inspiration

Radial - Asiel

Dustin Zahn makes his album debut in March 2014 with the release of Monoliths on Adam Beyer’s Drumcode label

Deus Ex Machina

With the presentation of his second full length album, 2014 is off to a great start for Radial a.k.a. Jeroen Liebregts from The Netherlands. With the massively supported Linea Recta EP on Bas Mooy's Mord label and his Caveman EP on his own label Audio Assault both in 2013, Radial made quite the comeback after a few quieter years and has now firmly set course for his future works. Taking full control and having complete artistic freedom with his newly founded label Radial Records he has made it possible to showcase the great diversity of music that has been coming from his studio on this album: Crux.

After Jeroen continued Radial as a solo project in 2009 he has taken the time to reconsider his approach to music and especially to the technology used to make it. This resulted in a completely redesigned studio, now consisting mainly of analog hardware a lot of which developed by himself and built with his own hands. This process and it's results has definitely been a huge factor in the coming together of this album and is one of the most important aspects that defines it's sound.

While still mainly dance floor orientated, this album covers some of the darkest but also the lightest corners of the artists musical interest. From the deep minimal atmospheres of Excavated and Cosmetics to the clubby feel of Fifth Wheel and the more industrial and noisy sound of Tunnels and Background. Karplus and Tipsy showcase some experiments in 'off the grid' analog sequencing with some very original and surprising results. The three bonus tracks venture away from the genre of techno and show a side of Radial that we haven't seen before. Cooze Intro and Smoking Break are warm and melodic, easy going, laid back electronica tracks while Equation Outro shows the completely opposite approach, heavily processed, algorithmic computer music.

Crux is a refined contemporary techno album with some unexpected twists.

Cosmetics

Excavated

Go Hiyama ‘Texture A’ HueHelix 017 (HHX 017, JPN) 

01. ‘Texture 101’
02. ‘Texture 98’
03. ‘Texture 101 – Nil Remix’ 
04. ‘Texture 102’

HueHelix is back with this strong EP by Go Hiyama. Go gets tough and wild on this one with dark, cold, funky and strong atmosphere throughout the EP. This EP is like a storyteller, from beginning to end. ‘Texture 98’ is definitely one of the highlights of the EP, whereas ‘Texture 102’ brings extreme darkness with fragile aspects. ‘Texture 101’ is a strong funky track with Chicago jacking style stabs, with the very 1st remix of our undisclosed artist ‘Nil.’ This EP will be followed by HHXV03 by Go himself, more TBA very soon, so stay tuned!

LABEL PROFILE:
- HueHelix: a new platform, which discloses something new, only represented by HueHelix -
http://huehelix.tumblr.com/ http://soundcloud.com/huehelix huehelix@gmail.com

HHX17 - Go Hiyama / Texture A

Ben Klock - Subzero (Original Mix)

Released March 2nd 2015
Played/Supported by Marcel Dettmann, Ben Klock, James Ruskin, Ben Sims, Oscar Mulero, Tommy Four Seven, DVS1, Jonas Kopp, Patrik Skoog, Audio Injection and more.. 

It has been over 6 years since Anton Pieete and Jeroen Liebregts have released any collaborative material under their Museum name, but now finally they are back. This 3rd release of the Radial Records catalogue is the first of a series of EP's from the duo. Both of these artists have made a transformation towards analog hardware instruments over the years, these tracks are the total sum of putting together their heavy machinery and their minds: the ultimate mixture of dark roughness and funk.

Ben Klock - Pulse

Dettmann | Klock - Dawning (Revisited)

Press: Dustin Zahn returns with his first full solo EP since his 2014 album "Monoliths"! He delivers a collection of four new direct and hypnotic cuts inspired by jams from his recent live sets. Make no mistake: these are straight forward techno tools designed to take a set in any direction you see fit. The Ascension sessions occurred when Zahn was holed up at a hotel in Ibiza last year during one particularly rainy week. “I was doing a lot of live sets at the time so I wanted to use my down time to write more music that was simple enough to truly play live.”

For Zahn, it was hard to deny the tribal-influenced soundtrack that often dominates the vibe of the white island. In result, he set out to re-imagine Techno’s ‘tribal’ formula from the late 90s and early 00s with a more contemporary mindset. “I also wanted it to see what it would be like if I replaced all the unnecessary congo bongo loops with a rhythmic section that relied solely on detuned synthesizers acting as the rhythm section. The result was a handful of ‘drum tracks’ created by synths.”

