Pulse Of Time EP

Shoreless

Buy/stream: https://fanlink.to/VPRLP037

2022 sees the mighty Viper Recordings turn 18 and to celebrate this mammoth milestone, label head honcho Futurebound has painstakingly picked one release from each year and created the ‘18 Years of Viper’ compilation. Over the last 18 years, Viper has signed some of the biggest artists in drum and bass including Sigma, Camo & Krooked, and Koven to name a few, and each and every artist included on this tracklist is held in the highest esteem amongst critics, peers, and fans alike. Just one peek at the label’s discography and it’s plain to see how challenging it’s been to pick just one track per year from its rich and varied story.

Starting back in 2005, the album opens with label boss Futurebound and his production partner Matrix with their stone-cold classic ‘American Beauty’. With its haunting sample paired with future-proofed twisting synths and high energy drums, the track can and still does easily tear down any dance today. Moving further through time and further through the album, also featured are ShockOne’s ‘True Believer’, DC Breaks’ ‘Babylon’ and Fred V & Grafix’s ‘Just A Thought’ with Reija Lee before The Prototype’s unbelievable track ‘Pale Bue Dot’ marks the midpoint, a release that dominated the scene at its time with its ever-present forward-moving chug wrapped in sci-fi swaths and hollow-sounding hits and highs.

Picks from more recent years include InsideInfo & Miss Trouble’s iconic ‘Metamorphosis’, Cyantific & Benji’s ‘Colour in The Shadows’ and Jaguar Skillz & Mind Vortex’s ‘Riot Squad 2’. The album finishes in the present day with up and comer Jack Mirror & Champion’s ‘Oculus’, a track which showcases and cements the exceptional standards that are promised when a release is marked with that infamous twisted snake - the energy and excitement of a party banger, effortlessly combined with the integrity and grit of authentic drum and bass, and, of course, masterfully produced.

Here’s to the next 18 years, but for now, enjoy 18 Years of Viper Recordings.

Buy/stream: https://fanlink.to/VPRLP037

18 Years Of Viper

Smooth ft. Shaz Sparks- Shifting Sands

was bored and decided to remix something chill haha. nothing big, didnt want to add anything too crazy. enjoy

Deadmau5 - i remember (jSP edit)

"My guitar is not a thing. It is an extension of myself. It is who I am." - Joan Jett

Korean-Canadian DJ and producer Beatmool is on a roll. Beatmool's debut label release, Sonder EP, was a rousing success, garnering 300,000 plays and support from Mollie Collins, Bachelors of Science, Nelver, Artsea, and many more.

Beatmool's upcoming release, 'Ripple EP' is the second of two branded debut releases on Suspended Sounds. This release continues showcasing his unique blend of self-recorded guitars and liquid drum & bass sounds. Both tracks utilize a multitude of arps and plucks to create a warm yet danceable liquid drum & bass experience.

Submit your music as a demo? ➩suspendedsoundsdemo@immersedrecordings.com
Stream our Playlists on Spotify: music.immersedrecordings.com/spotifydnb ♩ ♪ ♫ ∞ ♥

RELEASE DATE 2022-11-04
Buy link: 👉suspendedsounds.immersedrecordings.com/susp004👈

Follow Beatmool:
@beatmool
www.instagram.com/beatmool/

Ripples

Download + Stream

Beatmool - Ripples

Next Generation - OUT NOW: po.st/NxtGenLPiT

With Zane Lowe pedestalling the first glimpse into Bensley’s diverse soundscape, ‘Fandango’ was a precursor for this forthcoming debut. ‘Next Generation’ is a bold move; with drum & bass being a genre which has certainly stood the test of time, newcomers have incredibly big shoes to fill. However, Bensley incorporates an innovative and incredibly intricate set of production skills to hold a title of his own. 

But what can you expect from an artist who was signed after sending a single demo to revered label head Andy C. That’s despite having no previous releases or having any other music available to stream online. He was somewhat of a mystery. 
‘Fandango’ was that track. And it was premiered as a world exclusive on leading tastemaker Radio1, which followed with support from the likes of Mistajam on 1xtra, as well as DJs on both Kiss and XFM. 

Already demonstrating his widespread appeal with just one track, his air of mystery is now about to be broken. He’s definitely an anomaly; being only nineteen and having impressed so many people. 

‘Next Generation’ is a 10-track journey through an impressively diverse soundscape. Whether it’s half-time breakdowns or the incorporation if cross genre-pollination it shows an astounding ability which will not go unrecognised.  
From the opening bars of ‘Wildfire’, to the softly spoken pads and atmospheric note arpeggios of ‘Rain Dance’, then wrapped up by aptly named closing track ‘Aftermath’, there’s no denying Bensley’s masterful artistry. 

Title-track ‘Next Generation’ leads you by the hand with snippets of humanistic sample, flowing in and out of its construct. It’s built upon by striking note progressions, a relaying of patterns which chop and change the mix. Carefully placed subs add impact, with emphasis given on each break, carrying the track forward down a steep drop with each slab of bass. 

Drawing together a dizzying and fresh array of new sounds, this album indicates why Bensley is a forerunner within the new generation of music comers. Its representative of the fast paced technological setting of music production he grew up around; it also proves that Bensley is able to tap into dimensions which are often unheard of in other bodies of work. 


Fool's Gold

НАРКОРАСПАД.

Good work today

Into The Night

Into The Night (Amtrac Remix)

London Elektricity ‘Are We There Yet?’ (The Med School Scans)
Release date: 5th August
12″ Green Vinyl LP+CD // CD // Digital
LondonElek.lnk.to/MedSchoolScansSo

In 2015 London Elektricity surprised us all with his first album in over five years. ‘Are We There Yet?’ more than deserved its influx of praise, now the Med School team has taken on the label boss’ latest masterpiece….

“London Elek tracks are ripe for the picking when it comes to remixing because I always tend to cram in far too much actual music, so there’s lots to choose from for producers. For ‘Are We There Yet?’, I just thought it would be a great idea if the album itself didn’t come out on Hospital but on Med School and also to get each Med School artist to choose a track and remix it.

We also asked some non signed ‘satellite’ Med School artists to be involved and in all my 20 years of doing this, this has been the easiest remix album to put together – it’s like all the artists were on their A game and were feeling the elements of each tune.

Some are almost like VIP mixes – Anile’s version of ‘Singing Ringing Tree’ is like mine but much better! Whereas Frederic Robinson’s remix of ‘Seven Days To Live’ totally re-imagines the original. Whiney wins with his brilliant deep rollout of the vocal track ‘Tenderless’.

The title explains itself – each medical student has scanned the original, dissected it and then re-assembled the DNA to create something totally new.

I am one proud artist right now!”

LONDON ELEKTRICITY
