My new album is out now! :)
https://www.beatport.com/release/voyager/3515042

Voyager

Jay Lumen - Theme From London (Original Mix) Low Quality Preview

Stream/DL: f93.co/DovercourtEP
Factory 93 Selects: f93.co/SpotifySelects

Connect with Weska
@iamweska

Connect with Charles D
@charlesdmusic

Connect with Factory 93
linktr.ee/thefactory93

Limelight

Stream/DL

Weska, Charles D - Limelight

Download all tracks now! 🚀 Follow the link in the bio! 📲💾🔊 Experience the full sonic journey. ✨🎧 Get your copy today! ⏬⏬⏬ Plug in and transcend. 🤖⛓️💥 Don't miss out! 🔥🎶

***

#Subterranean
#Oracle
#Echoes
#Faceless
#Prophet
#Ritual
#Conduit
#Sanctuary
#Machine
#Signals

***

Embark on a sonic pilgrimage into the very heart of a forgotten world. 🚇 Deep within the earth's metallic womb, where concrete gives way to endless, arching conduits of steel and wire, a lone figure stands as the silent sentinel of a future foretold. This is the world of "Subterranean Oracle," a place where the air itself thrums with a low, electric hum—a constant, driving beat that is the planet's own techno heartbeat. 🤖 The figure, cloaked in heavy, dark robes that fall like stone, is a vessel of secrets. Its face is a smooth, featureless void, a blank canvas onto which we project our own anxieties and hopes for what is to come. Is it a priest of a new technological age? An AI entity that has shed its need for human features? Or the last organic being in a world of machines? The ambiguity is the source of its power, a silent prophet in a deafeningly loud world. ⛓️

The environment is a cathedral of industry, a dystopian marvel. Rows of spherical machines, like dormant metallic eyes or gargantuan eggs waiting to hatch, line the tunnel. They are interconnected by a chaotic yet purposeful web of thick black cables, arteries pumping data and raw energy through this subterranean network. 💡 The ground is dust and grit, the only remnant of a natural world long since paved over and forgotten. The sepia-toned light is dim, suggesting a source that is neither sun nor moon, but the cold, artificial glow of the machinery itself. This is the visual landscape that our music inhabits; each track is a step deeper into this tunnel, a new revelation from the oracle. The driving 4/4 kick drums are the relentless march of progress, the raw, distorted basslines are the groans of stressed metal, and the hypnotic, looping synths are the coded messages humming through the wires. 👁️‍🗨️

***

Thank you for listening and for being a part of this journey. Your support is the energy that powers this channel. Please consider subscribing to stay updated on future transmissions. 🙏✨

***

The tracks featured are available for listening and download for personal use. All music is licensed under Creative Commons Attribution, which means commercial use is strictly prohibited out of respect for the artists and producers of the Techno community. Ozone is an experimental profile managed by an enthusiast of the Techno genre, leveraging AI music technology, specifically through a PRO subscription to the UDIO platform which grants the necessary usage rights for this creative synergy. The visual artistry is achieved through the imaginative resources and powerful synergy of AI platforms such as Midjourney PRO, Flux Pro, or REVE, depending on the thematic requirements.

***

techno, darktechno, industrialtechno, underground, dystopian, ai, future, music, electronic, drone, ambient, hypnotic, repetitive, driving, raw, deep, soundscape, cyberpunk, atmospheric, experimental, minimal, producer, dj, rave, club, dark, moody, intense, powerful, machine, industry, undergroundmusic, tech, electronicmusic, bass, rhythm, hypnotictechno, peaktime, hardtechno, futuristic


Future Relic

Steve C - My Pain (Original Mix)

SAMPLED THE BIG DON 50 CENT.
MASTERING ARTHUR VERMEULEN

PLASM - UP & DOWN

Kaiserdisco - Black Mamba (Original Mix) - 100% Pure

Intec is known to many a Techno fan as a scene leading label set up by the iconic Carl Cox who has been at the forefront of DJ culture since the early 90’s.

Boasting a roster of artists including the label boss himself plus Nicole Moudaber, Jon Rundell, Marco Bailey, Carlo Lio, Cristian Varela and Dosem amongst many others of a similar calibre.

The new Intec release welcomes back Fabio Neural who along with seven previous releases on Intec, many will also recognise Fabio from imprints such as SCI+TEC, Intacto, KD Music, Serkal and Adam Beyer’s label Truesoul.

Fabio now travels the globe regularly DJ’ing on the same line up scene leaders like Richie Hawtin, Chris Liebing and Sven Väth.

