Aurora Dawn

Guitar recorded in 08/11/15

Original version:
https://www.youtube.com/watch?v=K0EwEuMHw3c

Two Different Sides (Marshall Law Theme)  Tekken 2

Collaboration with https://soundcloud.com/stephendiduro ! 
I think we're getting back into our groove. :V

BKNWA2.OGG

Weeping Willow Rag

Made using Genesis Moonwalker instruments and DAC samples.

Don't Stop Till You Get Enough - Michael Jackson [FM/SEGA Genesis Remix]

Back in Nov 2015, the first Genesis/Mega Drive song I ever made was a medley cover of NES Zanac using VST and real sounding drums (FM Arranged): https://soundcloud.com/epilis/zanac-super-16-bit-medley

Now with Deflemask, I've completely remade it and even added a missing part (totally overlooked it back then). Here's the full playback vid: https://www.youtube.com/watch?v=TwGo5NzQTkM

COMPARISON VID! Here's the song played back through real hardware (details in the vid descrip) https://www.youtube.com/watch?v=kVfx4j9QflQ

NES music originally composed by Masatomo Miyamoto

Zanac Super Deflemask Genesis Medley

FUTURE GRIND

This is the soundtrack for the N64 game, Jet Force Gemini.

Jet Force Gemini

Cerulean

My first and only soundtrack for the Super Nintendo (SNES) back in 1995. The sound sources were recorded from a Turtle Beach - Maui sound card. My studio gear at that time consisted in that sound card, a Sound Blaster (the Maui had to be attached to an existing sound card), a pair of speakers and a Roland PC-200 keyboard (which I still have).

The sound chip (APU) was created by Sony and designed by Ken Kutaragi, who was also the designer of the Playstation. The chip was in fact a complete autonomous computer with its own CPU (sort of 6502 with additional instructions), memory (64k), and DSP which produced 8 channels of audio and also some cool effects. The APU communicated with the main console processor using 4 registers, and some kind of communication protocol was used to upload the code and sounds from the game cartridge to the APU during the game. The 64k had to be shared with the sound driver, sound sequence data, samples for the music & fx. Also some memory was required to process the commonly used reverberation effect (if necessary).

The development system for the console was a huge, grey rectangular box that communicated with the PC via a SCSI port and MIDI. My unit didn't work very well... and I had to spend some time every morning switching it on and off a random number of times until it booted correctly. The development tools were very rudimentary (compared to today's standards) and all written to run on MS-DOS only.

The soundtrack is recorded from the "Audio Overload" multi-sound chip emulator. I hope to be able to record the soundtrack from a real machine in the future.

Don't forget to check the second part of this soundtrack here!
https://soundcloud.com/joemcalby/asterix-obelix-snes-part2

Asterix & Obelix - Complete Soundtrack (SNES, 1995) Part 1 / 2

Pitch Edit in Reason 10. Because I have no goddamn idea how Melodyne works, FL 20's melodyne equivalent doesn't want to work for some reason, and uhhh etc. whatever.

i like how this sounds

Waaarrio Sings-a For You

Collaboration with @lucehouse
Get the album at https://sashkonaganuma.bandcamp.com/album/music-for-jet-set-radio-future-generation
Follow me at https://twitter.com/Sashko_Naganuma
Front cover art by Grecha twitter.com/grechushk4

ILL LATCH LEGACY (feat. LUCE)

*Alternate account, all content posted here will be reposted on my main account.*
Follow back https://soundcloud.com/jassbec
------------------------------------------
I'm Jass, I love FM synthesis and old synthesizers/samplers.
Please check my playlists for a more cohesive look at my work.

Most of what I do revolves around the use of FM instrumentation, mainly the YM2612 sound chip used on the Sega Genesis; but I do make stuff outside of it sometimes.

I'm one of the guys in charge of Sonic Overture.

Don't Stop Till You Get Enough - Michael Jackson [FM/SEGA Genesis Remix]

Jass FM - V.II