Despite being written beach-side, all four tracks still retain the hypnotic and quasi- dark grooves that Dustin has become known for. The tribal element is also nod to Zahn’s earlier productions before his time with Drumcode. Dustin’s new release is the first of a busy release schedule for 2016, “I’m really surprised at how far Enemy has come and I think it finally has a great crew of core artists. This means it hasn’t left much room for my own productions, so I’m returning some of the focus to myself for most of the year.”

A1: Ascendant IV “there are flames that even the darkness cannot extinguish”
A2: Ascendant III “Those who have stared into the Void are not bound by the laws of space and time”
B1: Ascendant II “Bind to other beings, cell by cell, to your will”
B2: Ascendant I “Harmony within, hurricane without” 

Ascension EP (Preview)

Proto-Rhyt (Black Version)

Artist: Baikal
Label: Maeve
Title : Pelican’s Flight 
Catalogue : Maeve 09
Format: Vinyl, digital
Release date: 
Digital: 20/05/2016
Vinyl: 08/07/2016

Track list Vinyl / Digital :

A. Pelican’s Flight
B. All Forces Occur In Pairs

Pelican's Flight

PRHLON

ARTS is back with a classy debut, this is Gëinst, a very young Artist coming from France. His music is Unique, Literally one of a kind. We are happy to present Uchronie EP. When people don’t express themselves, they die one piece at a time, don't forget it. All on Transparent Solid Blue, Black & Clear mixed 12". 
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A2. Gëinst - Self Sufficient

Full Premiere: http://www.wearesoundspace.com/premiere-niles-cooper-toneklang
Submit Your Repost: http://www.wearesoundspace.com/submit-your-repost

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

Niles Cooper
https://soundcloud.com/niles-cooper
https://www.facebook.com/nilescooper

Endless Music
https://soundcloud.com/endlesslabel
https://www.facebook.com/endlessmusiclabel

Get the full premiere!

Premiere: Niles Cooper - Toneklang

Florista EP

Florista

Donor - Fault Is Found (Takaaki Itoh Remix)- Prosthetic Pressings - PP045

🤞🤘

Release: 6.3.17 (vinyl)  13.3.17 (digital)
Format: Vinyl 12", Digital
Cat#: Kann-29
Distribution: Diamonds & Pearls Music

A1: 161161
A2: B0t
B1:  Dedicated To Someone Both Of Us Know
B2: Untitled

Vinyl: http://bit.ly/2lRnhHw

cmd q - B0t (KANN29)

Vril - UV

MOTE033 :: SHIFTED :: RAZORS EP
Following the release of his critically acclaimed album, Crossed Paths, Shifted’s next release on Mote-Evolver is the incendiary Razors EP.
The EP opens with title track ‘Razors’ a six minute odyssey. Sounds are layered one on top of another and create a strictly cyclical structure. Shaking, rattling sounds helicopter overhead, syncopated noise unfurls in the mid-ground and underneath hypnotic beats are laid down relentlessly. It’s a dizzying combination.
Following on from this disorientation ‘Over’ ratchets up the BPM and rules it with an iron fist. This is merciless techno that’s full of intelligent details. Out of nowhere jangling blips and bleeps collide with feral bass. Shifted is no stranger to creating dance floor optimised cuts and ‘Over’ is the sound of a producer with a very finely honed craft.
The flip side begins with ‘Bloodless’ a title that suggests cold hearted, zestless deeds and a track that is ironically anything but bloodless. Rendered in twisted beats and synthesised noise there’s a cautionary tale to be heard, a warning about shiny surfaces that conceal deadening agendas.
The EP closes with the unsettlingly ‘Trouble’. It’s just as likely to have you listening reclined, with your eyes closed, as it is to leave you slightly paranoid looking over your shoulder. The palette is stripped back giving rise to psychologically charged atmospherica. ‘Trouble’ leaves you with far more questions than it answers.
Across the ‘Razors EP’ Shifted displays the range and diversity of his productions with refined electronic experiments next to broken beats and strange atmospherica aside lethal dance cuts.
Tracklisting: 
A1: Razors 
A2: Over
B1: Bloodless 
B2: Trouble

inspiration

JawMan