yeah, improv.
2 hexe reVOLVER pedals.
ronin "blooey" guitar.
fryette d120 amp.
neunaber slate reverb pedal, digitech obscura delay pedal.
BLUE mic.

another day of didn't

Pls folow me on https://soundcloud.com/rasping-boy
Guitar based improvised harsh ambient with bit of psychedelic, bluesy, jazzy, industrial  tunes and accidental parallel threads...
Welcome anybody for listen/download. Check please https://raspingboy.bandcamp.com for free download of 6 my homemade not mastered albums/EPs, most free improvised, guitar based, keept in simple concepts.  On bandcamp:  Self-taught, one-man, lo-fi home el. guitar based spontaneous recordings .  Looking for raw sound/playing, rasping, biting,  demolish guitar sound, adventure and concentrated  listening, un-predictive structures.  Self-help, dirty sound, with meditative aspects, overcome pain, fear, mood/mind shift, preferring reality over expectations.

Jazz pianist, synthesist and composer Neil Alexander has been performing, composing and arranging since age 14. Thriving on Variety, Neil has explored many different styles as both a composer and performer: Jazz, Progressive Rock, Ambient, Electronica, Minimalism, Contemporary Classical, and more.
In 2012, after many decades of electric ensemble music, he released his first solo piano cd - continuing his musical journey to find new challenges. His prior release was “Tugging at the Infinite” (2007), his 4th CD as bandleader with his contemporary electric/acoustic jazz ensemble “NAIL”. He does sessions as both player and programmer, and leads the Hudson Valley Ableton LIVE group (AbletonHV). He works as a composer and/or musical director for a variety of NYC based Modern Dance and Avant Garde theater companies.  He has received grants from Meet The Composer; performed works by Stravinsky (including his solo piano transcription of "Rite Of Spring"), Ives, & Cage; managed his own ensembles both electric and acoustic; teaches music clinics at both high school and college level in music technology produced concerts in both small venues and large outdoor settings; and done sound design and music concrete. 
Neil has composed more than 200 works for small ensembles of various instrumentation, and performs solo in both acoustic and electronic formats, and is involved with several different musical ensembles including the “Mahavishnu Project”. He also spent ten years touring with the Pink Floyd Tribute "The Machine", where he contributed significantly to their signature live sound and subsequent success. Neil is a member of Chamber Music America, and is involved in various educational programs on both the High School and College Level.

another day of didn't

jayapala