Energy

crackhead baby rewind (prod.Donnie Katana)

B'Jack - Cant Lose (feat. MZEE)

CLAIRVOYANT

SpaceShip

Spaceship Ft DinoTruStory

me and TINKY WINKY produced this fire ass shit, and me and my boy MIKE had to physically harm that shit. LESSS GOOO.

check the spotify n shiiiiiiiiiiiiiiiihiubiovfiaseabvg;wifhv;aewgwETG

Fortress of Solitude (ft. Mikel Knuth)(prod. T.I.N.K.)

B'Jack - Free Dig

Don't Be Afraid To Try!(prod. Level)

if “it was a good day” was written by me.
Engineered by SMOKE

444 GRATITUDE prod by ...Mason...

Grabba World

Casamigos (feat. 4G)

This song is a raw, confrontational prayer from a specific and persevering community—geographically anchored in Crown Heights, Brooklyn ("Eastern Parkway," "Kingston Avenue to Albany"). It centers on the identity of the "Remnant": those who have survived historical trauma (the Middle Passage, pogroms, systemic oppression) and preserved their faith and lineage against all odds. The lyrics move from a pained question—"What You saving us for?"—to a bold declaration of tactical, prophesied return, citing Isaiah 10:20-22 as a blueprint.

The tone is less one of gentle waiting and more of urgent, intellectual mobilization ("mathematical in spiritual ecology," "decode prohibition"). It frames the urban landscape as both a battleground and a "staging ground" for a physical and spiritual reclamation, rejecting the idea of return as mere metaphor. The repeated chorus, "What about the Remnant," is a direct challenge to the divine, demanding purpose and "marching orders" for this preserved, awakened few. It’s a powerful statement of chosenness forged through survival, rooted in a very real streetscape where "this pavement holds the memory."

The Remnant Question (Isaiah 10:20-22)

Rain Taps on My Window

hi! my name’s jadyn, but you can call me jaye 🌈

IG: jayeascending

444 GRATITUDE prod by ...Mason...

jaye

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