Perpendicular is a self managed and private festival held somewhere in the woods of central Spain.

set recorded during the second night until dawn by @sciamamusic

Sciama @ Perpendicular #2022

After a brief vacation we start our 2024 with a mix from the music lover and owner of one of the most respected labels in the world of deep music as the canadian artist Jamie McCue (Silent Season) with a session full of dub, polyrhythms, breaks and ambient. I hope you immerse yourself in this beautiful story.

Tracklist
01. Hidden Sequence - Delay (Lempuyang)
02. Tammo Hesselink - Choice of Onto (Midgar)
03. Noah Lyas & Eafhm - Near The Horizon (Oslated)
04. Noah Lyas & Eafhm - Listening To The Sea (Oslated)
05. Pianeti Sintetici - Polimorfo (Hypnus)
06. Aspetuck- Found My Glove On Partition (Oslated)
07. Erik Mowinckel - Reflected light (Kizen)
08. Terrain - Mode (Delsin)
09. Repulsive Force - Everything Can Levitate (Levitating Frog)
10. SYS - Radius (Field Records)
11. Krystian Shek - Despite Our Silence (Krystian Shek)
12. Forest On Stasys - Atlantis (Danza Nativa)
13. Malin Genie - Lived II Time (Malin Genie)

@the-mix-archive
@silent-season
https://www.instagram.com/silentseason/

Danza Nativa Invites 020 - Jamie McCue

Hailing from sleepy Vermont and now based in the beautiful Hudson Valley, our next guest is a talented synthesist, live performer, and DJ. Together with his Delayed family, he’s also the co-founder of the lovely Never Late record label.

Warmly welcoming Griff Fulton, aka Aspetuck <3

~~

“To me, this mix is an homage to my experience at Mostra, distilled into a very short amount of time. I wanted to break it up into a few different moments - ambient, downtempo, and drum & bass. The first two are styles I’ve been dabbling in a lot more recently, but drum & bass is very much new territory for me.

Jay and I first got in touch back in September. When we started discussing a mix, the platform was fully ambient, drone, and experimental, and I had some ideas slowly coming together about what my contribution to the series could be. At one point, though, Jay mentioned we could push my mix back to the end of May - one month after Mostra, a festival in Barcelona we were both really excited to attend. I jumped at the chance because I wanted to see how the festival would influence my mix. It was undeniable that it would focus me in a way I wasn’t quite aware of yet.

Around the same time, Jay decided to open up the platform to some deeper dance floor sounds, which gave me the opportunity to create a mix that builds in energy and unravels over time. I wanted to leave some room at the beginning of the mix for the more experimental sides of ambient that The Observatory is most known for. I included a couple of my own live modular jams from the past couple of months, sprinkled amongst some favourites from artists like Andreas Tilliander, Jan Jelinek, and Shifted.

From there, I bring in some slower tempo, hypnotic, “eyes-closed groove” tracks, as I label them in my Rekordbox. Right around halfway, a Loek Frey track with a nice long intro ushers in a drum & bass / halftime section in the 80/160 BPM range, followed by a brief conclusion.

Recorded in one take earlier this month after a very inspiring trip to Barcelona - thank you, Mostra, for the endless inspiration <3”

~~

https://soundcloud.com/aspetuck
https://aspetuck.bandcamp.com/
https://www.instagram.com/aspetuckmusic/
https://aspetuck.substack.com/
https://ra.co/dj/aspetuck

Artwork by Clayton Ciolac
https://claytonciolac.com/
https://www.instagram.com/cccccclaytonciolac/

The Observatory - Aspetuck

Bastien performed on the first day of #Mostra25 at Fabra i Coats.

+ + + + + + + + + + + + + + + + + + + + +

Emerging as a new entity within the electronic landscape, Bastien steps forward from the shadows of past identities and older sounds. His latest evolution dives deep into vast, textured realms of drone and ambient, weaving together horizontal soundscapes with touches of lo-fi, experimental tones, and avant-garde sensibilities. With subtle hints of dub, profound bass drones, and layered textures, Bastien’s music holds an immersive quality that transports listeners to an otherworldly space.

His work finds a home on the Red Edge label, with his album Temps Boro marking a sonic journey that feels as meditative as it is intense. Festival-goers can expect an experience both introspective and expansive—a sound that doesn’t merely fill the space but transforms it, inviting each listener to lose themselves in the echoing depths and resonance of Bastien’s unique soundscape.

Bastien -Live- @ Mostra 2025 🖤

For our next installment, we’re honoured to welcome ABSIS back to the series with a stunning recording of his all-vinyl hybrid DJ set at this year’s Perpendicular Festival.

Equipped with an ISO420 mixer, Pulsar-23, H90 FX, three turntables, and a crate full of heavyweight rhythms, ABSIS delivered a beautifully crafted dub session that warmed the dancefloor on Saturday morning.

