Played by Sven Vath [Weekly Updated] - Part 1

Follow the tracks played by Sven Väth during his gigs all around the world. Sort the playlist on date added to listen to the latest vinyls in his bag!

Played by Sven Vath [Weekly Updated]

Techno Electro House

volle Kanne richtig verstanden!!!

My Shazam Tracks - Part 1

Hi everybody... in the playlist you can find the best Sets of Sven Väth. The playlist always stays up to date. I hope you like it

Best of Sven Väth Sets

Luke Slater’s most well known pseudonym Planetary Assault Systems is back in the fullest swing with 'No Exit', a standalone EP following his famed 'Deep Heet' installment series. 'No Exit' unmistakably bears all the hallmarks of Planetary Assault System, from mind-tripping and floor-stirring hypnotic energy to the theme of pushing the outer limits of unknown territories.
The EP kicks off with the title track, at its first breath of rolling beat already infusing an ample dose of psychedelic madness, which only to be intensified with the layers of digital chime tones that are constantly multiplying and shape-shifting. “Undertow” on the B side continues with the signature warping and reverberating bells and bleeps but this time with enticing hi-hats and distorted bass, gradually all melting into one big sinister groove. The last track of the EP “Nanendi” might fool you in the beginning with its minimalistic beat, but as soon as the demure yet ominous veil of melody - beautifully moody and almost spooky at times - starts humming and howling, it’s well on its way to make a deep, haunting emotional connection while keeps the tension boiling. Without a doubt 'No Exit' EP is the one that shows the most distinctive core DNA of Planetary Assault Systems and much like his seminal album The Messenger, it’s a deadly unique, dazzling, and powerfully effective work that will stand the test of time.

Tracklisting: 
A: No Exit
B1: Undertow
B2: Nanendi

Planetary Assault Systems - No Exit - Mote Evolver

THE THIRD MAN - DOUBLE DAWN - SOUND14 - CORMIX045 CD1

Releasedate: 24.02.2014

Cocoon Recordings keeps on celebrating the arrival of the new year and with our second release in 2014 we present RAR's first 12" for Cocoon Recordings. "RAR" is the current project joint of RAMPA and RE.YOU who made large waves last year with releases like"Everything" by RAMPA on "Keinemusik“ - one of 2013s top tunes!
 
2013 saw also RARs first work for Cocoon Recordings with their "Cocoon Compilation L" contribution "Yeah Yeah Yeah" (feat.: Meggy) which turned into a heavy clubhit, too. 
 
Since then the two joined the Cocoon ArtistBooking department and their first tour is about to start in a couple of days. Their new Cocoon Recordings release is a cool teaser for what to expect life-on-stage from RAR and features three berlin-morning-flavoured minimal house tunes. Imagine yourself sunday morning at 7am in the Panoramabar and Ricardo Villalobos drops "Do We" by RAR. If you ever eyewitnessed one of these nights and wish to get back there here's your soundtrack to do so.

RAR - Hool

Mathew Jonson-Level 7 (Dixon Remix)

A Side of my collaboration with Simian Mobile Disco.

For the final dessert course in this particular banquet of Delicacies, after successful collaborations with Cosmin TRG and Bicep – SMD are very proud to present two tracks in collaboration with none other than Roman Flügel fresh from a session in their research kitchen.

Hachinoko (snippet) / Roman Fluegel & Simian Mobile Disco

Smash TV /  Robogeisha (snipet)

Artista(s): Tim Green

Título: The Humming Syrup EP

Disquera: Cocoon Germany

Fromato: Vinyl 12″

Fecha de lanzamiento: 18 de Diciembre 2013

Género: Minimal/Tech House

Tim Green - Don't Like Me

Pig&Dan - On A Train Update (Update Mix)
LABEL: ELEVATE

Pig&amp;Dan - On A Train Update (Update Mix)

Beatport

Opel Tantra

VQ038 A2 Dinky - Xanex (Tuff City Kids Remix)

A decade on from his debut release, one of Romania's finest cultural exports returns to his favourite stomping ground with a trans- mission that showcases variety, technical skill and an intimate understanding of the dynamics of the floor.

The stripped-down, moody menace of 'The Swindle' kicks things off, dancing semi- quavers panning left and right, a mysterious male voice incanting. A bass synth motif carries the tune to a climax before its buoyant, trancey conclusion. At all times, elements unfold organically, carrying the listener away.

'Rotate' casts a busier, jacking vibe, its analogue synth cycles pinging against each other. Glimmering layers of sound create an endlessly immersive, deadly deep groove.

'Feed Me' is slower, slinkier and rougher in equal measure. The sustained synths create a gliding sensation, the male vocal first mellifluous and sung then husky and spoken.

'Chance' is a shuffling, fizzing deep house groove, precision-tooled for the dance- floor. "Let it take control" urges a male voice. Sound advice for this deliciously hypnotic groove.

Tracklisting :
01. The Swindle 
02. Rotate
03. Feed Me 
04. Chance

https://www.facebook.com/mihaipopoviciu1
www.pokerflat-recordings.com
www.facebook.com/pokerflat.rec
www.youtube.com/PokerFlatRecordings

The Swindle

It's Gonna Take A Miracle + The Elegant Sound Of The Royalettes

It's Gonna Take A Miracle

Bodyrockers

I Like The Way (Radio Edit)

Sweet Lovin'

Sweet Lovin' (Radio Edit)

Melchior Productions Ltd. – The Blessing

Warm Sun on My Face / I Got Your Back

Warm Sun on My Face (Sascha Dive's Sun Worshipper Remix)

Colour Dreams / Do Not Look Back

Colour Dreams

Reincarnations, Pt. 2 - The Remix Chapter 2009 - 2014

It's Only (DJ Koze Mix)

ZEHN - The Cocoon Retrospective

Sea Of Sand

Featured in Sven Väths set from Boiler Room, Berlin. Hit the link down below for action 👇

https://youtu.be/uInltd4OkTQ?si=rsLqG4O9n1ZL7OKK&t=4650

Instant classic 😎😎

DC99 - Manic Brothers - Black Bay (Original Mix) [Drumcode] 10-09-2012

Cocoon Recordings is back in full force with the follow up to last year’s superb vinyl compilation ‘Dots & Pearls’. Providing a tracklisting that is nothing less than the modern interpretation of House, Techno and Tech-House ‘Dots & Pearls II’ eschews monotonous loops and predictable formulas and rather delivers a selection packed with energy and depth. 

