC 186 NA2S- Using 50+ instances of Vital and Socal Labs Wavetable synthesizers to produce all sounds in Ableton Live. Processed with Limiter 6, Valhalla Super Massive, Saturation, Cabinet, Amp, Pedal, Autofilter, Hybrid Reverb, Compressor,  EQ8, Channel EQ, and Delay.

Pumpkin Spice (OSC 186 NA2S- Vital and Wavetable)

An entry for the KVR One Synth Challenge #186 : Any Two Synths Challenge (Second Edition).

All sounds created with Vital and TAL NoizeMak3r.

In a disturbing turn of events, Spaceman D. Bassman flirts dangerously with major scales, gets sassy with a saxophonist, plays Arkanoid on his Grandpa's Amiga, does some cleaning round the house, and brings it all to a climax while totally amped up to the max on Tequila, Pimms and Irn Bru.

Reaper 7
Vital (17)
TAL NoizeMak3r (2)

Track FX : DAW Native
ReaComp (8)
ReaMIDIControl (1)
ReaEQ (12)
ReaDelay (1)
ReaVerb (2)

Track FX : 3rd Party
ChowTapeModel (2)
Distorque Rangebastard (1)
MAutopan (2)
TAL Reverb 4 (1)
Toneboosters Reverb 3 (1)
TDR Kotelnikov (1)
TDR Nova (1)
Sixth Sense Deelay (2)

2 BUS FX
TDR Kotelnikov (1)
TDR Nova (2)
TB Barricade 3 (1)
Cockos Loudness Meter (1)

OSC186 - Any Two Synths Challenge (Second Edition)

Skull Nugget

An entry for One Synth Challenge 186 at KVR Audio

DAW: Reaper
Synths: U-he Tyrell N6 (24) &  Zebralette 2 (2). Seventeen ( voice-split ) patches, from scratch as always , including six percs and four FX.  Assisted by TDR Nova ( general nip-and-tuck channelstrip duties ) , ReaDelay, HY-Delay , Bittersweet ( softening a delay, )  Kazrog KClip ( drumbus ) , and BlueArp

Reverb buses: MuVerb, Oril River, and Protoverb. Pre-emphasised, de-emphasised, shaped, compressed, softened and panned  by TDR Nova, Flux Bittersweet and HOFA SYS Pan. 

Shaped, sharpened, spatialized and louderized ( to -12 LUFS ) at the master level by TDR Nova, Flux Bittersweet, Protoverb, HOFA TiltEQ and  Limiter No6

Finders, Keepers

My first try into DnB.
More or less all sounds from Vital.

Adrenergic #OSC186

A gospel tune using just one free synthesizer for the monthly KVR OSC contest. Edit - it was actually two synths this month.

Spridgeon - Lord Have Mercy On My Golden Locks

Realizing There's Nothing More I Can Do (OSC186 Vital+Deelay)

My entry in the so-called "One Synth Challenge" on KVR, round #186: "Any Two Synths". Brutal feedback please!

DAW: Reaper
FX counts (excluding monitoring plugins):
- Odin2 x17
- WhispAir x5
- Stereo Width x3
- OrilRiver x1
- TDR Nova x1
- ReaComp x1
- ReaDelay x1
- ReaEQ x7
- ReaLimit x4

Seven Years Have I Been Waiting

named after a fun typo encountered in the wild. may contain traces of metric displacement and a silly musical pun. made in bitwig with:
pendulate (17 instances)
spacer
eq+
delay+
peak limiter
wider
chowtapemodel
tdr nova
tdr kotelnikov
loudmax

Astrointestinal Discomfort

Well Deserved Perturbance

in 31edo. for OSC 186.
Made with Saike Partials and Noise Engineering Ruina, in Reaper.

Leonard Bowman - Destruction In The Service Of Beauty

it is made for OSC #186 (KVR)

14 x TripleCheese (U-He)  https://u-he.com/products/triplecheese/
12 x Free Alpha.    (LinPlug)  https://plugins4free.com/plugin/2290/

DAW: StudioOne 6

Host-plug-in: ProEQ, Compressor, Gate, DualPan, Limiter, MultibandEQ, OpenAir, BeatDelay
3rd party plug-in: Tal Filter (for panning)
                            MTremolo (for gating reverb)

HeadPhone Mix

Like Grey

lost in the rain

Join the challenge by going here: https://shorturl.at/bhBFQ

Pumpkin Spice (OSC 186 NA2S- Vital and Wavetable)

JXSXNSKX

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