"Dämmerung" featuring @jatun released on the compilation FREE / NAME YOUR PRICE "AMBIELOGUE - Chapter I" by Pinmusik

http://prettyinnoise.bandcamp.com/album/ambielogue-chapter-i

Jatun: http://www.jatunmusic.com/

Dämmerung (feat. Jatun)

An old ('09?) remix of a Sun Ra track from the album "Lanquidity", I assembled a bunch of loops in ACID and added a rhythm track via Sequential Circuits DrumTraks

Sun Ra - That's How I Feel (Tanuki House drumtraks edit)

Midnight Midday

Example of filter feedback on the Gravity Well module

StonedMonkeys

Live at The A.C.M.C. aka The Wazooo in Portland, OR 2-22-2014

Ian Gorman Weiland - Ragnarok 2014

It's been one hell of a season, starting off with some excitement about warm weather that only lasted a day or two and only now turned into an actual summer, coupled with an engagement that came together perfectly last weekend! And all along the way, the weekly songs must go on.

The week back to work after a cabin retreat flew by, and I only had a brief musical idea recorded by Friday afternoon. Luckily, I had a music date set with the one and only Scott Worley for that exact evening. Queue the mobile studio, and a rapid setup in Scott's basement for a session of recording his growing collection of modular synth equipment and guitar pedals. Also queue the cheap Sapporo from nearby corner market.

The song begins with an arpeggiated sequence from my Waldorf Blofeld keyboard, heavily modulated with the pitch bend and mod wheel as the passage was recorded. Of course we quickly enter a drum pattern from the Maschine, accompanied by a haunting synth melody from Scott's Microbrute and a chain of effects pedals. The next section kicks in with some more direct drums from BreakTweaker and another fantastic melodic layer from Scott's EBowed guitar.

As the saccharin melody gives way to a darker coda, we are abruptly introduced to a couple new sonic elements consisting of volume pedal-swelled guitar chords and a lone Phonec synth melody. A revised Blofeld arpeggio fades in as the drums kick into high gear, and we quickly build to a crescendo that can do nothing but cut to silence and leave you wanting more.


Key equipment/software used for production:

- Waldorf Blofeld synth
- Arturia Microbrute synth
- Guitar/Ebow/Lots 'o pedals
- Novation V-Station synth plug-in
- Steinberg Retrologue synth plug-in
- Psychic Modulation Phonec synth plug-in
- iZotope BreakTweaker drum plug-in
- Native Instruments Maschine Studio
- ValhallaDSP ValhallaRoom effect plug-in

Key: A minor
BPM: 96
Time Signature: 4/4


http://blog.exitsignsmusic.com

Week #26

Exploring the components of NI Komplete – in this track Absynth, FM8, Guitar Rig and Massive.

140623

Written & Performed by SuckerForLights
Mixed & Produced by Bryan Brunt
Mastered by Alan at West West Side Music

Time Has Not Come Gently (Single Version)

This is our contribution to Squarepusher's open collaboration project - 'MIDI Sans Frontières'.

We're stunned by the Brexit referendum, and angered by the intolerance it perpetuates and the rift it leaves behind. Our response - noisy thrashing about on drums and electronics - does not solve such issues, but we're grateful to be a small part of this musical movement that stands for acceptance and love.

http://www.squarepusher.net/#midi

MIDI Sans Frontières

This is a demo of an upcoming collaboration with my good friend Letdown (David Bolt). He'll be handling percussive duties and will flush out the piano part a bit more. Might throw a little fire on the verse too.

Other than the drums, which were recorded in Logic 9, this is all analog material. The synth parts are all from my Korg Polysix with no effects processing, and the guitar parts were recorded through my Mosrite Mark IV Standard and Epiphone SG/Jazzmaster into a ton of effects -> Sound City 120 Mark IV -> Orange 4x12 cabinet.

Clusters

Jatun is Scott Worley, a resident of Portland, OR. Influenced by an expansive range of artists, genres and styles, Scott has learned to interpret and appreciate sound from a broad perspective. Such open ears have facilitated an understanding of arrangement and detail. Armed to the teeth with an arsenal of quality, vintage gear and a penchant for capturing the resultant noises, he crafts music thoroughly and thoughtfully. Lush, enveloping, and hyper textured, Jatun’s songs blanket themselves around your ears and saturate your head with warm and intoxicating sounds.