Bombardier / WMX split EP on Void Tactical Media. 4 tracks of industrial broken bass.

Control Voltage

Die idyllischsten Plätze, denen man sich auch sentimental verbunden fühlt, existieren nur in der Erinnerung. Wehe dem, der an den Ort früheren Entzückens zurückkehrt. Er würde unweigerlich enttäuscht sein. Das liegt auch an der Neigung des Alters, die Vergangenheit zu verklären. (Frei nach Scholl-Latour, Die Angst des weißen Mannes, Berlin 2009 S. 88)

MANUEL RA
AKA ALOIZ®
contact. utechnomx@gmail.com

♆Anomalous Logarithm On Internal Zeitgeist♆ ©

OWNER 
UNDERGROUND TECHNO MX/ UTMX
PHURPHA 33
U3T3M3X

https://soundcloud.com/utechnomx 

PART OF RVKU
https://soundcloud.com/reykjavikunderground

♆Anomalous Logarithm On Internal Zeitgeist♆ ©
Manuel Rodríguez aka ALOIZ "Anomalous Logarithm on Internal Zeitgeist" has had experience with music in different genres ranging from hardcores, psytrance, cerebraldance, techno, industrial gabber, drum and bass, rap, grindcore, etc. In 2013 he formed his own label UTMX® which has now become a podcast called UNDERGROUND TECHNO MX® whose mission is to explore the hidden side of dance music in Mexico and around the world, focused on purely independent dance music, being Part of the Underground Reykjavik podcast in Iceland shares Mexican and foreign artists in order to share new musical styles on this side of the world. As an active part of the Mexican Techno scene, he has shared his music in different spaces and events within Mexico. He has also participated in important podcasts such as MONASTERIO (RUSIA) TECH CLUBBERS (ITALY)
(GERMANY) PHOBIA PROJECT (BRAZIL) DILEMMA COLLECTIVE (SPAIN)
DARK ROOM (MEXICO) signing on labels such as LETS TECHNO RECORDS, SUBLIMINAL PERCEPTION, TECHNO NEVER DIE, ONE BLACK RECORDS ETC.
(U3T3M3X)
DANCE WITH YOUR COSMIC BRAIN, DANCE AT THE RHYTHM OF CEREBRAL DANCE ." 

...333 UTMX 999...   

UNDERGROUND TECHNO MX 
 DE MANUEL RODRIGUEZ AKA ALOIZ
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Jason Whitaker, known to the drum n' bass world as
Dj Decay, is as odd as his taste in music. "I was
introduced to the electronic soundscape back in
1992. The rhythm and intelligence on "Only For the
Headstrong 2" opened the doors to other sources like the
"140+ bpm" tape series, Kenny Kens History of
Hardcore, old breakbeat on Moving Shadow and Suburban
Base, hardcore sounds from Speed Freak, Tron, Ron D
Core, Delta 9, Mark N and the Berlin rave scene." he
explains. "I would spend 60 dollars on tapes at
parties every weekend. My passion for the sound grew as
I attended more parties. It was an addiction I
couldn't stop. I was also attracted towards involvement
within the scene after seeing what beats and
melodies did to people.



Decay began tinkering with hardcore and breakbeats
in 1996, but it wasn't until he had heard DJ Trace
at a party titled "Cherry Bomb" in 98' that changed
his perception on drum n bass forever. "That set
held something I will forever value as an artist", Decay
says. "I heard what brought both worlds together for
the first time, hardstep. It had that core edge from
hardcore with that step funk from breakbeat. That's
when I knew I wanted to spin drum n bass."



Primarily attracted by the German drum n bass
sound, Decay began picking up records by the likes of
Panacea, Alec Empire, Scud, Dylan, while creating a
new way to mix drum n bass."German drum n' bass has
always seemed to be ahead of it's time. Atari
Teenage Riot used to mix up drum n bass and punk, and
even when Carl Crack died in 1999, forcing them to
break up, they still had something that was ahead of
it's time", Decay says on his approach to mixing.
"It gave me an open envelope and inspiration to put
my own individual taste to mixing, a more techno way
of playing drum n' bass. To play with amens and
hardstep interchangeably was unlawful back then. I
didn't want to wait for the breakdown. I wanted to be in
the mix".

Decay's sound has evolved over time,
encasing many different sounds and styles which may not
be heard anymore or have yet to be exposed in the
drum n' bass mainstream. "I have found my style and
I have stuck with it from the beginning. I add
elements to the drum n' bass sound every day. I'm a
music lover. I play drum n' bass, but my sets show just
how much music means to me." Decay
emphasizes."Sometimes I consider myself as a chef when I
play. I'm serving up different elements of sound,
mixing anything from Prince to Tiffany to a hardcore
4/4 beat. I don't restrict myself to playing only
drum n bass. Music is soul food. I want to show how
other sounds can be put together to create new
melodies and "remixes."

 "Noise is the key, life is full of noise, only death is quiet." - Alec Empire-
