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 Listen to my music
    Hope you like it
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Click here for Demo songs....
 


We´ll rock the house...
Jazz ? Never !!  it rocks !!...Jazz is a generally high-quality music , performed by equally high-quality musicians . Through its latent heaviness of Jazz, it is unfortunately reserved only an elite audience - or one that adheres it ( and also so behave )
So what, if we do the same as the jazz musicians - only with ROCK music ?? Then immediately the understanding intersection is significantly bigger ….and everybody is happy. Exactly this is Doc Heyne: to rock the whole range of good taste - melodic, hard, danceable, uncompromising. The new CD really blasts an awesome sound wave, optimized by the mix of Vince Sorg (producer of "Die Toten Hosen"). It is an acoustic frontal assault and certainly you sit in the very front of our “Audio- enjoyment-coach”

Jazz?     Nein!

„ Jazz ist eine meist hochwertige Musik, dargeboten von ebenso hochwertigen Musikern. Durch seine latente Kopflastigkeit ist der Jazz leider nur einem elitären Publikum – oder einem, das sich dafür hält (und sich auch so benimmt) – vorbehalten.“
 
* - aus: Lexikon zeitgenössischer Musik von Dr. R.Heyne
 
Was nun, täte man Gleiches wie die Jazzer – nur diesmal im Rock?? Quasi sofort ist die Verständnisschnittmenge publikumsseitig deutlich größer und alle sind zufrieden – Das genau macht Doc Heyne: rocken, die ganze Bandbreite des guten Geschmacks - melodiös, hart, tanzbar, kompromisslos. Die neue Scheibe lässt eine Soundwelle los, optimiert durch den Mix von Vince Sorg ( Produzent der „Toten Hosen“). Ein akustischer Frontalangriff mit dem die Band zweifellos ganz vorn im Audio-Genuss-Bus sitzt. Live übrigens durch Tänzerinneneinsatz verstärkt.
 
Sämtliche Doc Heyne Mitstreiter sind seit Jahren auf diversen Studioproduktionen, Alben, und in verschiedenen Bands zu hören.
Musikalische Vollbedienung garantiert!!
 
Rockinroll
Doc Heyne sind:

    Gitarre - doc heyne
    Drums - ralf greshake
    Bass - lars bilke



Management Contact: mark@positionmusic.com

WELSHLY ARMS combines their love of blues with rhythm and soul & good ol’ rock and roll, to create a fresh throwback sound that represents their Midwestern roots. Comprised of Sam Getz (guitar/vocals), Brett Lindemann (keys), Jimmy Weaver (bass), Mikey Gould (drums) and Bri and Jon Bryant (bgv’s), Cleveland-based WELSHLY ARMS pays homage to many of their collective musical influences such as Jimi Hendrix, The Temptations, Otis Redding, and Howlin Wolf.

The power of their live show has quickly built them a dedicated following in Ohio and has set the stage for things to tip into a national following in 2016 with performances confirmed on/at The Rock Boat, SXSW, Summerfest, Austin City Limits, Laurel Live, the San Diego County Fair and more. Within the last year alone, their music has been featured in the movie trailer for the Jack Black Film “The D Train,” a national TV/radio campaign for the Cleveland Indians, the promo for the new Netflix show Sense8 and the movie trailer for the new Quentin Tarantino movie, Hateful Eight.

In August of 2016, WELSHLY ARMS will embark on The Tour De Compadres, supporting NEEDTOBREATHE and Mat Kearney on a 53 date tour across the US, hitting iconic venues such as Red Rocks and The Greek Theatre.

When words fade, music speaks!

I appreciate all genre of music which helps me expand my musical horizon and allows me to experience new talents which in turn fuel my own creativity musically.
My music expresses my feelings, my personality and gives an intimate picture of various moments and experiences throughout my life. In truth, my music is my voice and my life story shared though the melody of each of my songs.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

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