GATE -> DRONE / Moog MOTHER-32 Plain Composition 2.0

As an artist I am using evolving technology not only as a medium in itself but also as subject.
Streaming, layering and reinterpreting multiple live art forms simultaneously. Finding where science meets spirituality and walking the fine line that exists between both camps; without indulging the dogma of pseudoscience or being blinkered by scientific myopia.
I dedicate the use of technology and it's bastardisation to improvise live images that relate to and directly influence the situation, i.e. music, dance, theatre etc. an element of chaos is intrinsic to all my work.
Growing up in the inner cities of Birmingham gives my work an urban outlook. With a science background I have a rational perspective and having being brought up by hippies i have an ability to live in the moment.
I am able to pick something up and run with it, in terms of new ideas/technology/performance, I have innate multitasking skills, and am able to use geeky technology to express non-geeky ideas.


I'm an independent filmmaker, visual artist, film producer, who like to play & work with music... I used to (or at least tried to) play my sexy dark red  bass in an electronic indie-rock/pop band Undersound Earlines (yeah, I wanted to be a rockstar, baby!) but I gave up and the band is not existing anymore since all the members went traveling and living abroad (and that's the history, maybe 5,6 years ago??? - my red bass is still sitting in the corner of my room though)... These days, I rather work with music composers & use the music in a visual form. I always try and love to collaborate with some progressive, original, non-conformist musicians... 
So far I collaborated with Jested (CZ), Francoas (CZ/CH), ZANO (GE/MOL), Dave Abbott (GE/UK), Bastian Schick (GE), Seiichi Gen (JP), James Yeh (USA) and I love their music! 
 




GATE -> DRONE / Moog MOTHER-32 Plain Composition 2.0

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