*Listen w Headphones

I'm having a hard time creating new stuff because my left 
ear is shut tight. So things might seem off here and there! 

Stay save!
LS
-----------------------------------------------------
Remixed by LS / 2023.

I Feel Emotional feat River & Jigs trippin

Hespérides

Music: PJ Project & Janne Hennie
Vocals & Lyrics: Janne Hennie
Instruments & Mix: PJ Project

Lyrics:

I thought it would be easy to love
That it would only be good
We have distance
We're close, we touch...
I hate you! 
But I love you so much..

Chorus:
You can fall from a hill
You can fall from a mountain
But the hardest you ever fall 
Is in love..

Chorus...

Lots of ups and downs
One moment we're high up
The next on the ground..
Oh, I have fallen so many times
But never as hard
As falling for you..

Chorus..

One moment we're yelling at each other
The next we're making love..
Oh Baby, don't stop telling me
That I am the one..

Chorus..

You make me laugh
You make me cry
Many times you make me wonder: why?
But I love you so much, Baby
I keep falling, and falling for you...

Chorus...

Falling   W/PJ Project

Remixed, tweaked and remastered versions of the first three tracks my lockdown project from back in 2020... Originally mixed on very cheap headphones so I thought it would be interesting to revisit with some better kit. I'l upload the rest of the tracks at some point...

Trans-Lunar Injection

Recorded in Modesto, Ca.   Featuring Godin Nylon Guitar solo. Soprano Saxophone solo. Vibraphone solo. Acoustic Standup Bass. Godin Nylon Guitar Rhythm (left) Godin Nylon Guitar Rhythm (Left) Drum Full Trap set kit. Percussion go go Bells, Chajchas, 22" Zildjan Ride & Crash Cymbals. Tambourine, bongos.

Cannery Row

Rainbow

short.PV↓↓
https://www.instagram.com/reel/C6wDGC0yrJK/?utm_source=ig_web_button_share_sheet&igsh=MzRlODBiNWFlZA==

Struggle and live..
Let's live in this world we live in now with our feet on our feet!!!👍✨

Struggle and live...

Ok, here is another (quite danceble) jafftrack.
Smells still kind of old fashioned eh?
I´ll explain it in the comments.

Jaffdrunnin` (Einwohnermeldeamt-Fan-Edition)

'I Wanna,I Need It'.

Why not try adding
By dropping, letting go? Where
Less is way, way more

::

Original music & haiku poetry by Bob Weathers

Less Is More

Are you tired?

Six Three
1: Six Three, 02:32
2: Six Three Touch, 03:00
3: Six Three Orbits, 03:39
4: Six Three Particles, 02:13

Dates:
05-Dec-2025 (inception), 06-Dec-2025 (finalised), 07-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/six-three

SHORTEN VERSION, excludes Table 1 tuning, see my BandCamp site or my social media page for full details (https://www.facebook.com/norman.freund.545/)

Description:

Marcelo Leal Ref. [1] posts an article on FaceBook group, "Microtonal Music and Tuning Theory" and tags me, I looked on with interest. A tuning scale developed using at most harmonics one through to and include sixty three, octave reduced (i.e. divided by powers of 2 to ensure the frequency ratios remained within the 1. to 2. range. 32 Notes were used in this scale with adjacent note intervals starting from 53 cent, gradually reducing to 27 cent for the last interval to the first octave. So loosely speaking a quarter tone tuning with some stretching. I have tried quarter tone equal divisions of the octave tunings (24EDO) in the past and could not really get warm with them. Still, I was intrigued. 

Thirty notes, a lot of intervals to imagine, so I thought some form of colour coding on my Ableton Push2 midi controller would help. My Digital synthesiser, PulseRectOsc has micro-tuning and a user definable colour table, so switched this on and began experimenting. Stepping back just a bit, some preparation work on a spread sheet was necessary to calculate the frequency ratios, figure out a colour system using nearest 12EDO notes as a frame work.

The colour coding was to start the root note out as RED (1), colour all the diatonic notes of the nearest 12EDO major scale notes (the white keys on a piano) in GREEN (10), colour the nearest 12EDO sharp accidentals (#) in BLUE (15) and what was left over (the ^ and \/'s) coloured in PURPLE (18). The note naming convention used here was intended as a performer guide.

The PulseRectOsc synthesiser is a drone with a pulse like wave shape, amplitude modulation, wave folder distortion, a delay+feedback net work and your choice of VST reverb (or other effect). I used the Native Instruments' Raum for reverb. PulseRecOsc has an eight track audio recorder, so I recorded some four note chords to improvise over on the Soma Lyra 8.

The Soma Lyra 8 tuning approach was to tune it by ear to eight notes from the Table 1 tuning for the first track prior to the performance, then improvise a melodic line. Subsequent tracks would use a different four note drone chord from the PulseRectOsc and the Lyra 8 would use the tuning from the previous track as a starting point but alter the tuning during the performance. Each performance would introduce additional entropy into the tuning as performed on the Lyra 8, all done live, by ear, during the performance.

Each track's duration was purposely kept short, I wanted to demonstrate the various flavours of the 63-Limit Otonality tuning and in Lyra 8 style interpret this tuning organically.

The signal chain for the Lyra 8: mono out to the Soma COSMOS (rhythmic firmware, adds reverb and stereo space) -> stereo to digital interface -> 8 track recorder of PulseRectOsc.

The tuning of the Lyra 8 is very organic, is influenced by adjacent oscillators and has a "MOD" dial to accept frequency modulations from what it calls a "Hyper LFO". The Hyper LFO comprises of two low frequency oscillators, I used them here in the OR mode not synchronised, each pulse of the LFO changes the oscillator voice frequency according to the MOD dial. You don't control it strictly, more like guiding it, you listen and decide to increase or decrease the amount of modulation. A very organic approach.

References:
[1] Marcelo Leal, 5-Dec-2025, 63-Limit Otonality by Pitch (tuning scale). FaceBook group "Microtonal Music and Tuning Theory" Link: https://www.facebook.com/share/p/1asmaHiK7G/

Six Three Touch

Dark cinematic music.

Disfruto haciendo esto, y espero que vosotros disfrutéis igual produciendo vuestros temas. 
Aquí podréis escuchar todos mis temas producidos desde el 2023.
Intento mejorar y explorar nuevos sonidos y ritmos en cada tema, siempre de un modo dark, sin ir a buscarlo, parece ser que ese es mi estilo aunque quien sabe en qué acabará esto. 

I enjoy doing this, and I hope you enjoy producing your songs as well.
Here you can listen to all my songs produced since 2023.
I try to improve and explore new sounds and rhythms in each song, always in a dark way, without going out of my way to find them. That seems to be my style, although who knows how this will end.

thanks to: https://www.instagram.com/indiala.studio?igsh=YnJiN3o0aGJsdHZw

Hespérides

Colappso