Waiting At Dusk - Mysterious Duality

Music for piano and string orchestra.

Strings: Budapest Art Orchestra https://budapestartorchestra.com

Artwork: Aline Héau https://cyanotyp.es

Follow:

Links: hoo.be/stevengutheinz

Spotify: open.spotify.com/artist/2pHCm7cvE0ADlPp68tScqW

Apple Music: music.apple.com/us/artist/steven-…theinz/1421925543

SoundCloud: @steven-gutheinz

Instagram: www.instagram.com/stevengutheinz

Facebook: www.facebook.com/stevengutheinzmusic/

YouTube: www.youtube.com/@stevengutheinz

Bandcamp: https://stevengutheinz.bandcamp.com/album/journeys

Musicbed: www.musicbed.com/artists/steven-gutheinz/4360

Web: www.stevengutheinz.com

Journeys

Supernatural Healing

Holly Roadfeldt - Piano

Hommage a Nadia Boulanger (1887-1979) – I have been fascinated by Nadia Boulanger for a long time now. How did this person inspire and produce so many of the 20th century's greatest composers? After reading about her life, I think at least part of that dedication to composers was born out of her relationship to her younger sister Lili, and the circumstances surrounding her early death. From what I understand, Nadia was a great lover of the rigors of counterpoint, but also had the rare ability of helping composers find their own voices during a time of strict dogma in the composition landscape. This piece is inspired by Lili Boulanger's "Theme and Variations", and also by Nadia's love of counterpoint, and by her voice in my head telling me, "Just be yourself."

Buy the album!

Hommage a Nadia Boulanger (Official Album Version)

Holly Roadfeldt - Piano

Hommage a Gary Gygax (1938-2008) - Given all of the artistic and scientific people I've covered so far, why write an Hommage to Gary Gygax, the creator of the role-playing game Dungeons & Dragons? When I set out to write this series, I wanted to pay respects to people who inspired me to create. Gary was the first. I was introduced to D&D in the 3rd grade, and I became fascinated with it immediately. I used to sit in class drawing dungeon maps on graph paper instead of listening to my lessons. This was my first real creative outlet, and where I first encountered the mechanics of telling a story. For instance, if I drew a long hallway on the graph paper, and then drew in a secret door halfway down on the left wall, this in itself posed many questions - questions that I had to answer. Why is there a secret door here? What is it hiding? Is it an object of significance relating to the rest of the story? Is it a dangerous monster, sealed away forever? How does that relate to what the adventurers are going through? My 3rd-grade mind was sent wandering with almost endless possibilities. Through Gary's creation, I learned to craft a narrative - a skill that became invaluable in writing music. How could I not write an Hommage to Gary?

Hommage A Gary Gygax (Official Album Version)

Holly Roadfeldt - Piano

Hommage a Eddie Van Halen (1955-2020) – Eddie Van Halen, guitarist of the band Van Halen, was, simply put, the person that inspired me to become a musician.  I remember the moment vividly.  It was 1984—I was 11 years old—sitting in my dad’s recliner, listening to Van Halen’s album 1984 on his Walkman.  The beginning of side B (of the cassette) starts with the song Hot for Teacher, and features this blazing explosion of finger tapping from Eddie.  I heard that, and right then and there, I decided I was going to learn to play the guitar.  Much of the piece uses the tapping pattern that Eddie used in Hot for Teacher, as well as nods to moments from Jump and Eruption.

Hommage A Eddie Van Halen (Official Album Version)

Holly Roadfeldt - Piano

Hommage a Neil Peart (1952-2020) - One of my earliest true musical influences was the Canadian prog-rock band Rush. Considered by many to be one of the greatest rock drummers in the history of the genre, Neil Peart introduced me to many advanced musical concepts long before I stepped into the halls of a music school. These concepts included odd time signatures, mixed meters, metric modulations, thoroughly composed rhythms, and intense but metered virtuosity. I have always been captivated by his drum solo from their 1988 live tour release A Show of Hands. Neil plays a masterfully composed and executed drum solo in the middle of their legendary instrumental YYZ. In it, Neil created a simple melody on the glockenspiel in opposition and contrast to the thundering drum rhythms of the rest of the solo. It's this melody, the rhythms from the drums, and the YYZ Morse Code rhythm that I focused on in this Hommage.

Waiting At Dusk - Mysterious Duality

jayanthikumaresh