Binary Finary, an electronic dance music (EDM) duo consisting of Stuart Matheson and Sasha Vatoff. 

Binary Finary first gained widespread recognition in 1997 with the release of their hit single "1998." This track made a significant impact on the club scene and became the first electronic dance track to enter the UK Top 30. Over the years, the track has been re-released and remixed multiple times, solidifying its status as a Trance Classic.

Now, 25 years later, Binary Finary continue to captivate fans and critics around the world with their innovative music and live performances. Their live shows are known for their technical prowess and immersive experience, as the duo expertly combines visuals, lighting, and live mixing to create a memorable experience for their audience.

In addition to their original productions, Binary Finary has also built a reputation for their remixes, giving new life to classic tracks while introducing them to a new generation of dance music fans. This ability to continuously evolve and stay relevant in the ever-changing world of electronic dance music has been a key factor in their longevity and success.

As the duo continues to produce fresh content and explore new avenues in their music, Binary Finary remains a prominent force in the dance music scene, consistently delivering high-quality releases that resonate with fans and keep them coming back for more.

I don’t think you wanna hear what people are saying about you babe…

Young electronic music producer,HighFx first met that style in the late 90's.
From hiphop to drum n bass he started to sing and produce with a bunch of mates.
Later he took part of an activist drum n bass crew as a mc.
The Drumadelik team was born.Startin mixing Breack beat, Dubstep and drum n bass it became one of the main crew in East of France.
It's later,in south of Spain that HighFx started to create his own music.
Since then he has been trying to mix all the influences of several styles to build his own creations.

booking contact pierrelaguel@gmail.com

Electronic Producer DJ
Afro/Amapiano/House/World/Party

KILIMANJARO’s Zambian roots can be felt in the Afro-centric percussive energy that has become the bedrock of a sound he’s been crafting since his teens. As he approaches the next stage of his career, KILIMANJARO is relishing the challenge of further forging his path as an artist and performer.   KILIMANJARO’s electronic rock background has served as a launchpad for his artistry today where he cites Bloc Party, Black Coffee, The Prodigy and Daft Punk as influences that have inspired at various points in his career. From the age of twelve, KILIMANJARO’s foray into drumming has stayed with him throughout his career. Having a long and storied background in music, KILIMANJARO’s roots can be found playing in bands across Scotland.   After spending years Djing the Scottish circuit in cities such as Glasgow and Edinburgh, KILIMANJARO moved down to London in order to establish himself and find a footing in a city that’s been leading the way in electronic music for decades. These moments were pivotal for KILIMANJARO as he crafted and built his sound and paid those early dues, playing every weekend usually at small shows. In 2021, he launched KILIMANJARO MUSIC at La Cheetah in Glasgow, which focused on championing black, POC, female and other marginalised artists across the UK, something he continues to do to this day.

With over a decade working in and around music, KILIMANJARO’s buoyed by the next steps of the journey he’s embarking on as an artist, beginning with the release of his first EP via Capitol Records in early 2025. KILIMANJARO describes the forthcoming EP as a celebration of the darker, underground raves he grew up on, incorporating vocals and melodies, drums with high energy and what he calls “Sounds of the Motherland”. KILIMANJARO may not be a drummer anymore in the traditional sense but his experience still informs the percussive-led production and sets he’s become known for. “This EP is about beginnings and origins. I’m just trying to tell a story about how I’ve been feeling over the past few years and hopefully show the transition I’ve made, celebrating the trials, tribulations and successes that have brought me to this point - The Jump Off.”  KILIMANJARO’s charismatic style of performance has led to him appear on DJ Mag and Mixmag streams this year but what really put him on a global stage was when Fred Again personally invited him to perform a Boiler Room London set in 2022, which has amassed over 1.5 million views and still continues to grow. “Working with Fred in his early run and seeing someone that’s so dedicated to their craft was really special and truly inspirational,” KILIMANJARO says.   This year, he also played Parklife, Glastonbury, Junction 2 and All Points East as well as DC-10 and Ushuaia Ibiza on the White Isle and toured key European clubs and festivals consistently. To close out a tremendous 2024, KILIMANJARO will embark on a run of shows in the US and South America as well as upcoming gigs at The Warehouse Project and Drumsheds.

JFK Passion. 
PaSSion is The East Midlands leading Trance and house event for the past 29 years.
JFK is promoter and resident.

In a basement music-making studio in the south of England sit a bunch of machines. A Moog System 15, a Juno 106, classic Roland TR-808, TB-303 and TR-909s, an Emu SP1200, a Sequential Circuits Prophet 5, Akai MPC, a Mini-Moog… these machines have been some of the foundation hardware for electronic music over the years.

But these machines can’t make music by themselves. Despite all the hype about artificial intelligence (AI) and robots, these machines need somebody to collaborate with — a human — to draw out their soul and funk.

We’ve been fascinated by machine music since the second half of the 20th century, and electronic music has been powered by the ever-developing automation of new technology. “I’ve collected these machines for a long time now, and each one has a story,” says uber-producer Steve Mac, owner of all these machines. “Every time I buy a new one, the rule is that I have to make a track with it.”

The variety of people who drop by to play on these machines are what make the music coming out of this studio so diverse. Whether it’s house music legends like Marshall Jefferson or Danny Rampling swinging by, or cult Trainspotting author Irvine Welsh laying down some vocals on a German/Scottish kosmische disco ditty; a session with dubwise breakbeat rave act Genaside II to making a track with unknown guitar n’ bass whizkid Scott Booth; from working with young house hotshots Cousn from Bristol to some songs with a Brazilian band Steve met in the pub — these machines need humans to collaborate with. They can’t do it themselves.

The above-mentioned Brazilian band member Rafael Berrio provided the impetus for ‘Martina’, a Balearic Brazilian love story that’s the first single from Steve’s new project. It’s backed by a melodic breakbeat piece that also utilises those Brazilian vibes. “I want to make music from the heart,” says Steve. “It’s the interaction of people and machines that I’m really fascinated with.”

Each of these machines is a feat of engineering. Machines like these have created countless classic electronic music cuts, and lately Steve has been adding to that cannon — with a slew of tracks ready to go. The electricity is on. The motor is running. Are you ready for the sound of These Machines?

Hi, I'm Barry and I Can't Swim.

UK/ROW: jim.oregan@teamwass.com / michael.harvey-bray@teamwass.com

Americas: lhughes@teamwass.com / lchenfeld@teamwass.com

MGMT: oran.barton@attentionmgmt.com

Dj / producer from northern Ontario  
I got pics of your mom in the tub , for real cheap. follow me on twitter 


jay root is following