mgmt: bbnomgmt@gmail.com
website/merch/tour tickets: https://bbnomula.com
bookings: 
NA = madler@teamwass.com
EU = mike.malak@teamwass.com 
if u got the recipe u can make anything; just add sriracha to make it heat.

Barclay Crenshaw makes electronic music that includes bass, dub, jungle, funk and hip-hop. His performances seamlessly blend genres, creating an immersive experience that transcends traditional boundaries. Barclay’s ability to connect with diverse audiences and create an unforgettable atmosphere has earned him a following of like-minded oddballs. Originally a house music producer called Claude VonStroke and the founder of Dirtybird Records, his shift in sound further cement his long-standing reputation for innovation and authenticity.

Ten years ago, ‘We Are Your Friends’ reached our ears and pushed Justice to the front of the scene, a young French duo signed by Pedro Winter on the label he had just created: Ed Banger Records. The record that followed,✝, was an album of condensed jerky electro, of disco reminiscences and heavy metal energy, with unstoppable tunes like ‘D.A.N.C.E’, ‘Stress’ and ‘Phantom’, and its videos, allowed Justice to follow the 90’s French Touch and its filtered disco loop. 

Since the release of their debut album in 2007, Justice has been tirelessly touring the world by bus, road festival to festival and concerts all over throughout the planet. Since their first tour, the band developed a powerful stage design that they polished and magnified throughout the years and the gigs. The wall of vintage Marshall amps front of the stage, an imposing cross, impressive light shows, and the sound of Justice totally revisited for the live shows. 


MGMT: peter@ambushartists.com
Bookings: ben.hogan@unitedtalent.com
Shows & merch: https://avellomusic.com

I had my first introduction to electronic music with the release of Odesza's album "In Return" in 2014. I was instantly obsessed, and since then I have always had a passion for edm. During my senior year of high school (2017-2018) Illenium's album "Awake" was released, and it completely changed my perspective of what electronic music could be. The vocals, production, and emotion of those tracks were unlike anything I had ever heard. That album got me through some very hard times, and I wanted to do the same for someone else through music. Towards the end of senior year I downloaded Ableton (a popular program for music production). I was incredibly overwhelmed. I had no prior musical knowledge or experience, and Ableton is extremely difficult to jump into. I learned quickly that it takes a tremendous amount of knowledge, creativity, and hard work to produce music. This was a discouraging revelation. Every few months I would sit down, produce a terrible track, close my laptop and move on thinking "this just isn't for me". Then around December of freshman year of college, a switch flipped in my mind. I decided that I was not going to stop until I learned music production. That was about six years ago, and I'm still working hard to produce music with emotion, something people can connect with. I truly believe that no heart makes dreams work and time can't match.

Doing this because I love it. Thanks for reading, and thanks for listening.

-AVELLO

Daily Bread is the sonic perception of Rhett Whatley. 

Booking:
Jay: jmoss@teamwass.com
Zach: zberkowitz@teamwass.com
Logan: lhandelsman@teamwass.com

Management: 
Keith LeWinter
keith@redlightmanagement.com

Brandon Ginsberg
brandon.ginsberg@redlightmanagement.com

・・・・・・
Twitter/Insta :
@rhettwhatley
@dailybreadmusic

BACKBONE with Stormzy OUT NOW.

https://chasestatus.lnk.to/backbone

Hi, I'm Barry and I Can't Swim.

UK/ROW: jim.oregan@teamwass.com / michael.harvey-bray@teamwass.com

Americas: lhughes@teamwass.com / lchenfeld@teamwass.com

MGMT: oran.barton@attentionmgmt.com

10 weeks, 10 songs, 10 cities
https://linktr.ee/Fredagain

The Blunt Tokers is following