May these sounds ease you gently into the week ahead <3

https://soundcloud.com/absismusic
https://www.instagram.com/absis_music/

https://soundcloud.com/espacio-perpendicular
https://www.instagram.com/espacio.perpendicular/

Artwork by Clayton Ciolac
https://claytonciolac.com/
https://www.instagram.com/cccccclaytonciolac/

The Observatory - ABSIS (Hybrid Set) - Perpendicular 2025

Sounds by @avsluta 🫧
Visions by @marcomaldarella ✨

Buy Music Club: https://www.buymusic.club/list/ie-introspective-electronics-w-avsluta-x-netil-radio-aug-25

TRACKLIST

Holy Similaun – Atlas Moth
Skee Mask – 32Crescent
The Jaffa Kid – Momentary Relapse
Mick Chillage – Ancient Light
Ike Zwanikken – In The Holding Room
Qik – Ensueña
Loop Diary – Photosynthesis (Sun Dance)
Sorse – Turn Around And Nobody Will Be There
Olorun – Sensory Event (feat. Moreno Moreno)
Robert Fleck – Amber Glows
Ciel & Morgan Wright – Halls of Voices
Skee Mask – Van99
Aspetuck – Inanimate Distraction Object
Konduku – Fallout
Ópalo – Plants
Silent Era – Crescent Meadow

Introspective Electronics w/ Avsluta x Netil Radio | Aug 25

With the summer festival season drifting into memory, it feels like the right moment to linger on one of the most thoughtfully shaped events in recent years. The Mostra Festival unfolded over the Easter weekend across two Barcelona locations, and what set it apart wasn’t just the programming, but the curation - a balance of trust, patience, and precision. The first two days leaned toward the ambient and the experimental, tipping into rhythm as the nights wore on. Yet the real magic of that opening stretch lay in the beatless hours. Friday in particular offered a moment that still reverberates among Mostra regulars and beyond: Robert Henke’s performance of Dust. If there is any place in the world designed for such a work, Mostra provided the perfect frame. For one afternoon, Henke held the crowd in complete attention and reverence, something essential for any artist, but especially for one whose work is as delicate, shifting, and expansive as Dust.

For many of us, Robert Henke, Monolake to longtime listeners, has been a constant presence in the background of our musical lives. His records shaped taste, his performances redefined how electronic music could be experienced live, and his role as co-creator of Ableton changed the very tools we use to make and share sound. Few artists can claim such a dual legacy: architect of both the music and the machinery. Whether in moments of joy or frustration, whether in the studio or on the dancefloor, it’s impossible to imagine modern electronic music without his fingerprints on it. Henke embodies the link between technological innovation and artistic expression, and his influence runs deeper than most of us can trace.

Dust is perhaps the clearest expression of that link. Powered by a custom granular synthesis engine, it reduces sound to particles, field recordings, analog tones, machine hiss, bells, and waves, then disperses them into clouds that evolve in real time. The result is less like a composition and more like a living organism: fragile, unpredictable, always becoming something new. At Mostra, this unfolding took shape in late afternoon, after Patrick Russell’s set had sharpened the air with its own restraint. Henke stepped in with a 360-degree surround system that transformed the floor of Fabra i Coats into a resonant body. The sound was cosmic and liquid, grainy and immense, stretching outward until it seemed to erase the horizon. Every surface in the space shimmered with detail, as if the air itself had been tuned. What made it remarkable was how fragile it all felt. Nothing was forced; every movement seemed to arise on its own, like dust caught in late-afternoon sunlight. Yet the immersion was total. People surrendered, leaning into the space as if trying to hold onto something that could never be held. For that hour, Mostra wasn’t a festival anymore. It was a room of people floating together in a world made entirely of sound, knowing it would never happen in quite the same way again.

https://soundcloud.com/monolake
https://www.instagram.com/studio.robert.henke/

www.mostra.barcelona
www.instagram.com/mostrabcn/
@mostrabcn

Write up by @gilleswasserman

Follow us on social media:

@itsdelayed
linktr.ee/delayed
www.delayed.nyc
www.facebook.com/itsdelayed
www.instagram.com/_____delayed
www.youtube.com/@_____delayed

Contact us:
info@delayed.nyc

Read

Delayed x Mostra: Robert Henke presents Dust

@iamglisten

« The urge to squeeze a cloud between one’s palm. »
- Sanary, [Le Monde Toupie], 1942

I threaded the mix as a continuation of this phrase of Sanary I recently read.

Popsicle drip to stalactite. Swim to the surface. Wash off the shore. Drop glide along a wire. Muddled wired thoughts of ours.  