Ilario Alicante and Todd Bodine have the honour of opening the record and very much set the tone for the feel of the album. "Modern Apocalypse" gives the impression that the duo wanted to produce a matching track to follow up Ambivalent's "Iwato" in a DJ set. The record has a wonderfully stripped and spacious feel to it, conjuring up an early hours feel with its entrancing effect and stabs plucking at the air around you. Next up we have Subb-an feat. Jacob Phono with "In The Night" a track that explores how the sound and atmosphere of big 90s Techno acts like Underworld can be transferred into our contemporary Minimal and Deep House universe, a task in which they succeeded brilliantly. Resonant beats and percussions, some 808 claps, funky fills and filtered layers match perfectly with the hypnotic vocals and form an impressing overall result that fits into the DJ's set at any time during the night. 
Mark Reeve's contribution "Carry Me" springs from typically Reeve-like UK-influenced House sounds. Softly filtered layers and cool vocal elements provide the right mood, and the long build-up with much patience and even more emotion makes "Carry Me" one of the best and deepest British Tech House tracks in recent times, a certain winner for fans of 20:20 Vision and Global Communication. 
With "Jellied Eels", Marco Effe steps up to try and win the prize of 'the fattest beats on the compilation'. The E-piano chords are a sure fire hit and the warm layers in the breaks loosen the heavily muscled beats a little, but they can't hide the fact that there is an energy packed affair, which erupts in a perfect surrounding and will take any dancefloor beyond the boiling point. It’s easy to hear why this has been sitting in the sets of Sven Väth and Luciano for some time. Danito & Agent! have just recently delivered their Cocoon debut and their mix of deep House elements and big-room Techno citations has already convinced the experts. Their track "Raw Symphony" is no exception here but rather travels further into the realms of cinematic techno. Detroit sends its regards with a fat bass/strings combination and much pathos, based on an elegant House-style beat that never demands too much and leaves enough space for the above mentioned big-room sound. With "Iwato", Minus figurehead Ambivalent contributes a slightly dark but still deep and minimal Techno track that lives on a juicy Chicago bass line and pays tribute to the compilation's motto by using uncommon sounds and effects. The pearls are literally hearable in the arrangement, setting accents in order to prevent the track from sounding too rounded-off. Hypnotic and kicking, but still unpredictably different. Berlin, 07:30 h in the morning – here's the matching soundtrack for a winter sunrise! 
Harvey McKay's "First Strike From Mars" sounds like its title suggests, and Captain McKay doesn't take prisoners. Demanding, massive and equipped with a mighty beat, the tune is reminiscent of recent Slam releases or some of the stronger Santos productions. A peak time production that has only one message: no escape and total madness on the dancefloor, this is a winner that has been getting plays from Sven Väth and Luciano! Sawlin's "Posay" is plumbs the depths of the Techno ocean, with plenty of echo and even more reverb, his remote metallic percussion sounds create an atmosphere that would also be perfect as the soundtrack for a big art installation. "Posay" shows that Techno in the year 2012/2013 does not only mean 'in-your-face', but rather depth and elegance. 

Besides the vinyl edition, ‘Dots & Pearls II’ is also released in a digital version, which contains four extra pearls, in addition to the eight tracks of the vinyl version: With "Sequence Of Moments", Martinez sends the listener back to the high times of that DBX-influenced Detroit sound full of bleeps and blonks, like Daniel Bell or Fred Gianelli perfected at the time. However, he doesn't deliver a retro piece at all, but combines the raw and direct vibe of Bell with modern sounds, layers and pads, and thus moves himself a little towards the Reboot or Johnny D corner. With their contribution "The Gate", Patrick Kunkel & Sascha Barth follow the current sound of now: matching parts of House, Minimal and Techno, in a skilful mix that, on the one hand is reminiscent of the hypnotic-minimal DJ sets of Ricardo Villalobos and on the other hand releases energy galore, in order to make demanding ravers happy. This is definitely one for fans of Pele and Matthias Tanzmann. Next Ross Evana pays tribute to fat Chicago beats and follows Sneak & Co. with his superb production "Cheget". The kick drum pumps, the claps and hi-hats clack heavily and the thick, pitched-down organ stabs in combination with the percussive staccato vocal fragments make the whole thing even more driving. And as if this wasn't enough, Evana adds some industrial sounds and effects that would easily fit in any big Depeche Mode remix, just lacking Dave Gahan's vocals in order to make the crowd freak out. Playing, dancing, partying, you have everything in here. With their track "Still Laughing", Fumihiro Hoshi & Tadac present their unique and different sound and provide a perfect closing opus to this outstanding compilation.

Harvey McKay – First Strike From Mars

Compost Black Label #105

No One Gets Left Behind (Konstantin Sibold Remix)

Don't Think

Flexxx

90s Wasted EP

90s Wasted

Label: Indigo Aera
https://soundcloud.com/makam
http://www.facebook.com/Makam01
http://www.residentadvisor.net/dj/makam
http://www.discogs.com/artist/Makam

90s Wasted

Javi Lopez