I'm Raz Riot, an independent artist based in Kirkcaldy, Fife, Scotland 🏴󠁧󠁢󠁳󠁣󠁴󠁿

I've been an active musician in some form for almost 17 years. Before that, I was pretending to be a musician for about 10 years beforehand. You could definitely say it's been my life's work! 💯 

Main associated acts:

Manic Romance 2007 - 2013 & 2020 - present 

The Jook Joints 2016 - 2019

Raz Riot & Petey Dee 2018 - 2020



For inquiries/collabs/beats email:
bmo1o1mm@gmail.com
or Dm @lonely13_  Ig

THS  AN' T NO HADO  AROUND MY  HEAD BITCH.

Baltimore Club Producer founded in 2009. 

A youth inspired by the culture and excitement of dance music all around was introduced to Baltimore club Genre in 2006. It quickly grew to be a popular across the whole state of Maryland. FL Studios accidently landed in this teenagers lap and he learned quickly how to use that DAW as a tool to create the music quickly. Unfortunately as quick as the genre grew it dissipated within a decade. Baltimore slowly started to fall out of love with it and so did the surrounding counties. 

This page was created to be a nostalgia for those who at one point held this music dear.  Listeners who are interested search these key words across the internet and you'll find out there is still a small bunch who look to keep this style alive today. 
Rockin off, Shakin Off, Baltimore Club Music, Paradox, We Are Baltimore Dancers, Bmore Than Dance

hi I like five nights at freddy's, bendy and the ink machine ,hello neighbor, mortal combat, red dead redemption and beyblade burst, enjoy the songs and have a great day

People of Nothing is a coldwave band, from the vision of French composer, singer and guitarist Florian Chombart.
Biographie
People of Nothing is a cold wave/indie group established in Dublin by multi-instrumentalist Florian Chombart. Influenced by late 80s post-punk, the group’s sound oscillates between soaring, cinematic synths, industrial beats and shoe-gaze guitar. The driving force behind the group, Chombart recruited the talents of three other musicians, taking his apocalyptic vision to play in clubs in Paris and New York, where the group was well received by local audiences and media. Following this, Chombart set about recording the group’s eponymous debut album. Atmospheric and anxious, People of Nothing affirms a stark melancholic sound and lyrical intention. The resulting 8 songs are terse, seductive and tense; reflecting Chombart’s love of film soundtracks; from the minimalism of Arvo Part to the eerie isolation of Vangelis’ Blade Runner: an echo of romance in a post-industrial age.

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