Tracklist:
https://www.instagram.com/p/DOnofarCtxN/?img_index=2

IG: 
https://www.instagram.com/iamglisten/

Human Lessons #114 - Glisten

100th episode of the Ambient series and we are thrilled to welcome Toki Fuko one of our all time favorite at Treve

Toki Fuko is an enigmatic and innovative force in the realm of electronic music. Hailing from Russia, this elusive  artist has captivated listeners around the world with a unique blend of mesmerizing melodies, intricate rhythms,  and ethereal soundscapes. 
Drawing inspiration from a diverse range of musical genres and cultural influences, Toki Fuko's sonic creations transcend boundaries, seamlessly weaving together elements of ambient, techno, and experimental sounds.  His music evokes a sense of introspection and transports listeners to otherworldly dimensions, where time seems  to stand still. 
 Known for his meticulous attention to detail, Toki Fuko crafts sonic journeys that unfold with delicate precision. Each composition is a carefully constructed tapestry of intricate textures, haunting melodies, and pulsating  rhythms, creating an immersive experience that stimulates the mind and stirs the soul. 
 Beyond the confines of the studio, Toki Fuko's live performances are an embodiment of artistic expression.  Through a fusion of sound, visuals, and interactive elements, they create a multi-sensory experience that blurs  the line between performer and audience. With an intuitive ability to read the energy of the crowd, Toki Fuko  creates a symbiotic connection, inviting listeners on a transformative sonic adventure. 
 Despite the air of mystery surrounding the artist, Toki Fuko's music has garnered widespread recognition and  critical acclaim. His releases on esteemed labels have received support from industry tastemakers, earning them  a dedicated following of music enthusiasts who appreciate the depth and intricacy of their compositions. 
 Toki Fuko's artistic vision extends beyond the realm of music. He is also known for their captivating visual art,  often collaborating with talented visual artists to create immersive installations and audiovisual experiences.  This interdisciplinary approach further enhances the depth and richness of their artistic expression.  In an industry saturated with trends and conformity, Toki Fuko stands as a beacon of individuality and creativity. His music pushes the boundaries of electronic music, challenging listeners to explore uncharted territories  of sound and emotion. With an unwavering commitment to pushing the envelope and defying conventions, Toki Fuko  continues to carve their own path, leaving an indelible mark on the global electronic music landscape.

TREVE Series 100 - Toki Fuko (Vinyl set @Mutabor)

Continuum: a coherent whole characterized as a collection, sequence, or progression of values or elements varying by minute degrees.

We all have core memories of special dancefloor moments. Audience fully hypnotised, beating as one, lost in the music. Pure instinct, and the wildest spirit within each one shining through. Some artists have an uncanny ability to channel that. And today we present 2 masters at making those moments happen, via Perpendicular Festival 2025. Part of the Ouroboros takeover on Friday night, their performance at the event was one for the books. 

Toé, one of the minds behind EWO collectif and the Ouroboros project, has been mesmerising audiences with some stellar performances. A testament to it was her set just a couple days ago on her home turf, when we witnessed her sorcery at the peak of it's powers. With music that taps into the most feral and primal, it's hard to explain the purity of the feelings she conveys with her mixes. One thing is for sure, Toé has an ability to get your inner animal manifest on the dancefloor. 

Vardae needs no introduction at this point. His releases on Samurai Music or Non Series have established him in that "timeless" space of music creators. One to blame for the expansion on half time and dnb sounds into new psychedelic territory. Vardae is at the very front of a movement that unites breaks, tribe, trancey sounds and techno energy into a new irresistible ritual. His live performance gets better every time, and he turned Ouroboros upside down a couple of days ago. 

Together, you can only imagine what these magicians summon with their sonic potions. And Perpendicular was the cauldron in which their perfect mix took shape. Impossible drum patterns, enchanting atmospheres and their particular flare for transcendental sounds. Combined, these two take their wizardry to the highest levels. 

We couldn't be happier to host these two beloved artists, friends and amazing creatives. Inspiring humans that we always wanted to have in our channel. Infinite gratitude to Melu, Cedric, and the Perpen team for letting us host this piece of musical history. This is HUGE. 

Artwork by Javier Marimon - Off Tangent

The Continuum: Toé & Vardae - Perpendicular 2025

Dans le court métrage La Mort te va si bien du réalisateur Yohan Mabit, Hadès propose à Orphée une partie de cartes qu'il devra gagner pour repartir avec Eurydice. J'avoue que Danny Elfman m'a pas mal inspiré pour écrire cette musique qui évoque un monde à la fois fantastique et menaçant.

la partie de cartes

Compulsive collector of electronic listening vinyls: ambient, contemporary music, unhurried techno, experimental ...
Since some time ago, we can enjoy his series of sessions, "Breiko", mixed with neatness, where he offers us what his shelves hide.
Member of @calmamadrid and @espacioperpendicular

Sciama @ Perpendicular #2022

Camu