An exciting talent yet to peak, this four track solo EP is a fine example of why Italian born Fabio has earned international respect and a fan base that spans continents.

“Bonzai” opens the release with looped pads that are packed with tension and sound almost like a warning siren, whilst muffled vocals create a sense of curiosity and menacing bass stabs add to the tracks overall intensity. Relenting only for the euphoria of the main breakdown, this dancefloor focused Techno track is both dark and furious.

Second on the release is “Inside Me” that fuses the rising tones of a soulful vocal with heavy percussion and a grinding bass line. Its rolling groove brought to life with claps and fast flowing hi-hats can only be described as peak time Techno at its best.

Track three titled “Seligman” is led by a pulsating lead synth that morphs into twisted acid with a hypnotic groove. Snares add to the tracks powerful forward momentum and textured FX create a sense of wide open space, which gives the track a vast and epic sound.

Finishing the EP is “Sick Boy” which takes its name from the hair-raising vocal which states “I’m going to tear your soul apart”. Sick and twisted, the track’s sinister lead synth adds to its chilling vibe and haunting atmosphere, but like any thrill seeker knows… it’s the compelling suspense and threat of impending doom that speaks the most excitement!

Fabio Neural - Bonzai - Intec

I am happy to welcome these two new great producers Matt Sassari and Patrik Berg on board at Terminal M! Get some funky bassy acid techno groovers (Monika Kruse)

spotify/beatport/vinyl

Patrik Berg Feat. Matt Sassari - Driving Force

The seventh volume of Drumcode’s annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba’s SCB project, among the collection of topline artists to release their maiden productions on the imprint. 

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fueled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others. 

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting 22 unreleased tracks that have taken prime position in his sets over recent months. 

Outstanding all-round talent ANNA kicks off the compilation with ‘Portable Paradise’, a pulsating cut that sets the tone for the top-shelf club cuts to follow. Also entering the debut field with their first ever Drumcode dalliances are B.Traits and Charlotte de Witte. The esteemed Canadian selector offers up ‘I Feel The Music’, a euphonic track that’s been sought after since spring, and the Belgian ballista unlocks a thick-edged club bomb in ‘Remember.’

Leaders of Drumcode’s new brigade, exciting Brazilian Wehbba and British techno alchemist Boxia set out to impress. Wehbba’s straight-talking ‘Just’ hits with an immediate sense of urgency before neck-snap claps strike with force, and Boxia’s ‘Final Call’ elicits physical engagement with mellifluous vocals and soaring pads. 

Continuously looking to bolster the profiles of emerging talent, Berlin-based producers Weska and Juliet Fox are brought into the fold with equally engaging razor-sharp tracks that are primed to do lasting damage. 

Other notable highlights include an exhilarating workout from Reset Robot - the most released artist on Beyer’s imprint Truesoul – as he lands on Drumcode for the first time. And tastemaker’s favourite Jel Ford makes a welcome return as he ushers in techno rhythms with bustling breaks in ‘Nightshade.’

Elsewhere, support from label mainstays comes in from Bart Skils, who offers a work of consummate skill in ‘West Of The Moon.’ Alan Fitzpatrick, who’s been heavily featured across the A-Side series, joins forces with Scuba as he operates as his uncompromising alias SCB. The result is a propulsive floor-gripper that testifies to their masterful deftness as co-producers. Formidable duos Dense & Pika and Pig&Dan also contribute with powerful compositions.

Weska - Other Places - Drumcode - DC195

"We don't know how Jay Lumen recently finds time to produce one bomb after another, especially as his tour schedule gets busier and busier every year.
From Fabrik Madrid to Exchange Los Angeles from Stereo Montreal to AIM, EMF, from Movement Festival to Dockyard to18Hrs Festival or ADE Jay is traveling all around the world to spread his sound to the biggest and best dance floors on a weekly basis. Nonetheless Jay still keeps his DJ and producer efforts in excellent balance.
His brand new explosive dance floor weapon Meteo with its massive kick, rolling bassline and Acid Techno stamp will hit the dance floors by storm and break the club walls!!

Meteo

Jay Lumen - Meteo (Original Mix)

Stream FULL album: https://fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of  the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences. 
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Love in the Age of Machines

Pleasurekraft - I Sing the Body Electric

Bookings ////////////
----------------------------
Europe / Asia / Australia: contact@stephenmacias.com
North America: contact@stephenmacias.com
Spain / Portugal / South America: hugo@trafficartistagency.com

Jay Lumen - Theme From London (Original Mix) Low Quality Preview

Jay Lumen - official