Away with you, dark thoughts of autumn!
Now springtime comes, radiant with gold!
Shall my youthful years be lost in grief and sorrow?
No, I want to laugh through tears.

FR/ES/RU 
TECHNO
KRATERZ
[GrafiKSelfmade]
Released tracks on Elektrobeats Records, exit Lab, FLASH Recordings, Phobiq, Technoize records labels.

Depuis l'âge de 16 ans, Jeremy Habert AKA James Blaster et KMZ est passionné de groove box et de musique électronique. Ses influences variées (Electro ; techno ; Break Beat ; Dub-step ; Rap et bien d autres styles) lui influent un style personnel et riche en sonorités au travers de ses nombreux voyages tel que l'Espagne où il grandit et découvre les premiers festival de Raveart, Satisfaction, Retro suite, Creamfield, Boom festival, et des clubs tel que la copera à granada, la caracho, la trinchera,  el space ibiza, l amnesia et bien d'autres, écoutant les meilleurs djs et producteurs compositeurs du monde electronique planetaire.
Il voyage et travail par la suite à ses 22 ans en Russie à Moscou pendant 5 années où il s'impregne  et decouvre la culture local et ses artistes electroniques mais pas seulement; peux connues en occident il ce plonge dans les open air et club moscovite vivant pleinement des sets de locaux/loco de break core, hardcore, psytrance, dnb, dubstep^et minimal techno trés pondérant dans les pays de l'Est.
Il y rencontre son grand ami Andrey Kuznetsov qui lui appris beaucoups autour des ofwares et hardware, ainsi que la rencontre avec actuellement MOTEKA aka Pierre deLort faisant parti du grand duo du projet et album de Principles Of Flight, faisant parti du label Childoftomorow et skyptom, lors d'un live set de ce dernier dans un club moscovite, qu'il concidere comme son mentor à cette epoque ayant produit avec ce dernier 2 tracks, KLIN sur le Label de Sasha Carassi PHOBIC records, et KRETEK sur le label de Florian Meindl FLASH records, qui fut une superbe experience musical.
Chanteur et dj depuise 2005, il apprend la musique en autodidacte ainsi que la technicité au travers des hardwares et softwares, grace à ses rencontre et sa profonde passion coulant dans ses veines au rythmes de son coeur. En quête de sonorités personnelles, il explore les différents supports, hardware et software. c'est alors la découverte et l exploration de son univers sans limites.
Décrivant la musique comme un code à décrypter, ancré dans la société depuis la nuit des temps, c'est à l'improvisation qu'il nous transmet son ressenti, ses émotions, l'instant vécu...

With a career spanning more than 20 years, Paco Osuna is one of the most renowned artists in the industry. His creativity, courage and relentless search for new forms of expression are some of his principal and consistent virtues when it comes to making music. On the dance floor, he is lively, intelligent and sophisticated, with a deep awareness for sound aesthetics. Every session is important to Paco and he sets out to invent and renew every time he steps onto the stage.

In 2006 he launched Mindshake, conceived as a platform for the creation and distribution of electronic music. Over the past few years, Mindshake has become one of the most important techno labels in the US and Europe. Also in 2006, Paco founded a club with a fresh concept, Club4, which has established itself as the overwhelming choice for its variety and accessibility in electronic music offerings.

Throughout his career Paco has performed at clubs, parties and festivals of great prestige. The list of events in which he has played is endless, and is one where quality is more important than quantity. From Fabric London to WOMB Tokyo, passing through Space NYC, Space Miami, Verboten New York, Watergate Berlin and Electric Brixton London. Meanwhile, Sónar, Awakenings, Dockyard, ADE, Neopop, BPM, Electric Zoo, Movement Detroit, Time Warp and Tomorrowland are some of the many festivals he has played.

From 2012 to 2014 he was resident for Richie Hawtin’s ENTER, appearing not only at Space Ibiza but also in its tour around the world. In 2015 Paco Osuna became part of Music On, joining Marco Carola in residencies at Amnesia Ibiza and the Story club in Miami, as well as the emblematic parties during BPM Mexico. In 2016 he was selected to be ambassador of PLAYdifferently Model1, a distinction also received by Loco Dice, Chris Liebing, Dubfire and, of course, Richie Hawtin. 2016 was also an important year for the Mindshake showcases, in which Paco participated alongside other label producers with tours taking in European and American stages, including events such as the Miami Music Week and ADE Amsterdam. The Mindshake showcases are both an extension of the musical and artistic vision of Paco and a family celebration, where the main goal is to create an unforgettable musical experience.

In the studio, Paco Osuna has moulded his own musical signature, coating the purest techno sounds with his characteristic features: depth, darkness and imagination, always accentuated by his creativity and innovation. Proof of that are his releases on labels such as Plus8, Minus, Mood, Spectral and Hommage, plus productions for his own platform Mindshake.
With a long career and background, Paco has picked up several prizes for his hard work on and off the stage, receiving the awards for Best Artist, Best Techno DJ, Best Producer and Best Remix from the Vicious Awards and DJ Mag Spain.

During 2016 Paco Osuna will extend the journey that has led him be the artist that he is today. This year, his residencies with Music On Ibiza and Miami will continue, while he will also still be focusing his energy on his main project Mindshake, a label that will end this year having published more than 45 works since its conception.


FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

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