Submission for Disquiet Junto #0696. Distorted sine waves in a 5 limit tuning and a crunchy recording of water, captured on my slowly dying tape deck.

until nothing remains - disquiet0696

My music asks listeners to be like dreamers uncovering hidden patterns in passing clouds. Support me @ patreon.com/blisterpop

All here, in reality, are works in progress and are therefore apt to change at any time. All those except XIII Sisters and RAW which, as many of you may have done, I literally gave away in return for their placement in a library. Something I won't be doing again any time soon. If you have a use for something you hear here please just ask.

 .ooO -------------------------------------- Ooo.

ChatGTP said of AI Music...
'Creative AI tools can be seen as sophisticated plagiarism software, as they do not produce genuinely original content but rather emulate and modify existing works by artists subtly enough to circumvent copyright laws'

Sometimes it takes a dispassionate, independent view to actually see the truth of it ...

 .ooO -------------------------------------- Ooo.

There are links to XiiixxiQ below. Your mileage may vary as to whether it decides to work on your system or not. It only runs on a Mac because I really don't have time to do all the necessary work to make it compatible with anything other than my 2015 MacBook Pro :-(. It is still being developed (for my own use) and improved, and I may yet get round to doing another release if I can find the time to tidy it all up.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

freelance musician and sound designer specializing in electronic and electroacoustic music composition, performance and improvisation. creator of sound installations. educator and custom audio software developer. member of centrozoon (www.centrozoon.de) discography & documentation of works at www.tobiasreber.com, blog at www.tobiasreber.tumblr.com.

Assorted dark/ambient sound collages and experimental noisescapes /jams  - 
iOS and hardware - influences and inspiration include field recordings, sound design, electro/mechanical and natural ambient/drone textures and consequently my audio experiments often contain elements of these.
I am a digital artist and photographer with an honours degree in fine & applied art,  

Thanks for visiting my page...
new projects here: https://soundcloud.com/idxxiii
@jonas_lark @jak_larson

Tape-based explorations in sound. Get your AI trash out of here.

until nothing remains - disquiet0696

Arable Lands