Aled Start (b. 1988)

Runner-up, Ty Cerdd Young Composer of Wales 2014
Finalist 2012 Daryl Runswick Prize. 
Overall Winner, 2010 Young Composer of Dyfed
Winner, 2009 Trinity College of Music String Quartet Composition Competition 
Age group category winner, 2009 Young Composer of Dyfed

Works have been performed by the Alba Brass Quintet, O Duo, Vardanyan String Quartet, Lunar Saxophone Quartet, Trinity College Early Music Ensemble, Meridian String Quartet, John Richards’ Dirty Electronics Ensemble, The Orion Orchestra, Contemporary Music Group (CMG) at Trinity and several other chamber ensembles.
Aled graduated from Trinity Laban Conservatoire of Music and Dance in 2012. He studied / took seminars with Donnacha Dennehy, Lynne Plowman, Paul Barker, Graham Fitkin, Mark Lockheart, Edward Jessen, Heiner Goebbels, Tristan Murail, George Fenton, Michael Finnissy, Christian Wolff and Dominic Murcott. His tutors were Stephen Montague, Errollyn Wallen, Deirdre Gribbin and Gwyn Pritchard.

His past interests were dominated with opera and setting texts to compositions, from Samuel Taylor Coleridge’s Work Without Hope which received several performances in London, to Leeds poet Julian Turner’s Mynydd Hyddgen for Leeds Lieder Festival 2009.

Starting in 2009, Aled organised several concerts and was bandleader, organiser and composer for The Raw Stories Collective (www.therawstories.co.uk); a new music group blurring scored and improvised compositional techniques comprising 10 musicians including acclaimed violinist Satoko Fukuda, avante garde pianist Pat Thomas and counter tenor Gordon Waterson. The libretto is supplied by American poet Daniel Moore. 

His current interests are pared-down ensemble sizes and working with singers, percussion and string timbres.

Aled has keen and broad interests including travel, philosophy and cycling. He is fluent in English, Welsh and Arabic.


Ess Bee Jay is a self taught experimental composer and producer from New York.

Dr. Nick Virzi (b. 1991) is a composer from New York City living in the San Francisco Bay Area, California. His recent work explores the mystical nature of music through imagistic representation, orchestration of complex numerical systems, and use of original natural sound recordings. In addition to composing, Nick is a field recording artist, electric guitarist, conductor, researcher, and educator. He also hosts the international composer interview series Composer OverTime.

​Nick’s music has been performed throughout the USA and internationally by established artists such as cellist Séverine Ballon (France), soprano Tony Arnold, the Los Angeles Percussion Quartet, the JACK Quartet, the Spektral Quartet, Splinter Reeds, Quince Contemporary Vocal Ensemble, Ensemble Liminar (Mexico), Distractfold (United Kingdom), the Ekmeles Vocal Ensemble, the TAK Ensemble, and Ensemble Dal Niente. His work has been featured at such venues as the Juilliard School at Lincoln Center, the Center for New Music in San Francisco, and the Royal Academy of Music in Aarhus, Denmark. His recent commissions include a new work for Line Upon Line Percussion from the Novalis Music and Art Festival, along with artist residencies at the Kopački Rit Nature Preserve in Osijek, Croatia.

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He has participated in such international festivals as Gaudeamus Muziekweek (The Netherlands), and Impuls (Austria), and New Music on the Bayou (Louisiana), including fellowships granted by the Imani Winds Chamber Music Festival (New York City), the Cortona Sessions for New Music (Italy), the soundSCAPE Composition and Performance Exchange (Italy), and the New Music for Strings Festival (Denmark). He has presented his work at the Conrad Prebys Music Center at UC San Diego, the Center for New Music and Audio Technologies (CNMAT) at UC Berkeley, the College of Creative Studies at UC Santa Barbara, as well as the American Beethoven Society at San José State University, the California Interdisciplinary Consortium of Italian Studies (CICIS) at the Italy’s Centers and Peripheries Conference hosted by Stanford University, and the Society for Electro-Acoustic Music in the United States (SEAMUS) at the SEAMUS 2021 Virtual National Conference.

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As a field recording artist specializing in natural sound, Nick has held artist and research residencies at wilderness locations throughout California, such as the Sagehen Creek Field Station in Sagehen Experimental Forest, the Landels-Hill Big Creek Reserve in Big Sur, and the Poto Festival in Grass Valley. He has presented his research in soundscape ecology and bioacoustics at NYU’s Steinhardt School as part of the Precarious Sounds/Sounding Sanctuary Conference (New York City), The Catholic University of America at the Eleventh International Conference on Climate Change: Impacts and Responses (Washington, D.C.), and the Centro Cultural Vila Flor at the Ninth International Conference on the Constructed Environment (Guimarães, Portugal).

 

Dr. Virzi is currently a Lecturer in the Department of Music and H&S Dean’s Fellow at Stanford University. His research is based at the Center for Computer Research in Music and Acoustics (CCRMA) and Jasper Ridge Biological Preserve. He completed his D.M.A. in Music Composition at Stanford University, where he studied with Mark Applebaum and Brian Ferneyhough. He also completed his B.M. at the SUNY Purchase Conservatory of Music, where he studied with Du Yun, Huang Ruo, Laura Kaminsky, and Suzanne Farrin.

Composer-in-residence @ the Canadian Opera Company (2022-)
Composer-in-residence @ Glyndebourne (2019-22)

Photo: Daniel Alexander Denino

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