Komposition - 602220240202 (Ambient Night)

Photography, painting and music are inextricably linked for me. My paintings and photographs are created on an equal footing with my songs. Sometimes they are mutually dependent, arising simultaneously in a creative process. This led to an idea for a video to bring you closer to my pictures and my music:
YouTube: https://youtu.be/n13TdtRdiy8?si=RUHeT9A52veBCZoG
Composed after a painting from a current series. Music created in interaction with painting and vice versa.
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Fotografie, Malerei und Musik sind für mich untrennbar miteinander verbunden. Meine Gemälde und Fotografien entstehen gleichberechtigt mit meinen Liedern. Manchmal bedingen sie sich gegenseitig und entstehen gleichzeitig in einem kreativen Prozess. Daraus entstand die Idee für ein Video, das euch meine Bilder und meine Musik näher bringen soll.
Zu sehen auf YouTube: https://youtu.be/n13TdtRdiy8?si=RUHeT9A52veBCZoG
Dieser Song ist komponiert nach einem Bild aus einer aktuellen Serie. Die Musik entsteht im Zusammenspiel mit der Malerei und umgekehrt.

Komposition - 602220240202

Komposition - 602220240202 (link to video inside)

Summer

Sometimes our path, or journey as it were, leads us to an edge. Edges of self, life, circumstances, reality, cliffs, you name it… Some edges are dangerous, sharp and jagged, even life threatening. Other edges encourage us to traverse them. Back in the 1970’s, there was this great sand cliff we used to go to, in Northern Europe, where we could run and hurl ourselves off of it and land in the water below. It was exhilarating, as the hang time allowed for contemplation in the moment, during the free fall. It felt like we were flying like the bluebirds in the sky. At the base of the cliff, we hung out by the water. We were mostly unfamiliar with the freedoms we had found there. Harry ran off and intentionally lost his swim trunks on the beach, while chasing after a beautiful woman who herself was sans swimsuit. He was in love with her. She had other ideas. He was drinking heavily, then he passed out, ass up in the sand, under the blazing sun, after making a fool of himself. It was a sad moment all around. By the time we found him, he had a bad sunburn. Poor guy. Could hardly sit down. A bunch of us were camped in the forest, not far from the cliffs. That night, I was sitting by the fire next to a wild-eyed woman and asked her something in another language. She blew smoke in my face and laughed nervously as if taunting a bear. Then she kissed me. We all seemed to be chasing after a freedom that did not exist in this life, at least for us. Some of us would later die trying to find that same freedom. For some strange reason I survived. We were wild back then and maybe always will be. This song contains some of that freedom among other things.

Lammbone's Album

Have You Ever Been?

Last track from Mediterrâneo, a somewhat happy ending.

E estranho vir festejar já quantas vezes demos a volta ao Sol,
porque afinal o Sol não é coisa parada.
Orbita a galáxia, e segue essa estrada de estrelas no céu
que nos encantam enquanto brilham na imensidão.
E todos os filhos que juntámos neste dia
de onde vieram, para onde vão?
E as velas felizes, que num sopro se extinguiram,
cantam nossa gratidão.

Aniversário

method: time stretching, panning, eqing and all that was involved, mostly based on bass guitar shredding 
narration: early Agartha, when only cave bears roamed the caverns ;-)
image: copyright jo richter

poem / copyright jo richter:

folge  der fährte
in die tiefen der erde

kienharzgebärde
in den tiefen der erde

hangockerpferde
in den tiefen der erde

lautlos zur herde
aus den tiefen der erde

verstörte, verklärte
in den tiefen der erde

interlinear  translation: deep, deep down // follow the trail / into the deep earth // kindling gesture / deep down in the ground // ocre slope horses / deep down in the ground // stalking the herds / from the deep earth // lunatics, saints / deep down in the ground //

in den tiefen der erde

flying saucer

Drum beat with FX noisy ambient and random bassline.

R&N (15.1)

Conversations (2025)

sounds like airplane but it is edward (pitchtempo) 45 seconds

classical guitar gone crazy

Second single for the new album! Totally most definitely meant to release this today and totally not yesterday totally.

Hope my hand-drawn heart isn't too ugly, anatomy enthusiasts D:

terceira vida

Dark cinematic music.

Disfruto haciendo esto, y espero que vosotros disfrutéis igual produciendo vuestros temas. 
Aquí podréis escuchar todos mis temas producidos desde el 2023.
Intento mejorar y explorar nuevos sonidos y ritmos en cada tema, siempre de un modo dark, sin ir a buscarlo, parece ser que ese es mi estilo aunque quien sabe en qué acabará esto. 

I enjoy doing this, and I hope you enjoy producing your songs as well.
Here you can listen to all my songs produced since 2023.
I try to improve and explore new sounds and rhythms in each song, always in a dark way, without going out of my way to find them. That seems to be my style, although who knows how this will end.

thanks to: https://www.instagram.com/indiala.studio?igsh=YnJiN3o0aGJsdHZw

Summer

Colappso